Lost in Space: The First Episode

The series ran on CBS from 1965-68.

When a friend recently updated his Lost in Space collection to Blu ray, he kindly gave me his DVD set. Although I've watched several Lost in Space reruns on the telly over the years, it had been a long time since I watched the first episode. I was astonished at the difference between the series' debut and the TV series that evolved from it.

But before reviewing it, I want to discuss producer Irwin Allen's original concept. He envisioned a space-age version of Johann Wyss's Swiss Family Robinson about a family of explorers who survive a crash landing on a desert planet. This was not a new idea; indeed, Gold Key Comics published a comic book series called Space Family Robinson beginning in 1962.

In Allen's original Lost in Space pilot, an episode called "No Place to Hide," the Robinsons' spacecraft Gemini XII is thrown off course when meteors crash into it. After landing on an uncharted planet, the Robinsons make a new home--and encounter a giant cyclops.Will Robinson even sings "Greensleeves," accompanying himself on guitar. Speaking of music, the theme for the pilot episode was borrowed from Bernard Herrmann's score for The Day the Earth Stood Still.

CBS liked the $600,000 pilot and ordered a series--but also wanted changes that resulted in the addition of a villain and a robot. According to Lost in Space historian Mark Phillips, Irwin Allen wanted a villain like Ming the Merciless from Flash Gordon and story editor Anthony Wilson wanted a Long John Silver-type. Their compromise was Dr. Zachary Smith.

Guy Williams and June Lockhart were
top-billed.

"The Reluctant Stowaway," the first official Lost in Space episode, takes place on October 16, 1997. It initially unfolds in semi-documentary fashion, describing how the Robinsons were chosen from more than two million volunteers to navigate the Jupiter 2 to the planet Alpha Centauri. The five-year journey will require the family and pilot Major Don West to remain in suspended animation. Amid all the preparations for the spaceship's launch, Dr. Smith sneaks aboard the Jupiter 2. A spy for an unnamed nation, Smith reprograms the robot to destroy the spaceship eight hours into its maiden voyage. Unfortunately, Smith gets trapped aboard, hence becoming the "reluctant stowaway."

Dr. Smith threatening Major West.

As in the pilot episode, a meteor storm throws the spacecraft off course and its passengers are rudely awakened from their suspended animation. Needless to say, they're surprised to find Dr. Smith aboard. He's absorbed with trying to stop the robot from destroying the cabin pressure system and radio--thus killing all the passengers.

This Dr. Smith is slightly different from the one who would become--with Will and the robot--the eventual stars of Lost in Space. Smith is a villain, though a none-too-bright one, although we're led to believe that he was the grand master of the Oxford chess club. One enduring trait is clearly established: Dr. Smith is a big liar!

John and Maureen Robinson (Guy Williams and June Lockhart) play a much larger role. They have the episode's juiciest scene when they engage in a heated disagreement over whether to continue with the mission or try to return to Earth. The episode ends with John floating helplessly into space after his safety cord breaks while repairing the Jupiter 2's exterior systems. It's quite a cliffhanger, leading to the now familiar:

Billy Mumy as Will.

The first half-dozen episodes provide ample screen time for all the characters (and includes Angela Cartwright's favorite episode "My Friend, Mr. Nobody"). However, starting with "Invaders from the Fifth Dimension," Smith, Will, and the robot began to player larger roles--at the insistence of CBS executives. By midway through the first season, it's clear that the aforementioned trio have become the show's focal point. The other characters would occasionally get meaningful screen time, but Lost in Space had become the show we know today.

Incidentally, most of the footage from the original pilot was included in the series' first five episodes. That pilot eventually aired on the SyFy network and was included in a video release of Lost in Space from Columbia House. By the way, the now-familiar Lost in Space theme was written by a young composer named Johnny Williams--yes, that's John Williams, the man that went on to become the most nominated composer in the history of the Academy Awards.

Seven Things to Know About "Lost in Space"

1. Gold Key Comics published a Space Family Robinson comic book series three years before the Lost in Space TV series. Its characters were different and its authors had nothing to do with the TV series. However, the premise was similar, so Gold Key's parent company, Western Publishing, and CBS reached a legal settlement. Western received an undisclosed amount of money and was allowed to retitle its comic book series Space Family Robinson: Lost in Space.

2. The show's original pilot "Nowhere to Hide" was never broadcast, although it has since been released on video. It contains two major differences from the regular series:  there is no Dr. Smith and no robot! In the pilot, a meteor storm sends the Gemini XII (instead of the Jupiter 2) off course--as opposed to Dr. Smith's sabotage.

Lost in Space robot with Bill Mumy.

3. Veteran art director Robert Kinoshita created the robot. He also created Robby the Robot from Forbidden Planet (1956) and The Invisible Boy (1957). In fact, Robby appeared in two Lost in Space episodes: "War of the Robots" and "Condemned of Space." Kinoshita also worked on numerous other TV shows from Sea Hunt to Hawaii Five-O to Kojak.

4. Lost in Space never finished worse than #35 in the Nielsen ratings for a season. Its first season in 1965-66 was its best, with the show finishing #32. The #1 TV series that year was Bonanza.

5. In the first episode, Dr. Smith was an evil enemy agent who sabotaged the Jupiter 2, but was unable to escape from the spaceship. The writers intended to phase him out of the series. However, actor Jonathan Harris eventually turned Dr. Smith into the lovable, bumbling coward that became the focus of the show with young Will Robinson (Bill Mumy).

6. Angela Cartwright, who played Penny Robinson, told us earlier this year that her favorite episode was "My Friend, Mr. Nobody." In it, Penny's "imaginary" friend turns out to be a very protective invisible cosmic force. Ms. Cartwright said: "I love the black and white film noir feel to it. I loved the message it had...though I remember it was challenging to talk to no one through the whole episode."

7. In 2004, director John Woo shot a pilot for a new series to be called The Robinsons: Lost in Space. It retained little except the premise, the character names, and the robot from Irwin Allen's series. The WB network did not pick up the pilot, so the new series never materialized.

Angela Cartwright Talks with the Café about Danny Thomas, Lost in Space, The Sound of Music, and Her Artwork

Danny Thomas' stepdaughter on The Danny Thomas Show, Penny Robinson in Lost in Space, and Brigitta von Trapp in The Sound of Music--Angela Cartwright may have been the most successful young actor of the 1960s. Born in Cheshire, England, but raised in Los Angeles, Angela and her sister Veronica entered show business at a young age. In fact, Angela was just three-years-old when she appeared in Somebody Up There Likes Me starring Paul Newman. Over the years, she has modeled, acted on stage, and opened an "eclectic store" called Rubber Boots. However, she is best known as an accomplished photographer and artist. She took time out of her packed schedule to drop by the Café for a chat.

Angela as Linda Williams on
The Danny Thomas Show.

Café:  The rapport between your character, Linda Williams, and her stepfather (played by Danny Thomas) seemed incredibly natural on The Danny Thomas Show. How would you describe your real-life relationship with Danny Thomas while making the series?

Angela Cartwright: I thought Danny was hilarious and he was always cracking me up. He was loud and gregarious, nothing like my real Dad who is far more reserved than that. So, it was fun to be able to make smart remarks and get away with it. I would never have talked to my real parents that way, but in the make-believe world of the Williams family I got away with that.

Café:  Your web site includes some delightful photos of Angela Cartwright toys, such as a jigsaw puzzle, a "Buttons 'n Bows" game, and a doll that came in three sizes. What was your first reaction when you saw the "Angela Cartwright" dolls?

AC:  I was pretty young to remember my exact reaction, but what little girl wouldn't want a doll made in her likeness? I never thought the Linda doll looked an awful lot like me though, but it was cool that the Linda doll came in three different sizes. One was even big enough that she walked with you. Madame Alexander also made two Brigitta, Sound of Music dolls and they were also favorites of mine. I especially liked the one in the sailor suit carrying a book.

Café:  What was it like to be reunited with The Danny Thomas Show cast when you returned six years later for Make Room for Granddaddy (1970-71)?

AC:  I loved it. The Danny Thomas Show had ended six years prior. In the interim, I made The Sound of Music, I played Penny in Lost In Space, I made various TV guest appearances and commercials, and modeled in Europe. I returned home to appear on the Granddaddy show. Life was good…I loved the fantastic guest stars we had on the show and I was older now, so I learned from the experience. Even though we were plagued with the Writer’s (Guild) strike in 1970, it was still a good year.

Angela as Brigitta in The Sound of Music.

Café:  How did you come to be cast in The Sound of Music?

AC:  I went on an interview for the part of Brigitta. I was still filming The Danny Thomas Show, but I knew the series was coming to an end. After several auditions, I was the first von Trapp cast. I asked Danny Thomas if he would let me out of my contract so I could be in the movie and he was very gracious to let me out of the last show of the season. He didn’t have to do that and I am very grateful he did.

Café:  What are some of your favorite memories of making The Sound of Music?

AC:  I was thrilled to get the part of Brigitta and I totally enjoyed making The Sound of Music. Singing and dancing and playing with other kids while running around Salzburg, Austria, with Julie Andrews was a fantastic experience. How could you not enjoy that? Being turned over in a rowboat was certainly a memorable experience…I can just remember wanting to get out of the water as soon as I could because there were leeches on the bottom of the pond. The sights, the sounds and the foods of Salzburg made the whole experience magical. It is an honor to be in a film that has touched so many people.

Café:  What were some of the challenges of making a science fiction series like Lost in Space in the 1960s?

AC:  I did enjoy playing the part of Penny Robinson. I thought how exciting it would be to portray a family in space exploring new worlds and encountering aliens. The challenge was trying to make an hour show in eight days with special effects and long scenes. It was grinding work, but we must have done something right to have such a following and love of the show decades later.

As Penny Robinson in "My Friend,
Mr. Nobody" (Season 1, Ep 8).

Café:  What was your favorite Lost in Space episode and why?

AC:  "My Friend, Mr. Nobody" was my favorite episode. I love the black and white film noir feel to it. I loved the message it had...though I remember it was challenging to talk to "no one" through the whole episode.

Café:   You seem to have maintained enduring relationships with the real-life performers in your TV and film families:  the Williams’s, the Robinsons, and the von Trapps. That's unusual in show business. What is the secret to your success?

AC:  Friendships need to be nurtured. It was important to me to maintain the close relationships I had forged while working in film and television. I nurtured those relationships as I have in my personal life, and made it a point to keep in touch.

Café:  What led to your interest in photography? When did you open the Angela Cartwright Studio?

AC:  I love photographs and have since I was a small child and it was my Dad who started taking photographs. I always loved fashion and design. I would take photos of my friends in their latest outfits and then develop the photos and print them in my Dad’s darkroom in the garage. That love of photography has stayed with me all my life and I carried it into my art. The art I create is by taking my black and white photographs and hand painting them with oil paint or watercolors and other mediums. I also wrote a book about these techniques called Mixed Emulsions: Altered Art Techniques for Photographic Imagery. You can see my artwork here: http://acartwrightstudio.com 

I opened Angela Cartwright Studio a couple years ago when I designed my art wear line. Finally the technology was available for me to take my hand-painted photographs and transform them onto natural fabric to create art wear. Every piece is made to order here in the USA.  It’s all very exciting and the possibilities are endless.

"Bustling."

Café:  In addition to photography, you've painted, drawn sketches, and worked in other forms of art. If you could only work in one media and style, what would it be?

AC:  I would have to say give me a pen and paper and I will be very happy. My Dad was a terrific artist and I always wanted to sketch like he did…but his style was more realistic and mine is more "unruly." I break rules all the time. Art is one place you can do that with delightful consequences. 

"3 Portals."

Café:  You're incredibly busy with your artwork and web sites and somehow even found time to contribute to last year's publication of The Sound of Music Family Scrapbook. What's on your horizon that you'd like to share with Café readers?

AC: There is an exciting new project I am working on that I can’t talk about yet. Let’s just say it has been a phenomenal experience.  It is due for release in 2014 and as soon as I can spill the beans I will on Facebook, Twitter, and my blog. Better yet, sign up on my mailing list on my website if you want to be the first to know all the latest. 

I would like to tell all the Sound of Music fans that we have some limited editions of The Sound of Music Family Scrapbook that are signed by the seven film von Trapp kids. If you are a fan of the movie, you will love this book because it tells our story about making the movie. We have filled the book with never-before seen photographs from our personal photo albums and included some of our home movies taken on location in Austria. You can buy the signed version at our website. We also have a Facebook page. With the 50^th Anniversary of The Sound of Music on the horizon, I am sure there will be some exciting events on the horizon so I hope you will visit us.

You can "like" Angela Cartwright on Facebook www.facebook.com/acartwrightstudio and follow her on Twitter https://twitter.com/acstudio. You can also visit her web sites:

art studio:......... http://acartwrightstudio.com
art wear:........... http://angelacartwrightstudio.com
showbiz:........... http://angela-cartwright.com