Hitchcock's cameo at the begining. |
Jon Finch as Blaney. |
Hitchcock reveals the identity of the necktie killer early in Frenzy. Thus, he merges two of his favorite plots: the one in which an innocent man has to elude the police (e.g., Young and Innocent, North By Northwest) and the one in which the killer takes center stage in the film (e.g., Shadow of a Doubt, Strangers on a Train). It's a clever structure and Hitchcock and screenwriter Anthony Shaffer (Sleuth) merge the two storylines seamlessly.
Barry Foster as a Blaney friend. |
The best scenes in Frenzy are the comedic ones, which range from darkly humorous to intentionally amusing. The latter scenes focus on the Scotland Yard inspector (a first-rate Alec McCowen) and his wife (a delightful Vivien Merchant). As they discuss the case, she serves him visually revolting meals, which are the result of her cooking classes. The best example of black comedy occurs when the killer dumps a victim's corpse into a potato truck, only to realize later that the victim grabbed a lapel pin from his jacket. As the truck careens down the highway, the killer desperately struggles to find the right potato bag, pull out the corpse, and retrieve the lapel pin from the clutches of a clinched rigor mortis-laden hand. It's physical comedy at its best, in a disgusting sort of way!
Vivien Merchant as the inspector's wife. |
Frenzy doesn't rank with Alfred Hitchcock's best films, but it stands out as the best among his post-Marnie works. It would have been a fitting end to his career, but, alas, he went on to make Family Plot. Like many great artists (and athletes), the Master of Suspense didn't know when to quit.