The 1960s were the Golden Age of the television Western with such classic series as
Gunsmoke,
Bonanza,
The Rifleman, and
Rawhide. In defining the "best" Western of the decade, one could easily argue the merits of a dozen or so series. However, when it comes to television's most memorable Western
character of the 1960s, the answer is clearly Paladin from
Have Gun--Will Travel.
A resident of the upscale Carlton Hotel in San Francisco, Paladin is a gentleman of refined tastes. He smokes only the finest imported cigars, wears expensive tailored suits, tips lavishly, and has a regular boxed seat at the opera house. No one knows exactly what he does for a living. In one episode, the desk clerk remarks: "He must have investments all over the West. He's always going away on business trips."
Paladin's profession, of course, is as a gunfighter for hire. He selects his jobs carefully, usually by reading newspapers from throughout the region and honing in on situations that interest him. In "A Matter of Ethics," an episode from the first season, Paladin reads about a convicted murderer who fears he will be lynched before his trial. Paladin offers his services simply by sending an envelope containing his business card (shown at right).
Paladin meets his prospective client Holgate (Harold J. Stone) aboard a train heading to Bender, Wyoming. Holgate, who's in the sheriff's custody, explains that the son of Max Bender--the man who founded the town--"caught a bullet" from him. For a fee of $200, Paladin agrees to ensure that Holgate is delivered safely to trial.
When they arrive in Bender, Paladin learns that the dead man's sister, Amy (a dark-haired Angie Dickinson), has been "stirring the pot" for a lynching. While he doesn't condone her actions, Paladin is sympathetic toward Amy: "She can't strap on a gun and fight this with her own hands."
By the end of the episode, guns have been fired and two people are dead. But, as is often the case with
Have Gun--Will Travel, the outcome is unexpected and yet satisfying. Paladin honors his contract, gets paid, and maintains his code of ethics along the way. In one of the best scenes in the episode, Paladin explains his ethics by quoting two passages from Robert Browning--as the sheriff and Holgate gaze at him with perplexed expressions.
Richard Boone, who forged a solid if unspectacular screen career, is superb as Paladin. I can't imagine anyone else in the part...or really parts. Paladin is almost a man of dual personas: the gentleman dressed in white and the gunfighter garbed in black. They are one and the same person, of course. The gentleman gets tough in a few episodes and the gunfighter, as previously noted, quotes poetry and still smokes those fine cigars. It's like the black and white pieces on a chess board, one side of the game board mirroring the other. It's an appropriate analogy given the chess piece--the knight--inscribed on Paladin's card and holster.
"A Matter of Ethics"," written by series co-creator Sam Rolfe, is a strong outing in an outstanding TV series. In addition to Dickinson, it features a nice supporting turn by Strother Martin as an attorney that doesn't inspire a lot of confidence. It's a good introduction to a great series. Start with it and you can look forward to even better episodes penned by the likes of Bruce Geller (the man behind
Mission: Impossible) and Gene Roddenberry (who created some sci fi show that aired in the late 1960s).
