Classic Movie Dogathon: 101 Dalmatians

101 Dalmatians ranks easily as my favorite Disney animated feature. It puzzles me that it’s rarely mentioned among the Disney classics like Snow White and the Seven Dwarfs, Bambi, and Pinocchio. While I admire those films, they fail to blend the critical animated film elements—well-developed characters, quality artwork, and strong narrative—with the ease of 101 Dalmatians. (Admit it, both Snow White and Pinocchio have their share of slow spots.)

Set in London, the well-known plot traces the courtship and marriage of Dalmatians Pongo and Perdy (and their human “pets” Roger and Anita). It’s a happy home until Anita’s wealthy “friend” Cruella De Vil pays a visit and decides that Perdita’s puppies would make “such perfectly beautiful coats.” Hiding her intentions, Cruella tries to buy the puppies. When Roger and Anita refuse, Cruella has her bumbling goons Horace and Jasper kidnap the pups.

It’s a lively, entertaining story rich with fully developed characters. Even the puppies get memorable personalities, with my favorite of the litter being the plump Rollie who spouts classic lines like: “I’m so hungry I could eat an elephant” and (a few minutes later) “I’m hungry, Mother…I really am.”

Anyone who has loved a dog will appreciate the care with which the animators have captured canine traits. Pongo drags Roger mercilessly on walks, shakes off water vigorously when wet, and sticks his butt in the air when getting playful.

Indeed, the entire film exhibits a delightful fondness for little details. Like all parents, Pongo and Perdy spell out certain words in front of their children—important canine words like W-A-L-K. As with many children, the puppies are glued to the TV screen for their favorite show (the adventures of the heroic dog Thunderbolt). The TV show is even sponsored by a children’s food (Kanine Krunchies). And when the the spotted dogs are pursued by Horace and Jasper, they roll into coal dust to disguise themselves as black Labradors. My favorite little touch, though, is the “twilight bark,” a canine telegraph system in which dogs howl important messages to one another each evening.

Technically, 101 Dalmatians boasts splendid animation. The London buildings and the rural countryside are painted with charm and detail (to include a flashing neon billboard for Kanine Krunchies). The use of shadows and silhouettes brings depth to the images. Even the direction is imaginative, as evidenced by the clever scene of Roger and Anita’s wedding. As the “camera” pulls back through a church window, we see that Pongo and Perdy are holding paws as part of their own matrimonial ceremony.

In my opinion, 101 Dalmatians was the last great American-made animated film until Disney revived the genre in the 1990s with Broadway-style musicals like The Little Mermaid and Beauty and the Beast.


Be sure to check out the rest of the films in the Classic Movie Dogathon. Click here for the full schedule.

My 100 Favorite Films: From 30 to 21

This month’s countdown list features my favorite Hammer horror film and my favorite Disney animated movie. As always, please keep in mind that these films are not what I'd consider the best 100 movies ever made. They are simply one classic fan's favorites. (An underlined title means there's a hyperlink to a full review at the Cafe.)

David Peel, who looks rather pleasant
here, with Yvonne Monlaur.

30. Brides of Dracula – How can Chris Lee be absent in Hammer Films’ best movie—a Dracula entry, no less? It seems downright peculiar, but, regardless, Brides of Dracula is an exciting, intelligent film with surprising depth, a showcase role for Peter Cushing, and a stylish vampire villain. Yvonne Monlaur plays Marianne, a young French woman on her way to a new teaching position in a boarding school. When a coachman abandons her along the way, she accepts an invitation by the elderly Baroness Meinster (the superb Martita Hunt) to spend the night in a nearby castle. She soon meets young, handsome Baron Meinster (David Peel). His mother keeps him in shackles and you can guess why—but Marianne doesn’t. Pretty soon, there’s an outbreak of vampirism at the boarding school and it’s Van Helsing to the rescue. His climatic confrontation with Meinster in a dilapidated windmill sets the stage for the most ingenious ending of all vampire films.

29. Beach Blanket Bingo – I ignored the Beach Party movies for most of my life…but finally realized what I was missing about 15 years ago. Maybe it’s the nostalgia factor, the portrait of an innocent age that never existed except on celluloid. Regardless, I now always enjoy an annual trip to the beach with Frankie, Annette, and the gang. The best of the series is easily Bingo. Donna Loren sings her best song. Frankie tries to make Annette jealous with Deborah Walley, while Annette tries to make Frankie jealous with John Ashley. Bonehead dates a pretty mermaid while Linda Evans’s Sugar Kane calls him Boney. Paul Lynde cracks jokes while South Dakota Slim just acts creepy. And, best of all, there’s Eric Von Zipper, who tells Sugar that he likes her—and when Eric Von Zipper likes someone, they stay liked!



Diane McBain as the "bad girl"
in Parrish.

28. Parrish – Delmer Daves wrote and directed three big screen soaps circa the early sixties, all starring Troy Donahue: A Summer Place, Parrish, and Susan Slade. These films have their detractors, but I don’t even feel obligated to defend them. The first two are exceedingly well made, with engrossing plots, plush scenery, and sumptuous Max Steiner music. Yes, Troy wasn’t a great actor—I get that, but he was a likable, good-looking chap. In Parrish, he and his mother (Claudette Colbert) move to Connecticut to work for tobacco farmer Dean Jagger. While Parrish (Troy) tries to figure out what to do with his life, he romances a sharecropper’s daughter (Connie Stevens), a rich bad girl (Diane McBain), and a richer good girl (Sharon Hugueny). He also has to cope with a villainous tobacco magnate (delightfully overplayed by Karl Malden), who has eyes for Parrish’s mother. It’s such fun that just writing about it puts me in the mood to watch it again.

27. The List of Adrian Messenger – John Huston’s 1963 mystery is best known for its gimmick: several famous stars make cameos in heavy make-up. While trying to spot the stars is undeniably fun, the gimmick disguises the fact that The List of Adrian Messenger is a highly-entertaining, crafty film that starts as a mystery and evolves into a suspenseful cat-and-mouse game. In the opening scenes, author Adrian Messenger provides a list of ten names to his friend Anthony Gethryn (George C. Scott), a former MI5 operative, and asks him to quietly find out if the ten people on the list are still alive. Gethryn agrees to undertake the assignment. A few days later, a bomb explodes aboard a plane carrying Adrian as a passenger. Based on a 1959 novel by mystery author and screenwriter Philip MacDonald, The List of Adrian Messenger borrows the killer’s motive from another famous detective novel (no spoilers here!). But the “why” is only part of the fun in The List of Adrian Messenger. It’s the “how” that differentiates it from other mysteries. Among his many skills, the murderer, played delightfully by Kirk Douglas, is also a master of disguises. That provides the opportunity for Douglas to don a number of incredible “looks” designed by make-up master Bud Westmore. Thus, the killer appears as a pointy-chinned priest, a short mousey man, a white-haired elderly villager, and others.

James Stewart learns a little detail
he wishes he hadn't learned.

26. The Flight of the Phoenix – Director Robert Aldrich bookends The Flight of the Phoenix with a wild airplane crash and an exhilarating climax. But it’s the drama in-between that makes the film so fascinating: the friction among the survivors; their audacious plan to reach civilization again; and a brilliant plot twist that comes out of nowhere. Despite the presence of stars James Stewart, Peter Finch, and supporting actor Oscar nominee Ian Bannen, the cast standouts are Hardy Kruger and Richard Attenborough. Kruger creates an unforgettable character as a quiet, bespeckled German who proposes an incredible plan to save the plane crash survivors—he's irritating, childish, determined, and innovative. It’s a well-rounded performance matched by Attenborough’s wonderfully understated turn. As the unassuming man who holds everyone together, Attenborough’s character soothes egos and forges unlikely alliances in the best interests of the group.

25. The Magnificent Seven – At the risk of offending Kurosawa fans, I’ll confide that I prefer this Western remake of The Seven Samurai to the original film. Don’t get me wrong—The Seven Samurai is an impressive cinematic achievement and certainly the more important of the two films. I just don’t find it as entertaining as John Sturges’s crisp, energetic Western. Yul Brynner stars as the down-on-his-luck gunfighter hired by a small, poor Mexican village to defend it from bandits. My favorite part of the film (no surprise to Café regulars) is when Yul recruits the rest of the reluctant heroes—played by the likes of Steve McQueen, Charles Bronson, Robert Vaughn, and James Coburn. Toss in Eli Wallach as the despicable outlaw and Horst Buchholz as a young whippersnapper and you’ve got one of the all-time great casts. As an added bonus, Elmer Bernstein provides an incredible music score, capped with the rousing title theme.

24. Enter the Dragon – In the early 1970s, Bruce Lee, frustrated with the lack of decent roles, decided to take the “Clint Eastwood path” to Hollywood stardom. He left the U.S. and returned to Hong Kong to make a couple of inexpensive martial arts films. Two worldwide smashes later, Hollywood came calling—offering the lead in a James Bond-style martial arts adventure. Warner Bros. hedged its bets by casting a well-known American actor (John Saxon) and an African American real-life karate champ (Jim Kelly). Still, Enter the Dragon was clearly tailored for Lee, who plays a martial artist hired to infiltrate a super villain’s island fortress by participating in a fight tournament. A near-perfect action film, Enter the Dragon never takes itself too seriously and showcases Lee’s natural charisma and humor. It’s interesting to ponder Lee’s career arc had he lived longer--would he have alternated polished films like this with his own more personal pictures (e.g., Way of the Dragon)?

The bell tower climax--yes, it was
filmed indoors.

23. Black Narcissus – Michael Powell and Emeric Pressberger’s masterpiece follows a group of nuns who are sent to a remote Himalayan village to establish a school and hospital. These new surroundings stir repressed emotions in several of the nuns, ultimately leading to tragedy. Powerful and understated, Black Narcissus is anchored by a brilliant performance by Deborah Kerr and a compelling one from Kathleen Byron (whose acting career petered out all too quickly). Technically, the film is an incredible achievement. Many of the outdoor scenes, to include the stunning tower climax, were filmed inside a studio using “glass shots” and miniatures designed by Alfred Junge. Jack Cardiff’s color cinematography is often touted as the best example of the Technicolor process. Both Junge and Cardiff earned well-deserved Oscars.

22. The Long, Hot Summer – This engrossing trip into William Faulkner's South stars Paul Newman as drifter Ben Quick, the son of a barn burner (which makes one instantly unpopular). Ben arrives in the small hamlet of Frenchman's Bend, Mississippi, where bigger-than-life Will Varner (Orson Welles) owns just about everything. Varner, who recently recovered from a heart attack, is obsessed with getting "some more Varners" in the way of grandchildren. His weak-willed son Jody (Tony Franciosa) isn't making much progress with his pretty, but somewhat flighty wife Eula (Lee Remick). So, Varner is determined that his smart, headstrong daughter Clara (Woodward) get married. And if it's not to her long time, would-be suitor Alan (Richard Anderson)...than it may as well be to that ambitious "big stud horse" Ben Quick. The near-perfect cast brings these colorful characters to life, to include Angela Lansbury as Varner's mistress. The lively exchanges between Newman and Welles are a joy to behold (Varner to Ben: "I've been watching you. I like your push, yes. I like your style. I like your brass. It ain't too dissimilar from the way I operate.") But the heart of the film is the sparkling chemistry between Newman and Woodward; they were married the same year the movie was released. My favorite scene is an exchange between them in a general store, which goes from playful to surprisingly enlightening.

Pongo and Perdy get married with
their owners (in background).

21. 101 Dalmatians – Easily my favorite Disney animated feature, it puzzles me that 101 Dalmatians is rarely mentioned among the Disney “classics” like Snow White and the Seven Dwarfs, Bambi, and Pinocchio. Set in London, the well-known plot traces the courtship and marriage of Dalmatians Pongo and Perdy (and their human “pets” Roger and Anita). It’s a happy home until Anita’s wealthy “friend” Cruella De Vil pays a visit and decides that Perdita’s puppies would make “such perfectly beautiful coats.” When Roger and Anita rebuff Cruella’s offer to buy the puppies, her bumbling goons Horace and Jasper kidnap the pups. It’s a well-paced, entertaining story rich with fully developed characters. Even the puppies get memorable personalities, with my favorite of the litter being the plump Rollie who spouts classic lines like: “I’m so hungry I could eat an elephant” and (a few minutes later) “I’m hungry, Mother…I really am.” Anyone who has loved a dog will appreciate the care with which the animators have captured canine traits. Pongo drags Roger mercilessly on walks, shakes off water vigorously when wet, and sticks his butt in the air when getting playful.

Next month, we reach the Top 20 as this countdown nears its conclusion. The next ten movies will include appearances by Gene Tierney (but not Laura), Cary Grant (in a non-Hitchcock role), an eccentric Scotland Yard inspector, and perhaps the longest sword fight on film.

This Week's Poll Goes to the Dogs--the Disney Dogs!

Yes, an obvious pun—and a bad one—but it had to be said. Yet, no one can deny that Walt Disney Productions made some of the cinema’s most memorable dog films. Your challenge this week is to vote on your favorite one. The canine candidates are:

One Hundred and One Dalmatians (1961) – The very scary Cruella De Vil has Dalmatian puppies kidnapped so she can use them for a Dalmatian fur coat! Highlights: the “twilight bark”; the human/canine double wedding; the TV show parodies “What’s My Crime” (a favorite of the kidnappers) and the Kanine Krunchies jingle; and Dalmatians rolling in soot to disguise themselves as black Labrador Retrievers.

Lady and the Tramp (1955) – Opposites attract when Lady, a sheltered, pampered Cocker Spaniel, meets Tramp, a scrappy mixed breed that lives in the streets. Highlights: Lady and the Tramp sharing a candlelight spaghetti dinner as they’re serenaded with the pretty “Bella Notte”; the sneaky Siamese cats singing their signature tune (“We are Siamese if you please; we are Siamese if you don't please”); and the marvelous dog’s eye view of the world throughout the film (ever notice that one rarely sees the humans’ faces?).

Old Yeller (1957) – A large, stray “yeller dog” adopts a frontier family. The oldest of the two sons (Tommy Kirk) rejects the dog at first, but grows to love the loyal, courageous animal. Highlights: Yeller’s refusal to eat a tempting slab of meat hung in front of him all night long as a test; Yeller sneaking onto the bed of the younger boy; the tears-inducing climax; and Yeller’s pups…which look like Golden Retrievers even though Yeller was mostly a Lab. The sequel, Savage Sam, isn’t nearly as good.
 
Greyfriars Bobby (1961) – This is the amazing true story of a loyal Skye Terrier who slept on his master’s grave in an Edinburgh cemetery every night for 14 years. Given that laws required an ownerless dog to be destroyed, the City of Edinburgh adopted Bobby. One of Disney’s least known dog films is definitely worth a rental. Highlights: Bobby’s first day alone in the city; the children in the orphanage watching for Bobby; and Bobby gradually endearing himself to the crusty cemetery caretaker (Donald Crisp). The same story was the basis for the earlier Challenge to Lassie (1949).

The Incredible Journey (1963) – A Labrador Retriever, a Bull Terrier, and a Siamese cat (a nice one) are separated from their family and must trek 200 dangerous miles back home. There are no talking animals here (unlike in the 1993 remake in which we “hear” the animals’ thoughts). Instead, there’s some narration (which makes it seem like a documentary at times), a trio of impressive canine and feline thespians, beautiful landscapes, and a porcupine.

Those are your candidates! Confer with your pup, if you have one. I’m not sure feline advice would be unbiased in this case (I imagine they’d favor 101 Dalmatians and Incredible Journey, which feature nice kitties…as opposed the conniving Siamese twins in Lady and Tramp).