The All-American and Yankee Pasha

Publicity still with Mamie Van Doren & Tony Curtis.

All American (1953). Tony Curtis headlines as Nick Bonelli, a star quarterback who transfers to a different university to pursue his interest in architecture after his parents die in a car crash. He faces various challenges and conflicts at his new school, both academically and romantically, and eventually decides to play football again--much to the delight of his new school. All American (aka The Winning Way) is a typical 1950s sports drama, with a predictable plot and stereotypical characters. That doesn't mean it's not an entertaining way to spend 83 minutes. It was clearly intended to provide acting experience for its young cast. Although Tony Curtis is the only one that became a big star, his fellow players include such familiar faces as Lori Nelson (Revenge of the Creature), Mamie Van Doren, Stuart Whitman, and Richard Long (who comes as close to playing an unlikable character as he ever did). Van Doren fares best as a bar waitress who is secretly involved with rich college student Long. It's nice to see her in an appealing role, as opposed to the sexpot types she later played (she also appeared with Tony Curtis in the earlier Forbidden). Sports fans may also spot cameos from real-life football stars Frank Gifford, Tom Harmon (Marks' father), and Jim Sears.

Yankee Pasha (1954). Set in New England in 1800, Yankee Pasha stars Jeff Chandler as Jason Starbuck, a fur trapper who falls in love with the beautiful Roxana (Rhonda Fleming). When Roxana sails to France to escape an unwanted marriage to another man, her ship is captured by pirates and she is sold as a slave in Morocco. Jason follows her across the ocean and infiltrates the royal palace, where he becomes a valued advisor to the sultan--all the while plotting to rescue Roxana. Based on Edison Marshall's 1947 novel, Yankee Pasha is a colorful, if modestly budgeted, adventure with a dash of humor. Chandler and Fleming are agreeable, photogenic leads who let their supporting stars deliver all the good lines. Lee J. Cobb seems to be having fun as the sultan, while Mamie Van Doren shows off her comedic skills as the only member of Starbuck's harem. The film's first two-thirds zip along nicely, but then it inexplicitly lumbers to its conclusion with a conventional, boring rescue. By then, though, Yankee Pasha has built enough goodwill so that you'll overlook its ending and remember it fondly. (You can watch Yankee Pasha for free on the Western Film Classics channel by clicking here.)

Revenge of the Creature...or the Gill Man Visits Ocean Harbor Oceanarium

The Creature runs amok at the Ocean Harbor Oceanarium.

When the Gill Man was last glimpsed at the end of Creature from the Black Lagoon (1954), his limp bullet-riddled body was drifting in the water. It turns out that he somehow survived--only to be captured again and sent to a Florida aquarium where he can be studied by scientists and gawked at by tourists. It's a miserable experience for the Gill Man...except for the presence of science student Helen Dobson (Lori Nelson), who appears to have replaced Kay (Julie Adams) as the object of his affections.

There's not much to the plot of this sequel, which, like its predecessor, was filmed in 3D. It's primarily an excuse for a couple of nifty scenes. The first occurs when the Gill Man breaks free from his chains and climbs out of a giant tank, lumbering through the crowd as he heads to the beach. The second highlight occurs near the climax when the Creature makes an impromptu appearance at a seaside dinner club, grabs Helen, and dives off a pier.

Let no Gill Man come between John Agar and Lori Nelson.

Director Jack Arnold, who also helmed the first film, always had a flair for exciting visuals. That's the strength of this sequel. It lacks the sexual undercurrent of Creature from the Black Lagoon, with the Gill Man becoming more of a traditional monster. He does generate more sympathy this time around, but that can be attributed to the Gill Man's situation (e.g., it's sad watching him eat out of a basket like a lab rat...speaking of lab rats, Clint Eastwood has a quick unbilled role as a lab technician who almost loses a rat).

Lori with blonde hair.

John Agar and Lori Nelson do what they can with their underwritten roles. It's somewhat jarring to see the dark-haired Nelson as a blonde. Perhaps, that was an attempt to distinguish her from Julie Adams' character from the original film. Incidentally, Adams and Nelson starred as sisters in Anthony Mann's Bend of the River (1952). The two actresses became lifelong friends.

As for the Gill Man, he appeared in one last Universal picture in 1956: The Creature Walks Among Us.