Showing posts with label robert stevenson. Show all posts
Showing posts with label robert stevenson. Show all posts

Thursday, August 2, 2018

Robert Stevenson's Kidnapped

James MacArthur as Stevenson's young hero.
Isn't it Robert Louis Stevenson's Kidnapped, you ask? Well, it is, of course, but today we're reviewing the Walt Disney-produced 1960 adaptation written and directed by Robert Stevenson. It was the fourth of 19 films that Stevenson made for Disney and also one of the filmmaker's best.

The oft-filmed story opens in 1751 with a young Scottish man named David Balfour (James MacArthur) journeying to the House of Shaws to present a letter to the laird from his recently-deceased father. It turns out that the miserly laird is David's Uncle Ebenezer, whom he never knew existed. When Ebenezer fails to murder David, he pays a ship's captain £20 to kidnap him and sell him as an indentured servant in the Carolinas.

Peter Finch as Alan Breck.
During a heavy fog at sea, the ship collides with a boat carrying a Scottish rebel named Alan Breck Stewart (Peter Finch). The roguish Alan makes a deal with the captain to deposit him on Scottish soil. When David warns Alan that the captain plans a doublecross, the two become allies. After a fight aboard the sailing vessel, it crashes into the rocks during a storm. David and Alan are separated, but are later reunited as David tries to get back home and Alan plots against the British who have stolen Scottish lands.

Filmed in Scotland (and in Pinewood Studios), Kidnapped surrounds the American MacArthur with a delightful cast of British veterans. Peter Finch, having appeared opposite Audrey Hepburn in the previous year's The Nun's Story, makes a dashing hero who is both gentleman and rascal. It's too bad that the usually serious Finch didn't get to play more roles like this. He's perfect as the kind of hero who drunkenly asks to borrow money, gambles it away, and then chastises his benefactor for loaning him the funds.

A young Peter O'Toole.
John Laurie, Bernard Lee (later M in the Bond movies), and Niall MacGinnis (Curse of the Demon) make an impressive trio of villains. Veteran character actor Finlay Currie (Ivanhoe) steals his lone scene as a Scottish nobleman who has lost everything to the British. Even Peter O'Toole, in one of his first roles, pops up in an amusing bagpipe "duel" with Finch.

James MacArthur, the adopted son of Helen Hayes and Charles MacArthur, starred in four Disney theatrical films, starting with The Light in the Forest (1958). MacArthur projected a likable screen persona that made him one of the busiest actors of the 1960s. In 1968, he landed the part of Danny Williams on the hit TV series Hawaii Five-O (another actor, Tim O'Kelly, played Danny in the pilot). In an enjoyable interview on his website, the now-deceased MacArthur was asked to list some of his favorite actors to work with and included Finch, Currie, and Laurie.

Bernard Lee as one of the baddies.
MacArthur, Finch, and writer-director Robert Stevenson make Kidnapped one of Disney's best historical adventures. The story--while episodic--is compelling and the splendid Scottish landscapes are well integrated into the action. (I only wish that the DVD, one of the Disney Movie Club exclusives, featured a more vibrant print.) While Stevenson's later films, such as Mary Poppins and Bedknobs and Broomsticks, were much too long, Kidnapped clocks in at a crisp 96 minutes. In fact, it could have been a wee longer. One of my few complaints is that it lacks a worthy climax and the ending seems a little rushed.

Stevenson's next film was one of Disney's biggest hits to date: The Absent-minded Professor (1961). James MacArthur followed Kidnapped with Swiss Family Robinson (1960), another Disney boxoffice success. And Peter Finch returned to serious roles, winning the BAFTA for Best Actor for The Trials of Oscar Wilde (1961).

Monday, March 12, 2018

Disney's The Island at the Top of the World

In London 1907, businessman Sir Anthony Ross (Donald Sinden) convinces Professor Ivarsson (David Hartman) from the University of Minnesota to accompany him on an expedition to the Arctic. Sir Anthony's mission is to find his son, David, who was lost somewhere near the legendary Graveyard of the Whales.
The colorful, exciting poster lured me to the movie as a kid.

David Hartman and Donald Sinden.
Accompanied by a French pilot and a poodle named Josephine, Sir Anthony and Ivarsson travel by dirigible to ice-bound Fort Conger, David's last known location. They gather more details about David's disappearance and trick his Eskimo guide, Oomiak (Mako), into joining their quest.

The journey to The Island at the Top of the World is the best part of this 1974 Disney adventure. The London scenes and the dirigible flight evoke a nice sense of period. And while David Hartman is his usual sincere, if somewhat dull, self, Donald Sinden propels the plot forward, capturing Sir Anthony's almost manic drive to find his lost son.

Unfortunately, as sometimes happens with this type of film, the payoff is a letdown. I won't spoil the plot, but suffice to say that it gets bogged down once Sir Anthony and Ivarrson reach their destination. The film is almost saved by a modestly entertaining extended chase sequence packed with special effects. By then, though, it's too little too late--plus the special effects range from the good (the inevitable dirigible explosion) to the bad (man-eating killer whales).

The Hyperion, the film's dirigible.
Clearly, Walt Disney Productions was hoping that The Island at the Top of the World would recapture the magic of its earlier fanciful adventures, such as the classic 20,000 Leagues Under the Sea. The studio entrusted the project to its "A" team, with veteran director Robert Stevenson (Mary Poppins, The Absent-Minded Professor) at the reins and Hal Gausman (Son of Flubber, Bedknobs and Broomsticks) designing the elaborate sets. Both craftsmen had experience working with effects-laden films. In addition to its in-house technicians, Disney got Maurice Jarre (Lawrence of Arabia, Dr. Zhivago) to compose the score, which is lovely without being particularly memorable.

Agneta Eckemyr.
Veteran Japanese character actor Mako, who earned a Best Supporting Actor nomination for The Sand Pebbles (1967), heads the supporting cast. It also includes French actor Jacques Marin (Charade, Marathon Man) and David Gwillim, who became best known for his British television appearances (e.g., the excellent miniseries of The Citadel with Ben Cross). Swedish actress Agneta Eckemyr, a former model and future pin-up girl, plays the female lead (which is a small part in a male-dominated film).

The Island at the Top of the World was based on the 1961 novel The Lost Ones, written by Ian Cameron (a pseudonym for James Vance Marshall, best known for Walkabout). Walt Disney Productions planned to make a sequel based on another Cameron book, The Mountains at the Bottom of the World. However, those plans were quashed when The Island at the Top of the World earned only modest boxoffice returns.