Monday, December 17, 2018

Movie-TV Connection Game (December 2018)

Red Buttons and Robert Lansing.
Happy holidays to everyone! If you're new to this game, here are the rules:  You will be given a pair or trio of films or performers and will be required to to find the common connection. It could be anything--two stars who acted in the same movie, two movies that share a common theme, etc. As always, don't answer all the questions so others can play, too. There is a single best answer for each question. 

1. David Niven and Leslie Howard.

2. Red Buttons and Robert Lansing.

3. Them! (1954) and The Third Man.

4. The Gold Rush (1925) and Hobson's Choice.

5. Patty Duke and Hayley Mills.

6. Joanne Woodward and Patty Duke.

7. Tom Selleck and Robert Conrad.

8. Bing Crosby and Dustin Hoffman.

9. Jane Seymour and Elsa Lanchester.

10. Robert Redford and Fredric March.

11. The movies Dangerous When Wet and Voyage to the Bottom of the Sea.

12. Cary Grant and George Hamilton.

13. Burt Lancaster and Rod Taylor.

14. Raquel Welch and Deborah Walley.

15. Jack Nicholson and Richard Dreyfus.

Thursday, December 13, 2018

Disney's 20,000 Leagues Under the Sea

Kirk Douglas as Ned Land.
It's a whale of a tale...I swear by my tattoo. Well, truth be told, I'm not a tattoo kind of guy, but Walt Disney's 20,000 Leagues Under the Sea is still an impressive achievement 64 years after its original release. However, a recent viewing reminded me that it's more a movie for adults than children.

The plot, a fairly faithful adaptation of Jules Verne's 1870 novel, opens with the U.S. government launching a search for a "sea monster" that has been destroying warships. The expedition includes a famous French scholar, Professor Aronnax (Paul Lukas), his assistant (Peter Lorre), and a harpooner named Ned Land (Kirk Douglas). When their ship is attacked, the trio fall overboard and are later rescued by the "monster"--which turns out to be a technologically advanced submarine called the Nautilus.

Captain Nemo's submarine, the Nautilus.
The submarine's commander is Captain Nemo (James Mason), who has turned his back on mankind and retreated to a world beneath the oceans. Nemo is thrilled to discuss his discoveries with a fellow scientist, Aronnax, so he spares the lives of his three new passengers. Yet, as their undersea voyages continue, the professor gradually realizes that Nemo is consumed by revenge. Meanwhile, the restless Ned Land plots his escape--hopefully with some of the treasure stored aboard the Nautilus.

Cannibal tries to board the submarine.
With whole sequences that play like a documentary narrated by Paul Lukas and a running time just over two hours, one would expect 20,000 Leagues Under the Sea to be a leisurely affair. However, director Richard Fleischer spaces the three best action scenes with precision. Just as an underwater expedition starts to turn dull, Douglas and Lorre are attached by a shark. A quick visit to a seemingly deserted island gets enlivened by a tribe of cannibals chasing after Douglas. And, as Nemo's near-madness begins to take center stage, Fleischer inserts the film's showstopper: an attack by a giant squid amid a ferocious storm.

James Mason as Captain Nemo.
Douglas, Lukas, and Lorre acquit themselves capably, but the standout performance belongs to James Mason. He captures Nemo's excitement at discovering the wonders of the deep, but also the Captain's depression over the death of his family and his hatred toward the human race that he holds accountable.

Of course, one could argue that the true star of 20,000 Leagues is the Nautilus. From the submarine's exterior design to the observation cone in the captain's quarters, it presents one wonder after another. It should come as no surprise that the film won Oscars for Best Art Direction - Color and Best Special Effects.

The giant squid attack at sunset.
Part of the justification for the latter award was no doubt the famous squid battle. It was originally filmed at sunset, but then reshot because it lacked drama (and some of the wires were visible). Although the scene was believed to be lost, 16mm footage was later discovered and the sequence edited for a "special edition" DVD. It looks pretty good, although the sunset looks like a painted backdrop. The reality is that the storm added immeasurably to the suspense.

Watch it for the thrilling giant squid. Watch it for another fine James Mason performance. Or watch it for the impressive art direction. Whatever the reason, if you haven't watched 20,000 Leagues Under the Sea recently, it's probably time to see it again.

Monday, December 10, 2018

The Five Best Movies That Start With "Q"

I know it's quazy, but what if you're in the mood to watch a movie with a title that starts with "Q"? We pondered this question and came up with five quick picks:

Andrew Keir as Quatermass.
1. Quatermass and the Pit (aka Five Million Years to Earth) - Construction workers uncover the ancient skulls of “ape men” and a large metallic-like object while working in a deserted underground subway station in the Hobbs End area of London. Are the ape men the earliest known ancestors of humans? Is the metallic-like object a bomb or perhaps a spacecraft? And what does it have to do with stories of former Hobbs End residents claiming to have heard odd noises and experienced visions of “hideous dwarfs”?  Nigel Kneale's ingenious mix of science fiction and horror makes for a one-of-a-kind film. It was adapted from his earlier British television serial, which is pretty good in its own right.

2. The Questor Tapes - Robert Foxworth stars as the title character, an android assembled by a team of scientists from plans designed by Dr. Emil Vaslovik, a scientific genius who has suddenly disappeared. When Questor fails to function due to missing programming code, the project is abandoned. Later that day, the android "comes to life," completes its design (e.g., adding facial features and hair), and escapes from the laboratory--determined to find its creator. Gene Roddenberry produced this aborbing made-for-TV film, which doubled as a pilot for series that never materialized.

Robert Taylor and Deborah Kerr.
3.  Quo Vadis - This elaborate MGM spectacle stars Robert Taylor as a Roman military commander who falls in love with a Christian woman (Deborah Kerr) during the reign of Nero (Peter Ustinov). The studio spared no expense on the the film--and it shows with the elaborate sets, detailed costumes, and rich color cinematography. The standouts among its fine cast are the always marvelous Deborah Kerr and Peter Ustinov as the megalomaniacal Nero. At various points prior to production, Clark Gable and Gregory Peck were considered for Taylor's role and Elizabeth Taylor and Audrey Hepburn as the female lead.

4.  Quackster Fortune Has a Cousin in the Bronx - A young man (Gene Wilder) makes a living in Dublin by scooping up horse dung and selling it as garden fertilizer. He becomes smitten with an American student (played by the late Margot Kidder). This offbeat Irish comedy was made before Blazing Saddles and Young Frankenstein made Wilder a star. It's been decades since I've seen it, but the faded memories of it are still strong enough to earn a place on this list.

Eeck! A winged serpent!
5.  Q--The Winged Serpent - A giant winged serpent is terrorizing the skies of New York City, killing window washers and snatching sunbathers from rooftops. Well, technically, it's an Aztec god called Quetzalcoatl and it's also indirectly responsible for a recent spate of human sacrifices. The film's "hero" (an excellent Michael Moriarty) is a two-bit crook who wants the city to pay him to reveal the location of the monster's lair. Larry Cohen's very quirky cult classic isn't a movie for all tastes, but it's a clever and amusing affair.

Honorable Mentions:  George Segal's spy thriller The Quiller MemorandumQ Planes, another spy picture about the theft of experimental aircraft; and Queen of Outer Space, a wacky sci fi film with about four male astronauts landing on a planet populated solely by women (including Zsa Zsa Gabor).

Thursday, December 6, 2018

The Alternate TV Title Game (Volume 2)

Here are the rules: We will provide an "alternate title" for a classic TV series and ask you to name the actual show. Most of these are pretty easy. Keep in mind that they're older series (e.g. classic television). Please answer no more than three questions per day so others can play. Good luck!

1. Pistol Fumes.

2. Frozen Father.

3. Firearms and Ladies' Undergarments.

4. The Lawyer Named After a Character from Oklahoma!

5. Him & Her.

6. Romance on Top of a Building.

7. Hannibal & The Kid.

8. The Widow's Haunted House.

9. I'm Not John Drake.

10. Everyone Comes to Mother's.

11. Please...No More Than Two Times Four.

12. Call McCall.

13. The Marsupial Officer.

14. Return of a Man Called Gabe.

15. Doc on the Run.

Monday, December 3, 2018

The Five Best Philo Vance Movies

Having been a Philo Vance aficionado since my teenage years, I can attest that no actor has captured the uppity, intellectual sleuth. Willard Huntington Wright, writing under the pseudonym S.S. Van Dine, penned twelve Vance novels between 1926 and 1939. The first four are excellent mysteries that minimize the academic discourse that would plague the later works. William Powell played the detective four times on the screen...but his portrayal wasn't the best. Without further...discourse...here are our picks for the five best Philo Vance movies:

Warren William as Philo.
1.  The Dragon Murder Case (1934) - At a country estate in upper New York, wealthy playboy Sanford Montague disappears after a night-time dive into a natural lake called the Dragon Pool. When Montague fails to turn up after a day, the police drain the pool and discover claw marks on the sandy bottom. Later, detective Philo Vance discovers Montague's dead body in a "glacial pot-hole" on another part of the estate. The victim's mangled body is covered with large claw marks--as if he had been ripped open by a dragon. This snappy, atmospheric mystery features a fine performance from Warren William as an acerbic Vance and Eugene Pallette as the blustery Sergeant Heath (a role he played previously opposite Powell). It's too bad Warren William only played Vance one other time in the comedic The Gracie Allen Murder Case (1939).

2.  The Kennel Murder Case (1933) - In his famous book The Detective in Film, author William K. Everson lauded this as one of the three best detective films ever made. I wouldn't go that far, but it is William Powell's best Philo Vance film. Set against the backdrop of the Long Island Kennel Club, this is a "locked room mystery" in which the victim is found locked inside his bedroom, an apparent suicide victim. That's not the case, of course! Michael Curtiz stylishly directs, using camera movement and quick transitions to tighten the film's pace.

James Stephenson.
3.  Calling Philo Vance (1940) - This "B" remake of The Kennel Murder Case is pretty good on its own terms, weaving espionage into the plot and making Vance more action-oriented. Despite the changes, James Stephenson makes a very good Philo Vance. Warner Bros. intended to make a new series starring him, but Stephenson died of a heart attack at age 52 in 1941. He was Oscar-nominated as Best Supporting Actor the previous year opposite Bette Davis in The Letter.

4.  The Bishop Murder Case (1930) - This early talkie is slow as molasses and rather tedious. However, it features a crisp performance by Basil Rathbone as Philo, who displays much of the cutting persona that graced his later Sherlock Holmes interpretation. The plot is also a clever one involving nursery rhymes and chess. It was based on my favorite of the Philo Vance novels and needs to be remade one day!

William Powell.
5.  The Green Murder Case (1929) - My wife and father maintain that the source novel for Powell's second film was the best novel (no, it's second best!). The plot is ostensibly about one of those wealthy families where everyone is bumped off so the killer can claim a large inheritance. Jean Arthur plays Ada Greene, one of the suspects. The cunning mystery still holds up, even if the production now seems dated and the usually reliable Eugene Pallette comes across as too inept as Sergeant Heath.