There's a Spy in Stalag 17

William Holden as Sefton.

Considering it was made by one of Hollywood's most versatile directors, it's no surprise that Billy Wilder's Stalag 17 flows back and forth effortlessly between drama and comedy. Set in a German prisoner of war camp during World War II, the dramatic storyline focuses on a barracks in the midst of a streak of bad luck. The camp's commandant seems to know everything that happens among the prisoners--culminating in an ill-fated escape in which two American soldiers are gunned down.

The barracks' residents conclude there must be an informant hiding among them and their chief suspect is a wheeler-dealer named Sefton (William Holden). Sefton is determined to make his stay in Stalag 17 as comfortable as possible. He barters with his German captors and profits off his fellow prisoners by running gambling games (e.g., mice races) and selling moonshine (from his own still). None of his fellow soldiers like Sefton, except for the quiet Cookie, who functions as his assistant (and also serves as the film's narrator).

Convinced that Sefton is the barracks' spy, his fellow prisoners beat him severely. Proclaiming his innocence, Sefton warns the others that he will uncover the informant and seek retribution.

Made in 1953, Stalag 17 was based on the 1951 stage play written by Donald Bevan and Edmund Trzcinski, who both spent time in a World War II prisoner of war camp. Jose Ferrer directed the stage version, which starred John Ericson (in his Broadway debut) as Sefton. Two members of the supporting cast, Harvey Lembeck and Robert Strauss, repeated their roles for the film version.

Harvey Lembeck and Robert Strauss.

Lembeck and Strauss provide most of the film's comedic scenes. Strauss portrays Stanislas "Animal" Kuzawa, whose obsession with Betty Grable leaves him perpetually depressed (except when there's an opportunity to spy on Russian female prisoners). Shapiro tries keep up his buddy's morale, although he's self-centered enough to let Animal think letters from a creditor are from Shapiro's lady admirers back home. Both roles border on stereotypes, so it's a credit to Strauss and especially Lembeck that they make these characters believable and amusing. Strauss earned an Academy Award nomination for Best Supporting Actor.

Holden with Gil Stratton
as "Cookie."

Billy Wilder always brought out the best in William Holden, who gives a gritty performance as Sefton, There's no attempt to whitewash the character. Sefton's only explanation for his opportunist ways is that within a week of his arrival at Stalag 17, his Red Cross package, blanket, and left shoe were stolen. Sefton is a loner; he has no friends and no interest in making them. He isn't even particularly nice to Cookie, though he prefers him to the other barracks residents. Holden won a Best Actor Oscar for his performance, though supposedly he thought it was atonement for not winning in 1951 for Sunset Boulevard (ironically Jose Ferrer won that year for Cyrano de Bergerac).

Having seen Stalag 17 multiple times, the most interesting element this time around was the group dynamics. Fueled by guilt over their comrades' deaths, the barracks residents need to uncover the informant. Therefore, they hone in on the person they don't like. There is no evidence against Sefton--other than he already barters with their German captors (which would be stupid for an informant). The barracks' leader doesn't even give Sefton an opportunity to defend himself in a mock trial. A sort of mob mentality takes over, with Sefton branded as guilty and duly punished. (For this reason, Sefton's very last interaction with his fellow soldiers, near the end of the film, doesn't ring true.)

Peter Grave as a prisoner.

Many members of the supporting cast went on to greater fame. Peter Graves worked steadily in film and television before becoming a star with Mission: Impossible and later Airplane! Harvey Lembeck played Phil Silvers' sidekick on the popular Phil Silvers Show (Sgt. Bilko) and later portrayed Eric Von Zipper in several Beach Party movies. Neville Brand played heavies in many films and TV shows before becoming a good guy in the TV series Laredo. And Stalag 17 playwright Donald Bevan gained additional fame as one of Sardi's in-house caricaturists for many years.

Finally, less we forget, the TV series Hogan's Heroes borrowed liberally from Stalag 17, although the tone was decidedly different. Indeed, Donald Bevan and Edmund Trzcinski tried to sue the show's makers, but their lawsuit was unsuccessful.

Here's a scene from Stalag 17, courtesy of the Cafe's YouTube Channel:

The Beach Party Series Comes to a Sad End with "The Ghost in the Invisible Bikini"

This was not the film's original title.

As visitors to this blog know, we are Beach Party proponents, Annette admirers, and Frankie aficionados. Yes, we like our BP movies, but what is one to make of the last--and least--entry in American International's seven-film series? Frankie and Annette are nowhere to be seen. Other prominent series regulars that are also missing include Candy Johnson, Donna Loren, John Ashley, and, most notably, Jody McCrea (Bonehead/Deadhead). Even William Asher, who directed five of the series' entries, opted to avoid this outing (he had shifted his focus to his then-wife's TV series Bewitched).

In the closing credits of 1965's Dr. Goldfoot and the Bikini Machine, AIP announced that Annette Funicello, Deborah Walley, Harvey Lembeck, and Aron Kinkaid "would soon appear in The Girl in the Glass Bikini" (we'll address the title change later). However, by the time production commenced, Annette was no longer attached to the project. Deborah Walley became the female lead and Tommy Kirk, who had previously appeared in Pajama Party, was cast as her co-star.

Kirk and Walley hold hands for a seance.

The plot sends Chuck Philips (Kirk), Lili Morton (Walley), and the older Myrtle Forbush (Patsy Kelly) to the recently-deceased Hiram Stokely's creepy mansion. The trio are the rightful heirs to Hiram's estate, which includes a large sum of money hidden in the house. The dead man's lawyer, Reginald Ripper (Basil Rathbone), wants to swindle them out of their inheritance. Meanwhile, Myrtle's partying nephew Bobby (Kinkaid) shows up at the estate--as does motorcycle gang leader Eric Von Zipper (accompanied by the Ratz and Mice) and J. Sinister Hulk (Jesse White reprising his role from Pajama Party).

Karloff was too ill to stand.

When the completed film, now titled Bikini Party in a Haunted House, was screened for AIP heads James Nicholson and Samuel Z. Arkoff, they deemed it a disaster. Nicholson came up with the idea to add a subplot in which Hiram's ghost (Boris Karloff) has to perform a good deed to get into heaven. A bikini-clad Susan Hart (who had recently married James Nicholson) was also inserted in the proceedings and the movie was retitled The Ghost in the Invisible Bikini. Unfortunately, the title change meant a big production number called "Bikini Party in a Haunted House"--featuring Aron Kinkaid and Danny Thomas protegee Piccolo Pupa on lead vocals--had to be jettisoned.

Still, the remaining songs penned by Beach Party veterans Guy Hemric and Jerry Styner are quite listenable. Nancy Sinatra does an energetic poolside rendition of "Geronimo" while the Bobby Fuller Four serves as the film's "house band." Piccolo Pupa (that was not her real name) sings lead on "Stand Up and Fight." The Italian performer never achieved success in the U.S. despite three appearances on The Danny Thomas Show and a gig on Shindig! 

Nancy Sinatra sings "Geronimo" and Piccolo Pupa dances.

The saddest part of The Ghost in the Invisible Bikini is watching a fine cast being wasted. Karloff, Rathbone, and Francis X. Bushman were all in the twilight of their careers (and Boris was quite ill). It's painful to watch these classic era stars struggle with horrible material. Just two years earlier, Karloff and Rathbone had an opportunity to show off their comedic skills in Richard Matheson's funny The Comedy of Terrors.

Quinn O'Hara as Sinistra.

It's equally frustrating to see Beach Party veterans like Harvey  Lembeck and Bobbi Shaw forced to recycle old gags. Indeed, the only cast member that escapes unscathed is Quinn O'Hara. She's pretty funny as Sinistra, Rathbone's statuesque, but blind-without-her-glasses, daughter who keeps trying to kill Kinkaid's character.

After The Ghost in the Invisible Bikini crashed at the boxoffice, American  International Pictures concentrated on biker and horror flicks (the latter was always one of the company's staples). The Beach Party series, which had started off with such promise in 1963, had lasted just four years and produced only seven films (if you don't count Ski Party). It would take a few decades for their simple nostalgia and memorable music to become fully appreciated. But these days, I can safely say I am not alone in my affection for such drive-in classics as Beach Blanket Bingo and Muscle Beach Party.


This review is part of the Beach Party Blogathon hosted by Silver Screenings and Speakeasy. Click here to view the full schedule of awesome beachy posts!

Harvey Lembeck Stays Liked

While some actors are acclaimed for the body of their work, others earn fame for creating a handful of indelible characters. Harvey Lembeck, like many fine comedians, toiled in minor roles for most of his career in film and television. However, when given a promising role, he seized the opportunity and created three classic characters:  Sergeant Harry Shapiro in Billy Wilder's film adaptation of Stalag 17 (1953); Corporal Rocco Barbello in The Phil Silvers Show (1955-59); and klutzy motorocycle gang leader Eric Von Zipper in the Beach Party movies of the 1960s.

Born in Brooklyn in 1923, Harvey Lembeck first entered show business as one-half of The Dancing Carrolls at a 1939 World's Fair exhibition. His partner, Caroline Dubs, eventually became his wife. 

After a stint in the armed services during World War II, Lembeck graduated from New York University in 1947, hoping for a career in radio broadcasting. Instead, he wound up on Broadway, playing the character Insignia for three years opposite Henry Fonda in Mister Roberts. (Robert Roark played Lembeck's role in the 1955 film version of Mister Roberts). 

Strauss and Lembeck in Stalag 17.

His work in Mister Roberts led to his breakout performance as the wisecracking Sergeant Harry "Sugar Lips" Shapiro in the original stage version of the P.O.W. drama Stalag 17. Along with Robert Strauss as "Animal," Lembeck balanced the play's serious aspects with unexpected humor (e.g., "I'm tellin' ya, Animal, these Nazis just ain't kosher!"). When Billy Wilder adapted Stalag 17 for the big screen in 1953, Lembeck and Strauss both recreated their stage performances--with Strauss earning an Oscar nomination for Best Supporting Actor.

Sgt Bilko and Cpl Barbello in The Phil
Silvers Show.

Two years later, Harvey Lembeck joined The Phil Silvers Show as Corporal Rocco Barbello, who usually found himself knee-deep in the conniving Sergeant Bilko's schemes (e.g., passing a desk clerk off as Bing Crosby at a military show). It was a more subtle variation of his Sergeant Shapiro character, but Lembeck created a perfect comic foil for the fast-talking Silvers.

Andy Romano as J.D. and Lembeck
as Eric Von Zipper in Beach Party.

A few years after the demise of The Phil Silvers Show in 1960, Lembeck made his debut as Eric Von Zipper in Beach Party (1963). I doubt if anyone expected Von Zipper to become a series regular. Yet, except for Muscle Beach Party, Lembeck plays the motorcycle gang leader--a parody of Marlon Brando's character in The Wild One (1953)--in six of the seven Beach Party films. Lembeck excels in the physical comedy bits and also gets to shine in a couple of musical numbers (the best being "I Am My Ideal" from Beach Blanket Bingo). But Eric Von Zipper is best remembered for his classic dialogue, perfectly delivered by Lembeck in an exaggerated Brooklyn accent. Two of my favorites: “Eric Von Zipper adores you. And when Eric Von Zipper adores somebody, they stay adored” and "Him, I like...you, I don't like."

In 1965, Harvey Lembeck founded The Harvey Lembeck Comedy Workshop to teach aspiring comedians. Lembeck explained: "“You can’t teach an actor to be funny. If the humor is innately there, we will give him the tools and nourish his own abilities to grow.” Over the years, the workshop has been attended by actors such as Robin Williams, John Ritter, and Mary Kay Place. Lembeck's children, director-actor Michael and daughter Helaine, run the workshop today.

Harvey Lembeck continued performing on TV series such as The Love Boat and Mork & Mindy right up until his death by a heart attack in 1982 at age 58. He left behind a successful acting school and a legacy of memorable film and television characters.