Showing posts with label trilogy of terror. Show all posts
Showing posts with label trilogy of terror. Show all posts

Thursday, October 31, 2013

The Five Best Made-for-TV Horror Movies

What's Halloween without a post on classic fright films? This year, we are paying homage to the best horror films made specifically for television. And since this is a classic movie blog, all of our choices were broadcast no later than the 1980s. Hey, that's the classic era for made-for-TV movies anyway!

1. Gargoyles - A rare network TV-movie excursion into visual horror, Gargoyles opens with a prologue that explains the ancient creatures are the devil's offspring and are reborn every 600 years. They exist to “battle against man to gain dominion of the earth.” This theme closely parallels horror writer H.P. Lovecraft's mythos, in which creatures known as The Old Ones lurk in a parallel world, waiting to regain control of this world from mankind. Set in Mexico, Gargoyles is a lively, entertaining film with solid performances by Cornel Wilde, Bernie Casey (as the lead gargoyle), Scott Glenn, and Grayson Hall (Dark Shadows, The Night of the Iguana).

2. Dark Intruder - Some of you may quibble with this choice since it's more mystery than horror and was originally intended as a theatrical release. That said, there is a monster and it boasts some eerie scenes on the foggy streets of San Francisco (with no Karl Malden). Leslie Nielsen plays a wealthy "chronic dabbler" who investigates a series of ritualistic murders tied to a Sumerian god representing the essence of evil. To give away any more of the surprisingly complex (and, at times, again Lovecraftian) plot would spoil the fun. There are two other made-for-TV movies that also mix mystery and horror effectively: Spectre starring Robert Culp and The Norliss Tapes with Roy Thinnes.

3. The Night Stalker - Darren McGavin stars as Carl Kolchak, a pesky reporter who investigates a series of Las Vegas murders where the victims are drained of blood. Initially, Kolchak believes that the culprit imagines himself to be a vampire—but eventually the reporter comes to realize that the killer is a modern-day vampire. Versatile horror/fantasy author Richard Matheson (I Am Legend, Duel) co-wrote this fast-paced blend of chills and humor set in Las Vegas. Unlike traditional bloodsuckers, Matheson made his vampire (played by Barry Atwater) a contemporary villain with superhuman strength and the wiles to survive in modern society (e.g., he steals blood from a hospital). This is probably the most famous made-for-TV horror film. It was also a huge ratings hit and spawned a sequel (The Night Strangler) and a TV series.

4. Trilogy of Terror - A trio of Richard Matheson short stories formed the basis for this anthology film which starred the late Karen Black in all three segments. The first tales, "Julie" and "Millicent and Therese" are interesting, especially the latter which offers a nice twist ending. However, it's the third segment, "Amelia," that earned Trilogy of Terror its reputation as a creepy classic. Black plays Amelia, a single woman who has purchased a Zuni doll with razor-sharp teeth and a spear. The doll supposedly houses the spirit of a Zuni warrior known as "He Who Kills." When Amelia is alone in her apartment, the doll comes alive and attacks her. She apparently destroys it--but all is not what it seems. Black is excellent in all three segments, especially the final one. And if all three tales had been as good as "Amelia," this film would have occupied the #1 slot.

5. Satan's School for Girls - This admittedly cheesy 1973 flick about mysterious deaths at a girls' school has earned a minor cult reputation because of its cast and plot similarity to Dario Argento's later Suspiria. It also boasts some bona fide scares. Pamela Franklin stars as a teen investigating her sister's apparent suicide at the Salem Academy for Women (just that name doesn't bode well in a horror movie). You'd think the school would shut down after another suicide, but it doesn't--which provides time for Franklin's character to discover the secret room in the cellar! The cast includes future Charlie's Angels Kate Jackson and Cheryl Ladd, plus Jo Van Fleet, Roy Thinnes (again), and Lloyd Bochner. Interestingly, the same year, Pamela Franklin also starred in the theatrical film The Legend of Hell House.

Thursday, December 29, 2011

ABC's The Movie of the Week

Made-for-TV movies eventually got a bad rap, which explains why they pretty much faded from network television in the 1990s. But I still fondly recall what I call the "Golden Age of the TV Movie": the early 1970s when ABC began broadcasting its Movie of the Week.

Every Tuesday night, ABC introduced a world premiere telefilm in a ninety-minute time slot (about 72 minutes without commercials). The success of the series can be attributed, in part, to the variety of its films: suspense (The Longest Night), horror (The Night Stalker), science fiction (Night Slaves), World War II action (Death Race), comedy (The Daughters of Joshua Cabe), Western (The Hanged Man), serious drama (That Certain Summer), film noir (Goodnight, My Love) and even kung fu (Men of the Dragon). Many of the telefilms were also pilots for TV series--some of which made it as regular series (The Six Million Dollar Man) and some that didn’t (The Monk with George Maharis as a private eye).

Dennis Weaver in Duel.
Several films earned critical plaudits, such as Brian's Song, Duel, That Certain Summer, Tribes, and The Point. Occasionally, one would be released theatrically in either in the U.S. or Europe--often with additional footage--after its TV broadcast. That was the case with Steven Spielberg's suspenseful chase drama Duel and The Sex Symbol with Connie Stevens playing an actress loosely inspired by Marilyn Monroe.

I'm always surprised by how many of the ABC Movie of Week telefilms are fondly remembered by fellow film buffs. For example, people may not remember the title of Trilogy of Terror--but mention the creepy TV movie with Karen Black about the killer doll and a lot of folks will know it.

The original Movie of the Week debuted on Tuesday night in 1969. It was so successful that ABC launched a Movie of the Weekend, which subsequently shifted to mid-week so there were Tuesday and Wednesday Movies of the Week installments. The final Movie of the Week was broadcast in 1976.


The catchy theme to the Movie of the Week opening was written by Burt Bacharach. Its actual title is "Nikki," named after Burt's daughter with Angie Dickinson. Click on the clip below to view the full opening for When Michael Calls, a thriller with Ben Gazzara, Elizabeth Ashley, and Michal Douglas. At the end of the clip is preview for the following week's movie, The Screaming Woman, starring Olivia de Havilland. Unfortunately, the video quality doesn't do justice to the bright, colorful graphics.




In terms of originality, the only network that competed with ABC was CBS, which launched CBS Tuesday Night Movie in 1972. It sent speeding helicopters (Birds of Prey), ancient evil Druids (The Horror at 37,000 Feet), and, most memorably, Gargoyles to battle its TV-movie rival at ABC.

Crosby as Dr. Cook.

Sadly, only a handful of these films are available on DVD (and even then, the prints are usually inferior in quality). I’d love to see TCM get the rights to the Movie of the Week. It’d be great to see Bing Crosby in Dr. Cook’s Garden again and see if the film as good as I remember.

Below is a sampling of the telefilms that played on The Movie of the Week (to include the Tuesday and Wednesay editions and The Movie of the Weekend on Saturday). Note that several movies featured performers from the classic film era:


Seven in Darkness (1969)

Daughter of the Mind (1969) with Gene Tierney & Ray Milland
Gidget Grows Up (1969)
Honeymoon with a Stranger (1969)
The Over-the-Hill Gang (1969) with Walter Brennan & Andy Devine
The Ballad of Andy Crocker (1969)
The Immortal (1969)
Wake Me When the War Is Over (1969)
Along Came a Spider (1970)
Carter's Army (1970)
Crowhaven Farm (1970)
How Awful about Allan (1970) with Anthony Perkins & Julie Harris
Night Slaves (1970)
The Over the Hill Gang Rides Again with Walter Brennan & Fred Astaire
Run, Simon, Run (1970)
The Love War (1970)
Tribes (1970)
Brian's Song (1971)
Do Not Fold, Spindle, or Mutilate (1971) with Helen Hayes, Myrna Loy, Sylvia Sidney
Dr. Cook's Garden (1971)
Duel (1971)
In Broad Daylight (1971)
In Search of America (1971)
Maybe I'll Come Home in the Spring (1971)
The Birdmen (1971)
The Devil and Miss Sarah (1971)
The Feminist and the Fuzz (1971)
The Point! (1971)
The Reluctant Heroes (1971)
A Great American Tragedy (1972)
Goodnight, My Love (1972)
Moon of the Wolf (1972)
That Certain Summer (1972)
The Astronaut (1972)
The Daughters of Joshua Cabe (1972) with Buddy Ebsen & Sandra Dee
The Longest Night (1972)
Madame Sin (1972) with Bette Davis & Robert Wagner
The People (1972)
The Screaming Woman (1972) with Olivia de Havilland
Women in Chains (1972)
A Cold Night's Death (1973)
A Summer Without Boys (1973)
The Cat Creature
Don't Be Afraid of the Dark (1973)
Female Artillery (1973)
Go Ask Alice (1973)
Isn't It Shocking? (1973)
Satan's School for Girls (1973)
Shirts/Skins (1973)
The Girl Most Likely to... (1973)
The Girls of Huntington House (1973)
The Man Without a Country (1973) with Cliff Robertson
The Night Strangler (1973)
The Third Girl from the Left (1973)
Men of the Dragon (1974)
Get Christie Love! (1974)
Hit Lady (1974)
Houston, We've Got a Problem (1974)
Killdozer (1974)
Locusts (1974)
The Mark of Zorro (1974)
The Morning After (1974)
Thursday's Game (1974)
Winter Kill (1974)