Showing posts with label q.e.d.. Show all posts
Showing posts with label q.e.d.. Show all posts

Monday, January 18, 2016

Sam Waterston is Q.E.D.

Last year, I reminisced about seven obscure TV shows that I saw long ago and had never seen again. One of them, The Senator starring Hal Holbrook, was released by Timeless Media on DVD last June. I recently discovered that another, Q.E.D., has been uploaded to YouTube.

Sam Waterston stars as Quentin Everett Deverill, a Harvard professor circa 1912 who leaves the university when his colleagues rebuff his idea for a device that can receive transitted signals from an antenna and turn them into a moving image (no TV for them!). Deverill relocates to England to "pursue his studies in private and peace."

However, a newspaper headline about the unexplained disappearance of a yacht skipper catches his attention. When the missing man's sister shows up, Deverill delves into the mystery and unmasks an elaborate plot to destroy London with an explosive rocket. The villain behind this horrid crime is Dr. Stefan Kilkiss, a "brilliant, wicked man...and international saboteur." Matching wits with Kilkiss, the quick-thinking Deverill saves London and escapes from the villain's lair (quite stylishly) in a hot air balloon.

The cast of Q.E.D.
There is much to like about the first episode of Q.E.D., from Waterston's high energy performance to the charming period detail and Julian Glover's broad portrayal of Kilkiss. However, the limitation of the show's concept begins to surface in the second episode, "The Great Motor Race." It's little more than a condensed version of Those Daring Young Men in Their Jaunty Jalopies (1969), though there's a nice twist at the climax. With the exception of George Innes as Deverill's multi-talented assistant Phipps, the supporting characters have little to do other than marvel at the inventor's ingenuity. A casting change doesn't help with the spunky Sarah Berger essentially being replaced by Caroline Langrishe (they play different characters technically, but serve the same function).

The third episode is an improvement, with Deverill being forced to develop a remote-controlled bomb for nefarious uses by Ian Oglivy (the former Simon Templar playing against type). Kilkiss returns for the fourth episode, which boasts the added bonus of being set aboard a train. Both episodes are reasonably entertaining, but it's easy to see why CBS and ITV decided not to renew the series. I suspect that both networks were concerned about whether the show would connect with contemporary audiences. The period sets probably added to the cost of producing Q.E.D. as well.

The bottom line is that Q.E.D. might have fared better as a limited run series on Masterpiece Theatre. That strategy worked amazingly well for other period-set TV series such as the Lord Peter Wimsey mysteries which flourished in the 1970s.

Sam Waterston on Law & Order.
Sam Waterston didn't return to series television until I'll Fly Away in 1991, a short-lived, critically-acclaimed drama about a Southern lawyer in the late 1950s. Of course, he found his greatest success a few years later when he joined the original Law & Order as Executive Assistant District Attorney Jack McCoy. He played the role in 368 episodes spanning seasons 5-20. He also starred as McCoy in seven other episodes of the Law & Order spinoffs and in a made-for-television movie.

Thursday, April 30, 2015

Seven Obscure TV Shows That I Curiously Remember

Robert Goulet.
Blue Light (1966) – With gadget-laden secret agents dominating the TV landscape, ABC offered an old-style spin on the genre. Robert Goulet starred as David March, an American correspondent supposedly working for the Nazis at the start of World War II. But, hey, Robert Goulet can’t be a bad a guy—so it turns out March is really an uncover agent. Larry Cohen (The Invaders) co-created it.

Q.E.D. (1982) - Quentin E. Deverill was a Harvard University professor who had various adventures (e.g., thwarting a rocket attack on London) in England circa 1912. Sam Waterston (as Deverill) and Julian Glover (as the villainous Dr. Kilkiss) headed a fine cast and the show had plenty of style. Alas, it lasted only six episodes.

Search (1972-73) – I’m not sure I’d want to work for the World Securities Corporation, a private firm that outfitted its “probe agents” with implanted audio devices and tiny telemetry/camera devices. Talk about no privacy! Still, this series recruited Hugh O’Brian, Tony Franciosa, and Doug McClure to play the lead agents on a rotating basis. Burgess Meredith ran the Probe Control Unit with Angel Tompkins. Leslie Stevens (The Outer Limits) created this entertaining show (which also featured a catchy theme). The pilot film was called Probe—a better title in my opinion.

Strange Report (1969) – Anthony Quayle starred as Adam Strange, a forensics-minded criminologist, in this British import that aired on NBC. Kaz Garas played his associate Hamlyn (Ham) Gynt. Some of the mysteries were conventional, but others showed some flair—such as the one where a 30-year-old murder was covered up by a World War II bomb explosion.

The Senator (1970-71) – Long before The West Wing, Hal Halbrook played a crusading American senator that battled air pollution, the use of National Guard troops to squelch anti-war protests, and the displacement of Native Americans. This show was part of the umbrella series The Bold Ones, and rotated with The New Doctors and The Lawyers.

The New People (1969-70) – A 45-minute TV series? Yes, networks were more adventurous in the old days! This oddity was about a plane crash on a deserted Pacific island that killed all the adults over 30 years old. That left a bunch of college students to establish a new society in this obvious ode to Lord of the Flies. The show’s creators included Rod Serling (who wrote the pilot) and Aaron Spelling. I don’t recall the series being particularly good, but, hey, it’s one I’ve never forgotten.

Frank Converse.
Coronet Blue (1967) – One of my fellow Café contributors wrote a fine post about this show and offered this concise description: “In the pilot episode, Frank Converse portrays a young man who is attacked aboard a luxury liner and tossed overboard. He is rescued, but with no memory of his past except for the words ‘coronet blue.’ He is taken to a hospital for treatment of his memory loss, where he adopts the name Michael Alden, and sets out to determine the truth about his identity.” I remember enjoying this series, though an episode I watched on YouTube was only so-so. Incidentally, Larry Cohen created this show, too.