Seven Things to Know About George Peppard

Peppard in Breakfast at Tiffany's.

1. George Peppard didn't get along with either of his female co-stars on the set of Breakfast at Tiffany's (1961). According to Breakfast at Tiffany's: The Official 50th Anniversary Companion, he and Patricia Neal were friends when they attended the Actors Studio in the 1950s. However, her opinion of him had changed by the time they made Tiffany's: "Boy, he'd gotten rotten. At the Actors Studio, I'd adored him." As for Audrey Hepburn, she and Peppard seemed unable to overcome their different personalities. He sometimes referred to her as the "Happy Nun" on the set (she had made The Nun's Story two years earlier).

2. George Peppard was married five times. His second wife was actress Elizabeth Ashley, who commented  in a 2015 interview: "I married a movie star 11 years older than me because I was looking for a father. Big mistake! Granted, he was gorgeous. Maybe too gorgeous! And good for breeding. But I believe it was doomed from the start." Peppard and Ashley had met on the set of The Carpetbaggers (1964) and they shared top billing the following year in The Third Day. Their marriage lasted six years and they had a son, Christian (also an actor).

George Peppard as Banacek.

3. After Peppard's film career hit a lull, he starred in Banacek, one of the rotating series that aired as part of the NBC Wednesday Mystery Movie in 1972. Thomas Banacek was a very successful free-lance insurance investigator who lived in a plush house on Boston's Beacon Hill and had a chauffeur. In the first season episode "Project Phoenix," Banacek mentioned that he learned "combat judo" in the Marine Corps. Peppard actually served in the Marines from 1946-48 and rose to the rank of corporal.

4. At the 2004 SF Ball X, A-Team regular Dwight Schultz talked about working with George Peppard. On Schultz's first day on the set, Peppard walked up to him and said: "Hello, I’m George Peppard. I’m not a very nice man. I used to be a drunk. I tell everybody that. I’m not a drunk anymore." Schultz also said that both Peppard and Mr. T considered themselves to be the star the show. So, when Peppard started leaving the set at 5:00 pm each day, so did Mr. T. The shooting schedule had to be rearranged so that Schultz and Dirk Benedict could stay late to complete any scenes without the show's "stars."

5. Although known for his film and TV roles, Peppard also performed on stage. He made his Broadway debut in 1956 opposite Shelley Winters and Pat Hingle in Girls of Summer. A young Stephen Sondheim, who wrote the title song, was uncredited in the play's original program.

Peppard and Linda Evans on Banacek.

6. According to TV Guide, George Peppard was the original choice to play Blake Carrington on the TV series Dynasty. He was replaced by John Forsyte due to "creative differences" with the show's producers (interestingly, Linda Evans had been a guest star on Banacek). Peppard did star in another TV series between Banacek and The A-Team. He portrayed a neurosurgeon in Doctors' Hospital, which lasted 16 episodes on NBC in 1975-76. The show co-starred Zohra Lampert and John Larroquette.

7. George Peppard was married five times. In addition to Ashley, his fourth wife Sherry Boucher was an actress. He had three children, one with Ashley and two with his first wife Helen Davies. George Peppard died in 1994 at age 65 from pneumonia. A former smoker for many years, he had been battling lung cancer.

Funny Face..."let's give 'em the old pizzazz!"

Pizzazz! The very word only came into being with Funny Face in 1957.

Vividly colorful and stylish, Funny Face is a full-blown extravaganza, a collaboration extraordinaire of some of the greatest talents of the era. Producer Roger Edens and director Stanley Donen worked with writer Leonard Gershe, cinematographer Ray June, costumer Edith Head, couture designer Hubert de Givenchy, photographer Richard Avedon and the film's incomparable stars Audrey Hepburn, Fred Astaire and Kay Thompson. Abetted by several great Gershwin tunes, this is a movie with considerable pizzazz...

Funny Face had been a work in progress for years, but the vital element that finally brought the project together was Audrey Hepburn. Then under contract with Paramount, Hepburn was the hottest star in the business and any picture with her name attached had a great shot at getting made. She loved both the script and the chance to dance with Fred Astaire and signed on.

Astaire, then pushing 60, was coming to the end of his career in musical films. Funny Face and Silk Stockings were released within months of each other in 1957 and were his last great musical successes on film.

Though its title was taken from a '20s Gershwin musical in which Astaire had starred, that and a few tunes were all the film had in common with the Broadway show. The film's story came from "Wedding Day," Leonard Gershe's musical about the fashion world based on 'the aura' (rather than the life) of legend-to-be photographer Richard Avedon and his wife. Doe Avedon, a great beauty of the time, was a reluctant muse; it was her husband who turned her into a model and guided her career.

Kay Thompson, ace vocal coach, arranger and cabaret star, had worked with Frank Sinatra, Judy Garland, Lena Horne and many others while working for MGM's music department. Gershe had her in mind from the start for the role of Maggie Prescott, a character closely modeled on powerhouse fashion editor and style doyenne Diana Vreeland. According to Leonard Gershe, it was Vreeland who coined the word 'bizzazz' that morphed into 'pizzazz.' Thompson as Prescott is an invigorating presence and she steals just about every scene she's in; early on, her "Think Pink!" number kicks Funny Face into high gear.

Funny Face is a Cinderella tale, the kind of story that was Audrey Hepburn's specialty. The film begins in the offices of "Quality" magazine, where editor Maggie Prescott decrees that the world of fashion shall think and wear pink! Soon after, she and photographer Dick Avery (Astaire) venture into bohemian Greenwich Village on a shoot...where bookstore clerk Jo Stockton (Hepburn), an ugly duckling with swan potential, is unearthed. The plot takes off from there. Cut to Paris where newly made-over model Jo wears exquisite Givenchy haute couture and is gorgeously photographed by Dick everywhere in the City of Light. Songs are sung. Dances are danced. Love blooms. A fairytale ending eventually comes.

The plot is nothing new, but watching Hepburn, Astaire and Thompson cavort through this high fashion romp is so easy on the eyes and ears that in so many ways...'s wonderful.

Then there's the 'beatnik' interlude, most noteworthy for Audrey's dance routine in a subterranean Parisian club dressed in black clothes and white socks. Though Hepburn battled Donen over the color of her socks, he won and the result was memorable.

Director Stanley Donen, who was never nominated for an Academy Award, made some of the best and most popular musicals in movie history - including Singin' in the Rain and Seven Brides for Seven Brothers. He also made several successful non-musicals, films like Charade and Two for the Road. In 1998, the Academy honored him with a Lifetime Achievement Award. In his acceptance speech, he both sang and danced to Cole Porter's "Cheek to Cheek"...he knew how to "give 'em the old pizzazz!"

(YouTube has a clip of Donen receiving and accepting his award from Martin Scorsese)