Showing posts with label josef von sternberg. Show all posts
Showing posts with label josef von sternberg. Show all posts

Tuesday, February 16, 2010

Blue Angel of mercy? Another view of Marlene Dietrich

Marlene Dietrich is one of only a very few film legends whose career spanned 60+years. Her life in film began in the early 1920s with silent pictures. It came to a close with Maximillian Schell's 1984 Oscar-nominated documentary, Marlene, in which she speaks but does not appear on camera.

Dietrich shot to fame as Lola-Lola in Josef von Sternberg's The Blue Angel (1930). Shortly after the film premiered, she left Germany for the U.S. where she and von Sternberg collaborated on six more films during the 1930s, all for Paramount Pictures. The first, Morocco (1930), was nominated for four Oscars, including a Best Actress nod for Dietrich. By the late 30s, her career had cooled somewhat but was reignited when she co-starred with James Stewart in the 1939 hit, Destry Rides Again. Although Dietrich continued making films in the 1940s, most were shot before the U.S. entered the war or made after the war ended. Though she appeared in only nine films from 1950 - 1978, several are classics: Hitchcock's Stage Fright (1950), Fritz Lang's Rancho Notorious (1952), Billy Wilder's Witness for the Prosecution (1957), Orson Welles' Touch of Evil (1958) and Stanley Kramer's Judgment at Nuremberg (1961).

In 1953, the Sahara Hotel in Las Vegas offered her the unheard of sum of $30,000 a week to perform on stage. Her run was so successful that she was quickly signed for a similar engagement in London. The London show was also a smash and she followed it with a return engagement at the Sahara. This was the beginning of Dietrich's celebrated career (and reinvention) as a high-ticket chanteuse that lasted through the mid-1970s. She performed her concert act for a 1972 TV special that earned her an impressive-for-the-era $250,000 paycheck.

Her final film appearance was a cameo in Just a Gigolo (1978) starring David Bowie.

Marlene Dietrich is generally remembered for her glamour and allure, her iconic films, her concert career and her amorous adventures. Her generous spirit is less well known.

Let's take a look...

While she was in England in 1937 working on a film, von Ribbentrop, Hitler's then-ambassador to Great Britain, approached her and pressured her to return to Germany. She refused and became a U.S. citizen in 1939. When America entered World War II, Dietrich was one of the first stars to sell war bonds. She entertained troops on front lines all over Europe and in North Africa, appeared at sevicemen's canteens and made anti-Nazi broadcasts in Germany.

The OSS (the CIA of the time) had a Morale Operations (MO) branch that began producing 'black' (propaganda aimed at psychological warfare) radio programs in 1943. These programs reached listeners throughout Europe and the Mediterranean and were intended to create discord in the Axis countries. In 1944, the MO began to recruit Hollywood talent to boost the quality of programming on its stations. The most popular station was Soldatensender (Soldiers' Radio), and one of the most popular songs it played was Dietrich's "Lili Marlene," with 'black' lyrics created especially for the German version. The Nazi government banned the broadcast of "Lili Marlene, " but the ban was lifted in the face of a backlash among Axis soldiers. "Lili Marlene" soon became the song played at the end of every Soldantensender broadcast.

In 1945, the U.S. government awarded Marlene Dietrich the Presidential Medal of Freedom, one of the first presented. Similarly, France made her a chevalier of the Legion of Honor.

But Dietrich's altruism did not begin with World War II. Consider...

In 1934 Dietrich became romantically involved with one of the great stars of silent films, John Gilbert. Gilbert's young daughter Leatrice came to know Dietrich through her father. In her 1985 biography of him, Dark Star, Leatrice Gilbert Fountain wrote of Dietrich's kindness to her, particularly after John Gilbert's death in early 1936.

According to Leatrice, during her romance with John Gilbert, Dietrich tried to help revitalize his career as well as his health and well-being. She arranged for Gilbert to make a test for the role of her jewel-thief partner in Desire. Gilbert got the part. Unfortunately, shortly after filming began, he suffered a heart attack and was replaced in the role.

Leatrice recalled visiting her father's house on December 24,1935 and being dazzled by the beautiful Christmas tree, decorated in the German tradition by Dietrich herself. She noted that Dietrich thoughtfully slipped away that day so she could spend time alone with her father.

Just over two weeks later John Gilbert was dead at 38.

Following his funeral, Dietrich contacted Leatrice's mother with information and advice about Gilbert's will that could benefit her daughter. Though her mother was unable to successfully pursue the information Dietrich provided, much more important to young Leatrice was the relationship she developed with Dietrich.

A week after John Gilbert's funeral, Leatrice received a beautiful bouquet from Dietrich with a card in her handwriting, "I adored your father. Let me adore you."

Leatrice Gilbert Fountain wrote in Dark Star that for many years thereafter Dietrich made a point of trying to fill the void left by her father's death. She remembers Dietrich as a "fairy godmother" and tells how the star took her to theater openings, on long walks and talks, baked cookies and cakes for her and generally made her feel like "a princess." All this was at a time when Dietrich was very busy with her film career.

Fountain reflects, "I wonder if Marlene Dietrich realized what a difference her presence made to me." She also recounts stories of Dietrich's early days in Hollywood when word began to circulate that she paid the overdue rent of a studio secretary who'd lost her job, that she picked up the hospital bill for the child of a studio electrician and other such acts of generosity. Fountain emphasizes that Dietrich would never take credit for these deeds nor would she talk to Fountain about her efforts to help John Gilbert; Leatrice had to go to other sources to find out.

Marlene Dietrich died at age 90 in Paris on May 6, 1992. Her celebrity remains legendary, but her humanity has a place in the Dietrich legend as well.

References: Dark Star by Leatrice Gilbert Fountain, http://www.cia.gov/ (2008 featured story), http://www.marlene.com/ (Marlene Dietrich/Official Website)

Monday, February 1, 2010

Love Stories: Marlene Dietrich Sizzles as Clive Brook's Former Flame Aboard the Shanghai Express

Jealousy, betrayal, obsession, passion…and this was only the fourth of the seven films Josef von Sternberg made with Marlene Dietrich. The title of their last film together: The Devil Is a Woman—coincidence? Ah, but this is not a review of the strange co-dependent relationship between director and actress. Instead, let's focus on the slightly less complicated romance between a fallen woman and a stiff-upper-lip Englishman.

As civil war is raging in China, a British surgeon, Captain Donald Harvey (Clive Brook) boards a train traveling from Peking to Shanghai, in order to reach the governor general, for whom he must perform brain surgery. Though the voyage could be perilous, his friends somehow envy him, as it is revealed that the notorious courtesan Shanghai Lily (Dietrich) is on board. Being a proper English gentleman, he’s never heard of her.

As chance would have it, onboard he meets a former lover, Magdalen, whom he hasn’t seen in five years. Things didn’t end well. She played games and tried to measure his love, and he was a jealous man who could only take so much before he left her. In the process of catching up, Magdalen informs Doc (as she affectionately calls him) that she has a new life and name. When asked if she’s married, a black-veiled Dietrich utters the classic line: "It took more than one man to change my name to Shanghai Lily." Um, awkward moment. Yet, it is obvious that they both still have feelings for one another—both good and bad.

Later, Doc learns from Reverend Carmichael (Lawrence Grant), who is troubled beyond measure about prostitutes traveling on the train, that Shanghai Lily had made one of his patients go insane and that there were countless others who’d had their lives ruined by her. I suppose at this moment Doc felt pretty foolish for carrying around a watch with her picture in it.

Meanwhile, there’s still a civil war going on in China. As such, government soldiers search the train and arrest the aide of Henry Chang (Warner Oland—yes, Charlie Chan!), a Eurasian merchant who is also a secret rebel leader. Angered by these actions, Chang sends a coded telegram to his rebels to attack the train at midnight. After securing the train, Chang takes Doc hostage so he can use him in exchange for his aide. He also offers to take Lily to his palace, but she declines, saying she’s out of the business. An eavesdropping Doc hears them, barges in and knocks Chang to the ground. This angers the rebel, but because he needs Doc alive, he does nothing and decides to take out his anger by raping Hui Fei (Anna May Wong), a friend and fellow prostitute of Lily’s.

Once his aide is released, Chang decides to exact revenge on Doc for his insolence by blinding the doctor. In order to save Doc’s eyesight, Lily offers to become Chang’s courtesan—just when she thought she was out, they pull her back in. Oblivious as ever, Doc’s old jealousies are ignited when he learns Lily is to stay with Chang. Fortunately, before this can happen, a revenge-seeking Hui Fei stabs Chang to death. However, this does not lessen the anger and resentment that Doc has toward Lily, whom he believes is still a no-good whore. Oddly enough, it is Reverend Carmichael who gets Lily to admit what she did out of love for Doc. Yet, she asks Carmichael not to reveal her secret, as she feels that without faith there is no love. Upon their arrival in Shanghai, Lily offers Doc a replacement watch and he gives into his love. In one of the more classic closing images in film, von Sternberg tightly moves in on the couple as they embrace and kiss on the station platform.

Nominated for three Academy Awards (Best Picture, Best Director, and Best Cinematography [winner]), this was the Titanic of its time, with a box office record $3.7 million. Suffice to say, this was the biggest hit of Dietrich’s career as one of Hollywood’s leading ladies.

Dietrich and Brook have amazing chemistry. He fits the reserved Englishman type and she just sizzles as a worldly seductress. The furs, veils, ostrich feathers, and an array of dazzling costumes enable Dietrich to fully absorb the role of the vamp. In addition, with the aid of von Sternberg, Dietrich is able to reveal the softer, more vulnerable side to Lily as well. This is perhaps one of her top performances.

Fans of the Charlie Chan films will be shocked to see Warner Oland playing such a sinister character. It is not always easy to play against type, but Oland does a nice job conveying the menacing nature of Chang. In addition, Anna May Wong is also a delight to watch.

A classic love story about overcoming jealousy and having faith in, well, love.

This Cafe special was written by Kim Wilson. You can read more of Kim's reviews at her blog 1001 Movies You Must See Before You Die.