Most film buffs remember Mario Bava for his Italian horror films of the 1960s and 1970s--especially Black Sunday, his chilling black and white masterpiece about a vengeful witch. However, he spent much of his career photographing films for other directors. After completing a couple of movies without credit, he directed his first film, Black Sunday, in 1960...at the age of 46. Its immediate success resulted in a busy decade for Bava, starting with his next film Hercules in the Haunted World (1961).
Bava was not new to the sword-and-sandal genre. He was the cinematographer on producer Joseph E. Levine's worldwide smash Hercules (1958) starring Steve Reeves. He had also worked on the sequel, Hercules Unchained, and Jacques Tourneur's The Giant of Marathon (both of which featured Reeves). With his first solo Hercules film, Bava was saddled with a much smaller budget. In lieu of Reeves, the title role went to British bodybuilder Reg Park, who also played the muscular Greek hero in the same year's Hercules and the Captive Women. Bava hit the jackpot, though, when Christopher Lee signed on to play the villainous Lico.
| Deianira doesn't remember Hercules. |
Surprisingly, Hercules has few difficulties navigating his way through Hades to retrieve the Stone of Forgetfulness (which is actually a crystal). He does appear to lose Thesus along the way when his friend falls into a sea of lava. However, Thesus is rescued by the lovely Persephone--with whom he falls instantly in love. She and Thesus rejoin Herc and Telemachus (who did a fine job guarding the apple after all!) and the four return to save Deianira. Alas, their troubles have just begun. The evil Lico (Lee) wants to sacrifice Deianira and an angry Pluto wants to get back Persephone, who turns out to be his favorite daughter.![]() |
| One of Bava's night scenes; he was also cinematographer. |
It's difficult to fully assess the qualities of Bava's film. The print I saw was eight minutes shorter than the running time listed in some sources. The cast is mostly dubbed, even Christopher Lee in at least one version. And many prints, including the one I saw, cropped the widescreen image into a TV-friendly ratio. Fortunately for Bava purists, there is at least one DVD containing digitally remastered widescreen versions of both the Italian and English-language releases.





