Douglas Sirk vs. Delmer Daves for the "King of the Movie Soaps" Title

OK, Douglas Sirk fans, I'm calling you out! It's not that I don't enjoy Douglas Sirk soaps like Imitation of Life and All That Heaven Allows. They're glossy, well-crafted, and entertaining. It's just that Sirk has been anointed as "King of Movie Soaps" (helped in large part by 2002's Far from Heaven, a classy Sirk homage which sparked renewed interest in his films). I'm contending that there's another director with a claim to the Movie Soap crown--and that's versatile writer-director and Stanford law school graduate Delmer Daves. So let's get down to this clash among movie soap titans (ignoring their work in other genres, of course):

Sirk's favorite leading man and Daves' principal star.

Round 1 - Daves did more with less in regard to his stars. For a leading man, Douglas Sirk had Rock Hudson...but Daves had Troy Donahue. While good-looking and likable, one could never confuse Troy with a good actor. Cinema history validated Rock as a genuine star and Troy, well, he pretty much faded after the 1960s. It's not a knockdown, but this round goes to Daves. (Of course, Sirk did use Troy as a bad boy in Imitation, but that doesn't count.)

Round 2 - Delmer Daves did a masterful job of integrating story locations into his films. The most lasting image from A Summer Place is of Troy and Sandra Dee holding each other passionately on the beach... desperately in love, aching to be together, trying to find a secret place to be alone...as the ocean splashes on the shores (OK, it's not From Here to Eternity, but it's still memorable). Likewise, the New England tobacco fields in Parrish and the stunning California coast of Susan Slade enhance these tales of young love. In contrast, it seems like the settings are incidental in Sirk's films, with the possible exception of Written on the Wind (and even then, most of the action takes place indoors).

Susan Slade: An example of Daves' integration of location.

Round 3 - Douglas Sirk used film like a canvas, skilfully employing color, framing, and objects to enhance character traits and themes. In Written on the Wind, Lauren Bacall's conservative character sports a wardrobe of muted colors while the "bad girl" (Dorothy Malone) drives a bright red car. At the end of the film, Malone's character--who has lost Rock to Lauren--clutches a phallic model oil well in her office. Delmer Daves' soaps are lushly photographed, but the nod here goes to Sirk.

Hudson and Bacall in muted colors in Written on the Wind.

Round 4 - No soap director used music better than Delmer, but then he had a great composer come up with great themes: Max Steiner's Theme from A Summer Place is still the best-selling instrumental of the rock'n'roll era and I'll never understand why Steiner's equally melodic love theme from Parrish seems to have been forgotten. Sirk, on the other hand, frequently employed Frank Skinner, whose scores ranged from lush (All That Heaven Allows) to mush (Magnificent Obsession).

Round 5 - Sirk's admirers claim that his soaps are rife with subtext: All That Heaven Allows is an indictment on social conformity; Imitation of Life takes aim at racial inequality, etc. Of course, one could make similar arguments for Daves' films: out-of-wedlock pregnancies play a key role in Parrish, A Summer Place, and Susan Slade. In the latter two films, the teenage mothers become social outcasts (societal conformance is so strong in Susan Slade that the pregnant girl's mother passes the child off as her own!). This is pretty much a draw, but I'll give the edge to Sirk because his films have garnered more documented critical acclaim--and even got the Criterion treatment.

Grant Williams worked for both directors.

Round 6 - Both directors were adept at peppering their films with great supporting actors. Sirk's soaps featured Agnes Moorehead, Juanita Moore, and Dan O'Herily. Delmer Daves had Dean Jagger, Dorothy Maguire, Lloyd Nolan, Dub Taylor, and Constance Ford. This round is a close one; we'll call it a draw. (Interestingly, in addition to Troy Donahue, both directors used Grant Williams. He played Conn White in Susan Slade and Biff Miley in Written on the Wind--gotta love those character names!)

If you've followed my scoring of this fight, it's three rounds to Delmer, two to Doug, and one tie. The winner--by decision--is Delmer Daves. He's now the undisputed "King of the Movie Soaps." It's a title he has long deserved. Anyone interested in staging a rematch? If so, I'd love to hear your thoughts.

Connie and Troy Find Love (Eventually) in "Susan Slade"

This third collaboration between writer-director Delmer Daves and teen heartthrob Troy Donahue lacks the youthful passion of A Summer Place and the entertaining subplots of Parrish. Still, it’s a diverting big-screen soap with all the elements of Daves’s polished formula: beautiful scenery (the Monterey coast line), first-time love, affluent people, well-developed relationships between young people and their parents, and a lovely music score by Max Steiner (though it’s not as memorable as the ones he did for the previous two films).

Connie Stevens (graduating from a supporting role in Parrish) plays the title character, a naïve young woman who has spent her teenage years in Chile with her parents. Her father, Roger Slade (Lloyd Nolan), has worked as a chief engineer for a mine company, earning his boss, Stanton Corbett, over $20 million. To show his gratitude, Corbett has bought a home along the Monterey coast for Roger’s family and provided a substantial pension.

Connie Stevens in the title role.

On the ocean cruise to California, Susan falls in love with rich playboy Conn White (Grant Williams), who climbs mountains in lieu of a job. It’s hard to tell initially if Conn (I love that name) truly cares for Susan, but he is physically attracted to her. Believing that she has found her true love, Susan gives in to Conn’s desires. As is inevitable in any good soap, Susan becomes pregnant. When fate intervenes to keep Susan and Conn apart, Susan’s mother devises an unintentionally cruel plan to protect the family from scandal.

Dorothy McGuire as Susan's mother.

A strong cast puts their all into this melodrama, especially Connie Stevens who is winningly vulnerable and believable in her best film role. As her mother, the ever-elegant Dorothy McGuire gets the picture’s juiciest part—her Leah Slade is a well-meaning parent whose motives for helping her daughter ultimately become questionable. Surprisingly, Troy’s role is pretty much a supporting one, a slight variation of the chip-on-his-shoulder young man he played in Parrish. Still, as in that film, he and Connie share a natural chemistry that brings a sweetness to their scenes together.

TV fans can also take delight in seeing Natalie Schafer giving what amounts to a dress rehearsal for her most famous role—as Mrs. Howell on Gilligan’s Island. Almost as rewarding is the opportunity to see future game show host Bert Convy as Wells (another great name), Susan’s snobby, stinking-rich suitor (you just know that he doesn’t have a chance).

After Susan Slade, Delmer Daves and Troy Donahue would pair up one last time. However, the travelogue romance Rome Adventure broke from the successful soap formula and, perhaps as a result, its boxoffice failed to match A Summer Place, Parrish, and Susan Slade. It could also be that—as always happens with teen heartthrobs—Troy’s popularity was beginning to fade. Still, Rome Adventure had one positive result for Troy: It introduced him to his wife Suzanne Pleshette.