Peter Falk Channels Bogie in Neil Simon's The Cheap Detective

A befuddled Lou Peckinpah.

Following the success of his romantic comedy The Goodbye Girl (1977), Neil Simon returned to the zany spoof formula of Murder By Death (1976). Indeed, The Cheap Detective could have been a sequel to Murder By Death with Peter Falk reprising his role of Sam Diamond--a knock-off of Bogart's Sam Spade. Instead, Falk plays Lou Peckinpah, a 1930s hardboiled detective--who is still a knock-off of Bogart's Sam Spade.

Set in San Francisco, the movie kicks off with the discovery of six corpses in a seedy hotel. One of the victims is Floyd Merkle, the partner of private eye Lou Peckinpah. The police target Lou as their primary suspect since he had been having a nine-year affair with Floyd's wife. That prompts Lou to tackle the case and prove his innocence. 

Madeline Kahn.

He receives a visit from a mysterious woman (Madeline Kahn) who claims to have knowledge of Floyd's death. However, she will help Lou only if he can recover twelve stolen diamonds, each valued at over $250,000. Meanwhile, Lou encounters his former flame, Marlene DuChard (Louise Fletcher), whose war hero husband wants to establish a French restaurant in Oakland against the Nazis' wishes.

Yes, The Cheap Detective is essentially a spoof of The Maltese Falcon and Casablanca. Its plot is serviceable, but Simon clearly didn't put much effort into it. Instead, he chose to focus on "the funny"--packing his comedy with one-liners, wacky situations, and relying on an engaging cast. An example is the scene in which Floyd's widow (Marsha Mason) comes to see Lou after her husband's murder. Lou asks her: "Are you sure the police didn't follow you here?" She replies: "I'm positive. They came with me." Three police detectives then emerge from two doors behind her. It's the kind of silly--but funny--gag that would be employed two years later in Airplane! (1980).

DeLuise channeling Lorre.

The cast has grand fun playing parodies of famous movie characters from The Maltese Falcon and Casablanca. John Houseman channels Sydney Greenstreet's Kasper Gutman as Jasper Blubber and Fernando Lamas does a fine Paul Henreid impersonation as Marlene's husband. However, the standout performances belong to Madeline Kahn as a Mary Astor-like femme fatale and Dom DeLuise imitating Peter Lorre. Peter Falk serves as the film's straight man, typically setting up the funny scenes for his co-stars.

As with the later Airplane! and Naked Gun movies, the gags are plentiful with more hits than misses. For this reason, I found The Cheap Detective to be funnier than the slower-paced Murder By Death. I suspect I'm in the minority, though, as Murder By Death seems to be fondly remembered by movie fans whereas The Cheap Detective has been sadly neglected. If you've never seen it--or if it's just been awhile--Neil Simon's 1978 comedy is definitely worth a look.

Neil Simon's Murder By Death

Peter Falk as Sam Diamond.

Wealthy eccentric Lionel Twain has invited the world's six greatest detectives to his isolated mansion for "dinner and murder." Once his guests have been assembled, Twain reveals that a murder will take place at midnight and the first detective to unveil the killer will receive $1,000,000.

That's the premise for Neil Simon's Murder By Death (1976), a modestly amusing comedy that pays homage to some of literature's most famous detectives. Of course, the names and the characters have been tweaked for comedic purposes. Agatha Christie's Hercule Poirot has become Milo Perrier (James Coco) and her Miss Marple transformed into Jessica Marbles (Elsa Lanchester). Likewise, Dashiell Hammett's Sam Spade and Nick and Nora Charles have been turned into private eye Sam Diamond (Peter Falk) and socialites Dick and Dora Charleston (David Niven and Maggie Smith). Finally, there's Sidney Wang (Peter Sellers), a thinly-veiled version of Earl Derr Bigger's Charlie Chan.

Simon's affection for these characters and the mystery genre is apparent throughout Murder By Death. However, that's not to say that he's above poking fun at the detectives' best known traits. For example, Twain constantly expresses irritation at Sidney Wang's broken English and his wise sayings ("Conversation like television set on honeymoon--unnecessary"). Simon also delights to sending up some of the mystery genre's best-known conventions, such as revealing new information just before the culprit is unmasked.

Peter Sellers as Sidney Wang.

Simon's script for Murder By Death is filled with one-liners and sight gags. His strategy is one of quantity over quality, so that when a funny line falls flat, there's another one--hopefully more amusing--on the way. No topic is off limits, with Simon spinning jokes about Asian stereotypes, blindness, and gay people. Indeed, in this day of increased political awareness, one can envision Murder By Death being labeled as controversial  (especially for Sellers' portrayal of an Asian character).

The all-star cast appears to be having a grand time, especially Alec Guinness as the blind (or is he?) butler. The best detective portrayal belongs to James Coco, who would have made a fine Poirot in a serious mystery (with less emphasis on eating!). Neil Simon liked Peter Falk's hard-boiled private eye so well that he wrote The Cheap Detective (1978), a follow-up starring Falk in a similar role and with his Murder By Death co-stars James Coco and Eileen Brennan.

Alec Guinness as the butler.

There are multiple versions of Murder By Death due to outtakes being reinserted to increase its running time for broadcast television. The additional scenes include an appearance by Sherlock Holmes and Dr. Watson at the end of the film.

In an interview on one of the DVDs, Neil Simon expressed his admiration for Alec Guinness. During a break on the set, he said that Guinness was reading a script called Star Wars: "I said 'What's that about, Alec?' He said 'The future. Good stuff, I think. We'll see.'"

Peter Falk's First Case as Columbo

Falk's first close-up as Columbo.

Upon suspecting that her psychiatrist husband left their anniversary party for a rendezvous with his mistress, Joan Flemming threatens to ruin him professionally and financially. Dr. Ray Flemming (Gene Barry) comes up with a convincing lie--he was planning a surprise second honeymoon in Mexico. Yet, the reality is that he has already plotted Joan's murder to the last detail. The following day, with an assist from his actress girlfriend, Flemming pulls off what he believes to be the perfect crime. The only problem is that the L.A. detective assigned to the case is Lieutenant Columbo.

Bert Freed was the first Columbo.

Prescription: Murder, a 1968 made-for-TV movie, marked Peter Falk's debut as the crafty Columbo. However, it was not the first appearance of the fictional sleuth created by Richard Levinson and William Link. Columbo--then known as Fisher--was featured in the short story "Dear Corpus Delicti," which was published in Alfred Hitchcock's Mystery Magazine in 1960. That same year, Levinson and Link adapated their short story into "Enough Rope," an episode of the live drama anthology Chevy Mystery Show. Bert Freed played Columbo, who was a secondary character to the villainous Dr. Flemming (played by Richard Carlson).

A year later, Levinson and Link expanded "Enough Rope" into a stage play called Prescription: Murder. It starred Joseph Cotten as Flemming, Agnes Moorehead as his wife, and Thomas Mitchell as Columbo. Sadly, the play never made it to Broadway, in part because Thomas Mitchell died of cancer in 1962.

Levinson and Link, who met in junior high school, dusted off Prescription: Murder again in 1968--this time as a telefilm for NBC. They originally wanted Lee J. Cobb to play Columbo. When his schedule prevented him from taking the role, they offered it to Bing Crosby. When he also declined, the part went to Peter Falk. Levinson and Link initially worried that the 41-year-old Falk was too young to play Columbo (Mitchell was 70). However, once they saw his performance, they knew it was a perfect pairing of actor and role. 

Gene Barry as the murderer.

Considering that Columbo would eventually become a TV icon, it's somewhat surprising that he doesn't make his entrance until 32 minutes into Prescription: Murder. He introduces himself to Gene Barry's murderer as simply: "Lieutenant Columbo, police." Thus, it's up to Barry to carry the film's opening scenes and he's quite persuasive as the intelligent, egotistical Flemming. His simple, yet ingenious, murder plot relies on an axiom employed by Agatha Christie in her classic Hercule Poirot novel Lord Edgware Dies. Flemming explains it to his accomplice: "People see what they expect to see."

It takes Flemming most of the film to realize that he has underestimated his dogged pursuer. In the best scene, the two men discuss the murder in theoretical terms--though each knows exactly what happened. Flemming even offers a psychoanalysis of Columbo's tactic of masking his intelligence. At its best, Prescription: Murder is a two-character play--and I mean that as a compliment. William Windom, Nina Foch, and Katherine Justice are fine in supporting roles, but the crux of the film is the cat-and-mouse game between Columbo and Flemming.

Columbo: "There's just one more thing..."

Although Prescription: Murder is sometimes described as a pilot for a TV series, most sources claim that neither Falk nor Levinson and Link were interested in the grind of a weekly show. NBC addressed their concern in 1971 when it suggested a Columbo drama as part of its 90-minute umbrella series, The NBC Mystery Movie. Thus, instead of starring in 24 or more weekly hour shows, Falk had to commit to just seven 90-minute shows yearly.

Lee Grant as the first female killer.

However, before finalizing the deal, NBC asked for a pilot film that became Ransom for a Dead Man. It was telecast in March 1971, with the Columbo TV series debuting the following September. Ransom stars Lee Grant as a tough attorney who murders her husband--and then devises a fake kidnapping in order to liquidate his financial assets to pay a ransom. Columbo makes an earlier appearance this time (at the 12-minute mark). Although Grant was nominated for an Emmy, Ransom for a Dead Man lacks the bite that permeates Prescription: Murder--perhaps because Levinson and Link penned the story, but not the script.

Still, Ransom for a Dead Man was a ratings hit and the rest--as they say--is television history. Counting Prescription and Ransom, Peter Falk played Columbo in 68 telefilms or TV episodes over a span of 35 years.