Michael Crichton's "Coma" Thrills

Geneviève Bujold as Dr. Wheeler.

Bestselling author Michael Crichton (Jurassic Park, The Andromeda Strain) directed seven films during his career. They ranged from very good (Westworld, The Great Train Robbery) to very lame (Looker, Physical Evidence). From a directorial perspective, his best work may be Coma (1978), a smart medical thriller which Crichton also adapted from the popular novel by his friend Robin Cook.

Geneviève Bujold stars as Dr. Susan Wheeler, an accomplished surgeon at a progressive Boston Hospital. After her best friend becomes brain dead following a routine abortion, Susan makes a startling discovery. She learns that a statistically high number of hospital patients have fallen into comas and then transferred to a mysterious facility called The Jefferson Institute. She shares her findings with her boyfriend (Michael Douglas), an ambitious fellow surgeon, and her department head (Richard Widmark). Both men dismiss Susan's concerns and imply, in a condescending manner, that Susan is being too emotional because of her friend's death. 

Michael Douglas as Mark.

Crichton's screenplay works well as both social commentary and paranoid mystery. As one of the few female doctors in the hospital, Susan has to work harder than her male counterparts. She is hampered by her unwillingness to play the "politics game"--unlike her boyfriend Mark, who lobbies blatantly for a promotion. 

Bujold comes across as cold at times, which makes her character both interesting and distant. It's an effective contrast to Michael Douglas, who makes Mark likable and supportive (well, up to a degree...his main focus is always on himself). In fact, Douglas is so good that one can't be sure whether Mark is a good guy or a bad guy heading into the climax.

Crichton can't cover all the film's weaknesses, of course. Any mystery movie buff will recognize that a key part of Cook's plot was lifted from the 1946 classic Green for Danger. As with many movies with hospital settings, there is an abundance of empty, darkly-lit hallways and rooms (apparently, there is no night staff). And, worst of all, the family of Susan's friend is never shown--apparently, her husband doesn't care that his wife is brain dead and has been shuffled off to another facility.

However, those are minor complaints about a satisfying thriller. Crichton flashes his writing talent with a delightful scene in which a pair of pathologists argue about the best way to murder someone without evidence appearing during the autopsy. It infuses some much needed dark humor at the perfect time. Later, Crichton shows his visual flair with a scene inside the Jefferson Institute that shows dozens of comatose bodies hanging helplessly from the ceiling on wires.

It's also worth noting that Michael Crichton packs the hospital scenes with overlapping "medical speak." It's a sound technique that gives those scene a realistic, vibrant feel. It reminded me of the highly-regarded pilot of the 1994-2009 TV series ER. That should come as no surprise, as the show's creator and pilot screenwriter was...Michael Crichton. 

The China Syndrome—More Than a Conspiracy Thriller

Jane Fonda as Kimberly.

Kimberly Wells (Jane Fonda), an ambitious reporter for an L.A. television station, wants to be a serious journalist. Instead, her condescending boss has given her “puff pieces”—stories about singing telegrams and tiger birthday parties at the zoo. Another routine assignment, a documentary about the nearby Ventana Nuclear Power Plant, is at least a little more promising.

However, when Kimberly and her crew tour the plant, they observe an “event” that throws the control room personnel into a brief panic. California Gas and Electric, which owns the plant, explains away the incident as a “routine turbine trip.” Kimberly and her photographer-friend Richard Adams (Michael Douglas) are convinced they witnessed a radiation leak—which Richard secretly filmed. To their dismay, the TV station manager quashes the story on legal grounds.

Jack Lemmon as Godell.

An angry Richard steals the film, while Kimberly has an encounter with Jack Godell (Jack Lemmon), one of the plant’s supervisors. Initially, Godell adamantly insists the incident was a routine one. However, the more he thinks about it, the more he becomes convinced that the plant may be in danger of a meltdown.

Made in 1979, The China Syndrome is a film that works as a “no nukes” statement, an examination of journalism ethics, and a conspiracy thriller. Not surprisingly, it was poorly received by nuclear power plant companies that felt it promoted the likelihood of a real-like nuclear incident. In actuality, The China Syndrome plays it fair by explaining all the protocols in place to prevent such catastrophes. The irony, though, is that the Three Mile Island incident occurred just months after the film’s release. As a result, the movie and the real-life accident are now forever linked and no doubt negatively impacted the growth of nuclear power stations in the U.S.

Jane Fonda and Michael Douglas.

From a journalism perspective, the key issue is the public’s right to know. When Kimberly and Richard push to broadcast a story about the first incident, we see the energy company’s PR head talking with the TV station’s manager. The implication is that the company wants to kill the story. However, the station manager’s rationale is that federal law prohibits filming inside a nuclear facility. That’s a pretty good reason given the possible lawsuits and potential for criminal charges against the station and its personnel. However, from an ethical perspective, it’s a complex issue because the public surely has a right to know if it’s in danger. The station manager’s best course of action would have been to have an expert view the footage...as Richard proposes and does.

Finally, The China Syndrome turns into a conspiracy thriller during its third act. Faced with losing almost $500,000 a day, the energy company takes extreme measures to prevent Godell from exposing a cover-up during an investigation of the first accident. There are wild car chases and an intense climax in which a key character struggles to explain the truth before being silenced.

Jane Fonda and Jack Lemmon bring earnestness and urgency to their performances. It’s apparent that Kimberly and Godell make a connection when they first meet in a bar. As we learn more about them, we discover that both are lonely people whose lives revolve around their professions. Both actors were nominated for Academy Awards and earned top acting honors from the British Academy of Film and Television Arts.

Michael Douglas produced The China Syndrome as a follow-up to his Oscar-winning One Flew Over the Cuckoo’s Nest (1975). Richard Dreyfus was originally cast as Jane Fonda’s cameraman colleague. When he had to withdraw from the production, Douglas assumed the role.