Monday, September 30, 2019

The Five Best Agatha Christie Movies

For this list, we are omitting the numerous telefilms that appeared as part of TV series based on Agatha Christie's works (e.g., the shows starring David Suchet, Joan Hickson, and others).

Elsa Lanchester and Charles Laughton.
1. Witness for the Prosecution (1957) - Based on a short story and stage play by Agatha Christie, Witness for the Prosecution is justly famous for its twist ending--which is flawlessly executed. However, its success can be attributed to those old basics of good acting and good script writing. Charles Laughton, who had a tendency to ham up some of his later roles, finds the perfect blend of seriousness and humor as the barrister defending accused murderer Tyrone Power. He is matched by Marlene Dietrich and his real-life wife Elsa Lanchester. The latter portrays Miss Plimsoll, a nurse charged with the unenviable task of caring for Laughton's Sir Wilfred. The duo make a delightful comic team, one savvy enough to generate laughs out of the contents of a thermos. Dietrich has a more difficult role, especially since her character is a conundrum for much of the film. However, when it comes to her big scenes, she exceeds all expectations.

Peter Ustinov as Poirot.
2. Evil Under the Sun (1982) - Playwright Anthony Shaffer (Sleuth) adapted Dame Agatha's 1941 mystery classic. He reduces the number of suspects by merging two into one and eliminates two minor characters altogether. However, he maintains the central plot and captures the spirit of the novel. I know some Christie purists are not fan's of Peter Ustinov's Hercule Poirot. Personally, I think his interpretation is second only to David Suchet's definitive portrayal in the TV series. The rest of the delightful cast delivers splendid performances, especially Maggie Smith, James Mason, Roddy McDowall, and Diana Rigg. Evil Under the Sea also gets a boost from its stunning locations in Spain and a score comprised of Cole Porter songs (even if the tunes become a bit repetitious).

Shirley Eaton as a murderer?
3. And Then There Were None (1941) and Ten Little Indians (1965) - It's hard for me to separate these adaptations of arguably Agatha Christie's most famous novel. Rene Clair's 1941 film retains the island setting and features a stellar cast of Hollywood veterans (e.g., Barry Fitzgerald, Judith Anderson, C. Audrey Smith). However, I'm also a big fan of the 1965 version, which takes place in a isolated, snowbound villa. There are some weak links in the cast (e.g., Fabian, but he's murdered quickly). Wilfrid Hyde-White and Stanley Holloway provide a touch of class and Shirley Eaton keeps us guessing whether her icy blonde will be a victim or the murderer. Plus, it features the Murder Minute--whereby the stop pauses for 60 seconds to provide the audience with time to guess the killer's identity.

Bette Davis as suspect.
4. Death on the Nile (1978) - Peter Ustinov's first appearance as Hercule Poirot is smooth sailing--except for the murders that take place aboard the S.S. Karnak. It's a colorful, expensive production that won an Oscar for Best Costume Design. There's a touch of "Old Hollywood" in this, too, with the presence of veteran stars such as Bette Davis, David Niven, and Angela Lansbury (who would go on to play Miss Marple). Yes, Ustinov plays Poirot too broadly at times, making the sleuth more humorous than he should be. However, there's also a winking intelligence behind his performance that works well. Dame Agatha's mystery is first-rate and requires careful attention, especially at the beginning of the film.

Angela Lansbury as Miss Marple.
5. The Mirror Crack'd  (1980) - Angela Lansbury's sole outing as Miss Marple is a good one that finds the spinster detective up to her neck in suspects when a devoted fan of a film star is poisoned. Like the Ustinov films, this one boasts first-rate production values and an all-star cast that includes Elizabeth Taylor and Kim Novak as rival divas. Lansbury signed a three-picture deal to play Jane Marple, but when The Mirror Crack'd underperformed at the U.S. boxoffice, the film series was sadly nixed. Although I like Angela Lansbury as Agatha's Christie sleuth, my favorite portrayals are by Joan Hickson and later Julie McKenzie in British television series.

10 comments:

  1. I don't care much for Angela's Marple although I wouldn't have turned down the chance to see her have another go at the role if they had continued the series. I would have adored seeing Edward Fox repeat as Inspector Craddock. His interrogation scene with Elizabeth Taylor is my favourite scene in the movie.

    Witness for the Prosecution is such a satisfying movie. And I enjoy Ustinov as Poirot. He's having fun, so I'm having fun.

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  2. For me, I felt that Ustinov chewed too much scenery. I always thought that Finney's performance in "Murder on the Orient Express" was the best Poirot. David Suchet was second, then Ustinov. Can't speak for Marple.

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    1. I think the best Poirot, by far, was David Suchet.

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  3. Wow, you keep delighting us with "Top" lists that are really hard to condense. Witness is a truly spectacular film, even more so when you realize nearly the whole thing was filmed on a Sound State in Hollywood. Exteriors included the famous Santa Monica pier, which figured prominently in another outstanding film, The Sting. My only addition would be Murder on the Orient Express, if only for its fantastic score.

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    1. Check out our interview with Ruta Lee, who reminiscences about making WITNESS FOR THE PROSECUTION (she played Tyrone Power's girlfriend). I love the setting and score in ORIENT EXPRESS, but not Albert Finney as Poirot.

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    2. You are so spot on. I have a love/hate relationship with Finney. Feel has done some excellent work -- Erin Brokovich much? -- but yes he probably wasn't exceptional as Poirot. Suchet was, though, as you pointed out.

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  4. I would've included Lumet's Murder on the Orient Express at the top with Witness for the Prosecution close behind. Not a fan of the rest of the films, though.

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    1. Albert Finney kept MURDER ON THE ORIENT EXPRESS off my list. He may have mastered Poirot's manners, but there's no passion in his interpretation. And I have no idea what accent he was using!

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    2. Finney was the sole Poirot I knew of for the longest while. Part of the enjoyment from many of his other performances came from watching him eat and drink -- I've never seen an actor enjoy it as much as he. But I agree his "Orient Express" outing was quirky and doesn't improve with time. As with the Sherlock Holmes films starring Basil Rathbone, I couldn't imagine another actor better suited to that role. Then along came Suchet (and Jeremy Brett), so there went that thought.

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  5. Although I generally like Albert Finney, I didn't really care for him as Poirot. I love Peter Ustinov's Poirot, as over-the-top as he is. Because I'm not the world's biggest Agatha Christie fan, I enjoy Ustinov's performance as the unabashed scenery stealing that it is.

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