Seven Things to Know About George Peppard

Peppard in Breakfast at Tiffany's.

1. George Peppard didn't get along with either of his female co-stars on the set of Breakfast at Tiffany's (1961). According to Breakfast at Tiffany's: The Official 50th Anniversary Companion, he and Patricia Neal were friends when they attended the Actors Studio in the 1950s. However, her opinion of him had changed by the time they made Tiffany's: "Boy, he'd gotten rotten. At the Actors Studio, I'd adored him." As for Audrey Hepburn, she and Peppard seemed unable to overcome their different personalities. He sometimes referred to her as the "Happy Nun" on the set (she had made The Nun's Story two years earlier).

2. George Peppard was married five times. His second wife was actress Elizabeth Ashley, who commented  in a 2015 interview: "I married a movie star 11 years older than me because I was looking for a father. Big mistake! Granted, he was gorgeous. Maybe too gorgeous! And good for breeding. But I believe it was doomed from the start." Peppard and Ashley had met on the set of The Carpetbaggers (1964) and they shared top billing the following year in The Third Day. Their marriage lasted six years and they had a son, Christian (also an actor).

George Peppard as Banacek.

3. After Peppard's film career hit a lull, he starred in Banacek, one of the rotating series that aired as part of the NBC Wednesday Mystery Movie in 1972. Thomas Banacek was a very successful free-lance insurance investigator who lived in a plush house on Boston's Beacon Hill and had a chauffeur. In the first season episode "Project Phoenix," Banacek mentioned that he learned "combat judo" in the Marine Corps. Peppard actually served in the Marines from 1946-48 and rose to the rank of corporal.

4. At the 2004 SF Ball X, A-Team regular Dwight Schultz talked about working with George Peppard. On Schultz's first day on the set, Peppard walked up to him and said: "Hello, I’m George Peppard. I’m not a very nice man. I used to be a drunk. I tell everybody that. I’m not a drunk anymore." Schultz also said that both Peppard and Mr. T considered themselves to be the star the show. So, when Peppard started leaving the set at 5:00 pm each day, so did Mr. T. The shooting schedule had to be rearranged so that Schultz and Dirk Benedict could stay late to complete any scenes without the show's "stars."

5. Although known for his film and TV roles, Peppard also performed on stage. He made his Broadway debut in 1956 opposite Shelley Winters and Pat Hingle in Girls of Summer. A young Stephen Sondheim, who wrote the title song, was uncredited in the play's original program.

Peppard and Linda Evans on Banacek.

6. According to TV Guide, George Peppard was the original choice to play Blake Carrington on the TV series Dynasty. He was replaced by John Forsyte due to "creative differences" with the show's producers (interestingly, Linda Evans had been a guest star on Banacek). Peppard did star in another TV series between Banacek and The A-Team. He portrayed a neurosurgeon in Doctors' Hospital, which lasted 16 episodes on NBC in 1975-76. The show co-starred Zohra Lampert and John Larroquette.

7. George Peppard was married five times. In addition to Ashley, his fourth wife Sherry Boucher was an actress. He had three children, one with Ashley and two with his first wife Helen Davies. George Peppard died in 1994 at age 65 from pneumonia. A former smoker for many years, he had been battling lung cancer.

Richard Todd Owns "The Hasty Heart"

As World War II comes to an end in Burma in 1945, Lachlan McLachlan (Richard Todd), a Scottish corporal, steps on a land mine. Amazingly, except for the loss of one kidney, his injuries appear to be superficial. The reality, though, is that McLachlan's other kidney is "defective" and that he will die from renal failure in a few weeks. Knowing that the Scotsman has no family nor close friends, the field hospital's commander decides not to tell McLachlan about his impending death. Instead, he places the young man in a ward so he can "be content" during his final days.

Patricia Neal and Richard Todd.

The ward's compassionate nurse, Sister Margaret (Patricia Neal), and the other five patients know the truth. They try to befriend McLachlan--whom they quickly nickname Lachie--but their attempts are rebuffed. The hot-headed, self-sufficient Lachie doesn't make friends freely by his own admission. His first act in the ward is to move his bed away from the other patients. He meets each attempt at civil conversation with a curt, guarded reply. Fortunately, Sister Margaret doesn't give up easily and she eventually finds a way to reach the stubborn Scotsman.

Based on John Patrick's 1945 stage play, The Hasty Heart is a heart-lifting tale rather than a sad one. Patrick wisely avoids a death scene and its aftermath because, after all, that's not the point of his drama. It's a story about love and friendship and knowing that, however briefly we may cherish one another, it's worthwhile to let them into one's heart. (The film's title is derived from a Scottish proverb that states: "Sorrow is born in the hasty heart.") The film's biggest challenge is its premise. The decision not to tell Lachie his fate is questionable at best. Doesn't a soldier deserve to know if he's dying and be given the choice to make his own decisions during what little time remains?

Director Vincent Sherman makes no attempt to hide the film's stage origins. Most of the scenes take place in the ward's tent or in the area around it. His focus is clearly on the script and the performances. Fortunately, the performers are up to the increased scrutiny.

Ronald Reagan and Todd.

Richard Todd gives a brilliant performance as the proud Scot who gradually opens up and then overflows with the joy of friendship and perhaps even love. Richard Basehart, one of my favorite actors, created the role on Broadway and I'm sure he was very good. Gordon Jackson (Hudson on Upstairs, Downstairs) was considered for the film and, again, I think he would have done it justice. But frankly, I can't imagine anyone being better than Richard Todd, who rightfully earned an Oscar nomination for Best Actor (losing to Broderick Crawford in All the King's Men). It's hard to pick Todd's best scene as Lachie. While his marriage proposal is wonderfully awkward, my choice is probably the scene where the other patients celebrate his birthday--an event that the solitary Lachie has forgotten.

The rest of the cast gives effective supporting performances (though both Patricia Neal and Ronald Reagan are billed above Todd). However, it's clearly Todd's picture and your feelings toward the film will likely hinge on whether you embrace his portrayal of Lachie.

Patrick's play has been adapted several times for television. The most notable productions appeared in 1958 and 1983. The former version appeared on the Dupont Show of the Month starring Don Murray as Lachie and Barbara Bel Geddes as Sister Margaret. The 1983 made-for-television film featured Gregory Harrison and Cheryl Ladd in these roles. Perry King earned a Golden Globe nomination for the Ronald Reagan character.

The Day the Earth Stood Still: Do You Remember the Three Words to Save the World?

If there were a Hall of Fame for Timeless Movies, then one of its founding members would be The Day the Earth Stood Still. I've probably watched it at least once every decade since I first saw it on NBC's Saturday Night at the Movies in the 1960s. When I was a youngster, the film's fantastic elements--and Gort, the coolest robot on celluloid--appealed to me. When I was a teen, its stern warning about the perils of nuclear war resonated with me. With each subsequent viewing, The Day the Earth Stood Still has revealed something new: presenting itself as a Biblical analogy, an editorial on the influence of media on public opinion, a portrait of fear of the unknown, etc.

The films opens with Klaatu (Michael Rennie), a visitor from another planet, and his robot Gort making an unannounced spaceship landing in Washington, DC. When Klaatu exits from his ship and reaches into his space suit, a nervous soldier shoots him. While recovering in Walter Reed Army Hospital, Klaatu meets with the President’s secretary, Harley. The alien explains he must deliver a critical message to all the leaders of the world. Harley explains that’s impossible because of global political tensions. Klaatu confesses that he does not understand human conflict. He decides he needs to learn more about Earthlings from living among them. He escapes discreetly from the hospital and, as “Mr. Carpenter,” takes a room in a boarding house.

The success of The Day the Earth Stood Still hinges, in large part, on the casting of Klaatu. Producer Julian Blaustein and director Robert Wise originally considered Claude Rains, but his stage schedule made him unavailable. 20th Century-Fox head Darryl F. Zanuck suggested Spencer Tracy, but Blaustein worried that a well-known star would be a distraction (interestingly, that concern didn't apply to Rains). It was Zanuck who eventually "discovered" Michael Rennie, who was peforming in the British theatre. The tall, low-key Rennie brought conviction to the role, but his greatest accomplishment was making the alien visitor seem human. This is no small feat, as evidenced by a scene in which Klaatu reads the words of Lincoln and wants to meet him. This sequence could easily have come across as hokey, but Rennie makes it quietly effective and even heartfelt (since Klaatu has finally found someone who gives him hope about the human race).

With a human-like alien, it was left to the robot Gort to bring an eerie, other-worldly quality to the film. To make the robot as physically imposing as possible, the producers hired Lock Martin, a 7' 7" doorman at Grauman's Chinese Theater. To make Gort even taller, Martin wore 4-6" platform shoes. Walking in the heavy rubber suit in high heels was physically exhausting. There were two suits, one that laced on the front and the other in back. Martin changed suits depending on the camera angle, so that it looked like Gort had no "seams." In some shots, a static model of the robot was used. That Gort model was later bought by Larry Harmon, overhauled so it didn't look much like Gort, and used in Harmon's Bozo the Clown television show.

In addition to its visual impact, The Day the Earth Still even sounds other-worldly thanks to composer Bernard Herrmann's innovative use of a theremin (shown on right). One of the first electronic instruments, the theremin is "played" by moving one's hands in front of it to change sound frequencies. Its distinctive sound became almost a cliche through repeated use in other sci fi films of the 1950s. Still, Herrmann' score remains an impressive achievement today.

Loosely based on the Harry Bates story "Farewell to the Master," The Day the Earth Stood Still features strong religious undercurrents. Klaatu becomes a Carpenter (if in name only). He performs a "miracle" of global proportions. He brings a message of peace, but is largely misunderstood. And, of course, he is murdered and resurrected. Producer Blaustein credits screenwriter Edmund H. North for adding these provocative layers on top of a traditional science fiction tale.

The cast, music, and richness of themes contribute mightily to the film's timeless quality. But it's the story--along with that awesome robot Gort--that makes The Day the Earth Stood Still popular with viewers of all ages. I love to watch it with young people and tell them that they will need to memorize the film's classic phrase and repeat it at the appropriate point in the film...or the Earth will be destroyed. You'd be amazed at how many different variations I've heard of: "Klaatu barada nikto!"