Showing posts with label national classic movie day. Show all posts
Showing posts with label national classic movie day. Show all posts

Friday, May 16, 2025

50 Fabulous Films in Celebration of National Classic Movie Day

Happy National Classic Movie Day! Yes, we love classic films all year long, but they get some extra love every May 16th.

Not sure what classic movie to watch as part of your celebration this year?  We made a video with clips from 50 Fabulous Films produced from the silent era through the 1980s. You can go directly to the end of the video if you just want to see a list of the recommended classic films--or you can start at the beginning and watch brief clips from every movie!

Tuesday, May 16, 2023

Seven Things to Know About "The Jimmy Stewart Show"

In support of National Classic Movie Day on May 16th, we are participating in the Classic Movie Blog Association's Big Stars on the Small Screen blogathon. This blogathon focuses on classic film stars who appeared in TV series, miniseries, variety shows, made-for-TV movies, and even commercials. Check out all the blogathon entries! Our post takes a look at the short-lived 1971-72 TV series The Jimmy Stewart Show.

 James Stewart in Fools' Parade.
1. The year 1971 was a pivotal one in the career of James Stewart. He appeared in Fools' Parade, the last theatrical film in which he'd be the principal star and made his debut in his own weekly TV series. The Jimmy Stewart Show premiered on NBC on September 9, 1971 while Fool's Parade was released the following month. The film received mixed reviews (I'm a fan...read my review here), but was a box office disappointment. I suspect the 63-year-old Stewart knew that he was at a career crossroad and when Warner Bros. offered to make him one of TV's highest paid stars, he seized the opportunity.

2. Film director and writer Hal Kanter created The Jimmy Stewart Show. Kanter must have seemed like the perfect choice, having received acclaim for his popular Emmy-nominated TV series Julia (1968-71). Plus, Kanter worked with James Stewart on the theatrical film Dear Brigitte (1963). Indeed, Kanter had tried to lure Stewart to TV in the mid-1960s. The goal was to develop a half-hour family comedy with Stewart playing an anthropology professor who taught at Josiah Kessel College in the quaint California town of Easy Valley. 

3. The original intent was that James Stewart's wife, Gloria, would play his TV spouse. However, according to Marc Eliot in his 2007 book Jimmy Stewart: A Biography, NBC "decided she wasn't good enough an actress to pull it off." After an extensive search, Julie Adams, who co-starred with James Stewart in the 1952 Western classic Bend of the River, was cast as the professor's wife. She was 18 years younger than Stewart.

4. When I interviewed Julie Adams in 2013, she told me: "As I recall, a lot of women read for the role of Martha Howard, the wife of Professor James K. Howard (Stewart). The day I tested for the part with Jimmy, I brought into play my genuine friendship and admiration I had for him as a person. I think that came through on the screen; we had nice chemistry together. After the screen test, he gave me a little nod and as I walked back to my dressing room I thought: "I think I have this part!" I was so thrilled. The show was not a success, and only lasted 24 episodes. But, as I've often said: My idea of heaven was going to work with Jimmy Stewart every day for six months." 

5. Each episode opened and ended with James Stewart speaking directly to viewers. Here's an example: "This week, we have that distinguished actor, Vincent Price, with us. So we called this episode Price Is Right. You know, fair is fair." Each episode ended with Jimmy telling the television audience: “My family and I wish you peace, and love, and laughter.”

Veteran actor John McGiver.
6. In addition to Julie Adams, the other notable cast members were John McGiver, who played Jim Howard's faculty colleague Dr. Luther Quince, and Mary Wickes (who appeared in four episodes). The guest stars included a nice mix of veteran actors and up-and-coming talent: Vincent Price, Cesar Romero, Jack Soo, Kate Jackson, Will Geer, Gloria DeHaven, William Windom, Jackie Coogan, Beulah Bondi, Regis Philbin, M. Emmet Walsh, Nita Talbot, and Pat Buttram. Gloria Stewart may not have gotten to play her husband's wife, but she did appear in the show's first episode "By Way of Introduction."

James Stewart in Hawkins.
7. Despite being sandwiched between Top 20 shows The Wonderful World of Disney and Bonanza on Sunday night, The Jimmy Stewart Show was a ratings disappointment. Its cancellation after a single season was not a surprise. Allegedly, James Stewart was relieved as the film schedule was more work than he anticipated. The famed actor wasn't done with television, though. In 1972, he reprised his performance as Elwood P. Dowd in a Hallmark Hall of Fame production of Harvey. Its cast featured Helen Hayes and his Jimmy Stewart Show co-star John McGiver. The following year, Stewart starred as as homespun lawyer Billy Jim Hawkins, who took on headline-making cases in the 90-minure drama Hawkins. The episodes were rotated with the Shaft TV series and CBS made-for-TV movies so that only eight episodes of Hawkins were aired. You can read our review of Hawkins here.

Sunday, May 15, 2022

The Four Favorite Noirs Blogathon in Support of National Classic Movie Day

As is our tradition at the Café, we are celebrating National Classic Movie Day on May 16th by hosting a blogathon. This year's Four Favorite Noirs Blogathon focuses on one of the most popular genres among classic movie fans. The goal is to pay tribute to many of the greatest films noirs, such as Out of the Past and Double Indemnity, as well as highlight lesser-known classics (e.g., Black Angel, Brighton Rock).

We invite you to check out the film noirs selected by the bloggers below!

4 Stars Films

The Classic Film Muse

Classic Film & TV Cafe

Crítica Retrô

Hamlette's Soliloquy

Hometowns to Hollywood

The Last Drive-in

Make Mine Film Noir

Once Upon a Screen

A Person in the Dark

Phyllis Loves Classic Movies

Realweegiemidget Reviews

Shadows and Satin

Silver Screenings

Taking Up Room

Whimsically Classic

Our Picks for the Four Favorite Noirs Blogathon

To celebrate National Classic Movie Day on May 16th, we're participating in our own Four Favorite Noirs Blogathon. For our quartet of noirs, we chose a bona fide classic (Out of the Past), an acclaimed cult film (Gun Crazy), and two lesser-known gems (Black Angel and Phantom Lady). Be sure to check out all the movies profiled in the Four Favorite Noirs Blogathon by clicking this link.

Jane Greer as Kathie.
Out of the Past (1947) – My favorite film noir has Robert Mitchum as a man who has put his shady past behind him and found love with a good woman in a small community where he operates a gas station. But, as is often the case in the movies, his past catches up with him when a former acquaintance passes through town. With its contrasts of bright lights and dark shadows, Out of the Past is a visual feast. It’s also a compelling tale of a man pulled back into the shadows of his past—no matter how hard he tries to escape them. Kirk Douglas nails the manipulating villain; too bad he didn’t play more bad guys. Yet, despite the presence of Mitchum and Douglas, the film belongs to Jane Greer, an underrated and under-utilized actress who created one of the genre’s best femme fatales.

Peggy Cummins and John Dall.
Gun Crazy (1950) - A film noir with a tragic love story involving a femme fatale and a gun-obsessed guy? That's the premise behind this low-budget cult film that was selected by the Library of Congress for inclusion in the National Film Registry in 1998. Director Joseph H. Lewis was a journeyman director with a resume that included some interesting "B" movies (My Name is Julia Ross and So Dark the Night). But none of his work comes close to the innovative style employed in Gun Crazy. The film's highlight is a three-and-half minute bank robbery shot in a single take from the inside of the getaway car. The climax is almost as mesmerizing with the two ill-fated lovers hiding out in a fog-enshrouded swamp as they listen to their pursuers' footsteps in the water. John Dall is superb as the gun-loving Bart, but Peggy Cummins owns the film as femme fatale Laurie. She exudes sexual energy with Dall while coming across as a cold, manipulative killer. But here's the beauty of her performance: Despite Laurie's bad girl persona and many faults, Cummins convinces the audience that her character truly loves Bart. 

June Vincent and Peter Lorre.
Black Angel (1946) - Singer Mavis Marlowe (Constance Dowling) augments her income via blackmail, so it's not surprising when she winds up murdered. The police arrest Kirk Bennett (John Phillips), one of her blackmail victims who had recently ended an affair with Mavis. Despite his pleas of innocence, Kirk is found guilty of first-degree murder and sentenced to die. His wife Catherine (June Vincent) stands by Kirk throughout his ordeal and never wavers in her belief that he is innocent. As Kirk awaits his execution, Catherine decides to conduct her own investigation--with the reluctant aid of Mavis' ex-husband (Dan Duryea). I'll avoid any plot spoilers here, but will note that Black Angel sports a clever twist, too. However, director Roy William Neill is the reason to see Black Angel. A "B" movie director for Universal, Neill is best known for his Sherlock Holmes films with Basil Rathbone. From the opening  elaborate tracking shot up the side of a high-rise into Mavis's apartment to the innovative use of music, Neill displays a distinctive style that indicated a promising turning point in his career. It's a tragedy that he died of a heart attack at age 59. 

Phantom Lady 
(1944) - After being stood up by his wife, Scott Henderson (Alan Curtis) meets a mysterious, distraught woman at an empty bar on a muggy Saturday night in NYC. When he ill-advisedly asks her to a show, she agrees on one condition: They exchange no names, no addresses, and never meet again. Scott agrees. Later that night, he goes home to find the police at his apartment. His wife has been strangled with one of his ties ("A knot so tight it had to be cut with a knife," says one of the detectives). Scott's alibi falls apart when he can't identify his mysterious date. Phantom Lady benefits mightily from Robert Siodmak's moody direction and Ella Raines, whose character tries to clear Scott. Siodmak creates some knockout visuals once Raines takes to roaming the city's darkened streets to find the killer. The scene in which she follows a suspicious bartender is a tour-de-force as the two move through rainy streets, a shadow-filled train platform, and partially lit arches.


Monday, March 7, 2022

The Four Favorite Noirs Blogathon in support of National Classic Movie Day

To celebrate National Classic Movie Day on May 16th, we are hosting the Four Favorite Noirs Blogathon. Per its title, each participating blogger is invited to write about four of her or his favorite film noirs from cinema's classic era. These films don't have to be your all-time favorite noirs--just four that you enjoy and want to share with your readers. Your choices can range from the famous (Double Indemnity) to the lesser-known (Black Angel) and even include international noirs such as Elevator to the Gallows.

If you want to participate, please make sure your blog complies with our blogathon guidelines. Then, leave a comment below with your blog's web address or e-mail it to rick@classicfilmtvcafe.com. When you publish your article on May 16th, please include a link back to this post. We'd appreciate it if you'd post the graphic above to promote the blogathon.

If you don't have a blog, you can still participate by listing your four favorite film noirs on Twitter, Facebook, Instagram, Pinterest, or another social media platform. All we ask is that you wait until May 16th to do so.

Finally, since National Classic Movie Day is all about our love of classic movies, it's a great day to introduce a friend to the wonderful films from the silents to the 1970s!

Here are the participating bloggers so far:

4 Stars Films

Backstory Classic

Classic Film Addict

Classic Film & TV Cafe

Crítica Retrô

Hamlette's Soliloquy

Hometowns to Hollywood

In the Good Old Days of Classic Hollywood

Lady Eve's Reel Life

The Last Drive-in

Make Mine Film Noir

Once Upon a Screen

A Person in the Dark

Phyllis Loves Classic Movies

Realweegiemidget Reviews

Reel Charlie

Shadows and Satin

Silver Screenings

Taking Up Room

This n' That: A Potpourri of Books, TV, Movies, Life & Fun Things

Whimsically Classic

Wonderful World of Cinema

Saturday, May 15, 2021

Celebrate National Classic Movie Day with the 6 Films - 6 Decades Blogathon!


Tomorrow marks the celebration of National Classic Movie Day and, as is tradition, we're hosting a blogathon to highlight this annual May 16th event. This year, we're asking classic movie bloggers to list one favorite film from each decade from the 1920s through the 1970s (or, one film per decade from the 1930s through the 1980s). Our goal is to shine the spotlight on the incredible movies that were made during cinema's classic era.

Thirty of our favorite movie bloggers are participating. We invite you to check out their blogathon entries below. We will highlight a blog's title in red as its 6 Films - 6 Decades entry is published.

Box Office Poisons

Caftan Woman

Cinema Essentials

CineMaven’s Essays from the Couch

Classic Film Obsessions

Classic Film & TV Cafe

Critica Retro

dbmoviesblog

The Everyday Cinephile 

Four Star Films

goosepimply all over

The Lady Eve's Reel Life

Love Letters to Old Hollywood

The Movie Night Group's Guide to Classic Film

Old Books and Movies

Once Upon a Screen

A Person in the Dark

Phyllis Loves Classic Movies

Realweegiemidget Reviews

Reel Charlie

Shadows and Satin

Silver Scenes

Silver Screenings

the Story Enthusiast

Taking Up Room

Thoughts All Sorts

Twenty Four Frames

Whimsically Classic

My Picks for the 6 Films - 6 Decades Blogathon

For my entry in the 6 Films - 6 Decades Blogathon, I chose a favorite film from each decade from the 1920s through the 1970s. My criterion was a simple one: These are classics I can watch over and over again! If I join one of them in progress while channel surfing, you can bet I will be watching the rest of the movie again.

James Olson and Arthur Hill.
The Andromeda Strain (1971) – This superior science fiction outing pits four dedicated scientists against a microscopic menace capable of destroying all life on Earth. Its critics have labeled it slow-moving and overlong, but I find it intellectually exciting. Its thrills come not from action sequences (though there’s a doozy at the climax), but from the time-sensitive need to determine: What is the Andromeda Strain? How can it be destroyed? Why did a 69-year-old man and a six-month-old baby survive when Andromeda wiped out a New Mexico town of 68 people? Part of the appeal for me is that The Andromeda Strain includes one of my favorite plot devices: the forming of a team in which each member is introduced to the audience.

James Stewart as the pilot.
The Flight of the Phoenix (1965) – Director Robert Aldrich bookends The Flight of the Phoenix with a wild airplane crash and an exhilarating climax. But it’s the drama in-between that makes the film so fascinating: the friction among the survivors; their audacious plan to reach civilization again; and a brilliant plot twist that comes out of nowhere. Despite the presence of stars James Stewart, Peter Finch, and supporting actor Oscar nominee Ian Bannen, the cast standouts are Hardy Kruger and Richard Attenborough. Kruger creates an unforgettable character as a quiet, bespeckled German who proposes an incredible plan to save the plane crash survivors—he's irritating, childish, determined, and innovative. It’s a well-rounded performance matched by Attenborough’s wonderfully understated turn. As the unassuming man who holds everyone together, Attenborough’s character soothes egos and forges unlikely alliances in the best interests of the group.

James Stewart and Ben Gazzara.
Anatomy of a Murder (1959) – Otto Preminger’s enthralling courtroom drama requires multiple viewings to be fully appreciated. When I first saw it, I focused on the riveting story, which treats the viewer much like the jury. We listen to testimonies, watch the lawyers try to manipulate the jury's emotions, and struggle to make sense of the evidence. When I saw it a second time, I knew the case’s outcome and was able to concentrate on the splendid performances. James Stewart, Arthur O’Connell, and George C. Scott earned Oscar nominations, but the rest of the cast is also exceptionally strong. In subsequent viewings, I’ve come to appreciate the film’s well-preserved details, from the small town upper-Michigan atmosphere to Preminger’s brilliant direction (e.g., in one shot, as Scott cross-examines a witness in close-up, Stewart—the defending lawyer—is framed between them in the background).

Out of the Past (1947) –  My favorite film noir has Robert Mitchum as a man who has put his shady past behind him and found love with a good woman in a small community where he operates a gas station. But, as is often the case in the movies, his past catches up with him when a former acquaintance passes through town. With its contrasts of bright lights and dark shadows, Out of the Past is a visual feast. It’s also a compelling tale of a man pulled back into the shadows of his past—no matter how hard he tries to escape them. Kirk Douglas nails the manipulating villain; too bad he didn’t play more bad guys. Yet, despite the presence of Mitchum and Douglas, the film belongs to Jane Greer, an underrated and under-utilized actress who created one of the genre’s best femme fatales.

The Charge of the Light Brigade (1936) – It's hard not to list The Adventures of Robin Hood or The Wizard of Oz as my1930s representative, but I've written about them before. So instead, I will opt for another Errol Flynn-Olivia de Havilland classic. Often criticized for its historical inaccuracies, The Charge of the Light Brigade is nonetheless a top-notch historical action film. Against the backdrop of the Crimean War, Errol and Patric Knowles play brothers vying for Olivia's affections. An early scene informs us that Olivia’s character, though engaged to Flynn, has secretly fallen in love with Knowles. This knowledge causes us to empathize with Flynn’s British officer as his emotions evolve from disbelief to anger to understanding. I think it’s one of Flynn’s finest performances. The climatic charge, directed by Michael Curtiz, is an incredible sequence (although it resulted in many complaints over the mistreatment of horses).

Spies (aka Spione) (1928) - A diabolical genius heads a mysterious criminal organization bent on world domination. A secret agent, known only by a number, is given the mission to stop the villain. A femme fatale is dispatched to kill the hero--but instead falls in love with him. Is this the plot of the latest James Bond movie? No, it's Fritz Lang's influential silent film Spies, which pre-dates 007's movie debut by 34 years. Spies often gets lost amid Lang's early German silent classics such as Dr. Mabuse (1922), Die Nibelungen (1924), and Metropolis (1927). And yet, in terms of entertainment and as an expression of Lang's love of cinema, Spies surpasses those better-known films. It's a thrill ride from start to finish, highlighted by a nailbiting train crash and a climax with a clown that could have been devised by Hitchcock. For many years, only a 90-minute print was available--and that's the one I've seen. In 2004, it was restored to 143 minutes.

Wednesday, May 15, 2019

5 Favorite Films of the 1950s Blogathon for National Classic Movie Day

To celebrate National Classic Movie Day on May 16th, we are hosting the 5 Favorite Films of the 1950s Blogathon. Per its title, the goal is for each participant to list his or her five favorite films of the 1950s and explain why they deserve such an honor!

The 1950s is a decade filled with outstanding movies in a wide array of genres: epics (Ben-Hur), science fiction (The Day the Earth Stood Still), Westerns (3:10 to Yuma), colorful musicals (Singin' in the Rain), intimate dramas (Marty), and laugh-out-loud comedies (The Court Jester).

It featured masterpieces from the world's greatest directors, such as Alfred Hitchcock, Billy Wilder, Ingmar Bergman, William Wyler, Akira Kurosawa, John Ford, Elia Kazan, Federico Fellini, and others.

If you don't have a blog and still want to participate, you can list your five favorite 1950s films on Twitter, Facebook, Instagram, and other social media on National Classic Movie Day on May 16th.

The participants are listed below. Please check out each of their five favorite films of the 1950s. We guarantee that you'll enjoy reading the lists!

(Note: Due a last minute technical glitch, we may have omitted a couple of participating blogs. If you don't see your blog, please leave a comment and we will add it promptly!)

Another Old Movie Blog
Caftan Woman
Cinema Essentials
Classic Film & TV Cafe
Classic Film Obsessions
Critica Retro
4 Star Films
The Flapper Dame
Hometowns to Hollywood
The Lady Eve's Reel Life
Love Letters to Old Hollywood
Maddy Loves Her Classic Films
The Movie Night Group's Guide to Classic Film
Movie FanFare
Old Hollywood Films
Once Upon a Screen
A Person in the Dark
Realweegiemidget Reviews
Shadows and Satin
A Shroud of Thoughts
Silver Scenes
Silver Screen Classics
Silver Screenings
The Stop Button
The Story Enthusiast
Taking Up Room
Totally Filmi
Twenty Four Frames
Various Ramblings of a Nostalgic Italian
Whimsically Classic
The Wonderful World of Cinema

Tuesday, May 15, 2018

Celebrate National Classic Movie Day with our Comfort Movie Blogathon!

For the fourth consecutive year, the Classic Film & TV Cafe is celebrating National Classic Movie Day on May 16th by hosting a blogathon. This year, we're shining the spotlight on those special movies that bring us comfort during those times when we most need it.

Recovering from the flu? Didn't get that dream job? Broke up with the person you thought was your soulmate? Then it's time to watch one of those classic movies that inexplicably makes you feel better! And then write about it for the Classic Comfort Movie Blogathon!


If you don't have a blog, you can still participate by listing your favorite classic comfort movie on Twitter, Facebook, Instagram, Pinterest, or another social media platform on National Classic Movie Day.

And since May 16th is all about our love of classic movies, it's a great day to introduce a friend to the wonderful films from the silents to the 1970s!

Here's the blogathon schedule--be sure to check out all the great entries!

An American in Paris - Popcorn and Flickers
Annie - Realweegiemidget Reviews
The Apartment - A Person in the Dark
The Awful Truth - Outspoken and Freckled
Between the Lines (1977) - Film Fanatic
Buster Keaton Shorts - Classic Film Observations & Obsessions
Casablanca - Sharing a Sip with Dusty
The Court Jester Caftan Woman
Cover Girl - Musings of a Classic Film Addict
How to Marry a Millionaire - Moon in Gemini
I Know Where I'm Going - portraitsbyjenni
It's a Wonderful Life - MovieRob
Lady for a Day - Silver Screen Modes
The Long, Long Trailer - Whimsically Classic
The Magic Christian - Lo! The Humanities
McLintock! - Anybody Got a Match
My Favorite Brunette - Twenty Four Frames

Monday, May 15, 2017

Five Stars Blogathon: Cary Grant Tops My List of Favorite Stars

This is my contribution to the Five Stars Blogathon in support of National Classic Movie Day. I encourage you to check out all the posts to this wonderful blogathon. When my fellow contributor Rick asked me to write about my five favorite film stars, I came up with four of them quickly. It was a challenge, though, to determine who to place in that last slot!

1. Cary Grant - Debonair and dashingly handsome, I most admire Cary Grant for his versatility. He can play zany roles in comedies like Holiday, charming heroes in escapist fare such as To Catch a Thief, or serious roles like the bitter government agent in Notorious. My favorite Cary Grant movies: Bringing Up Baby, North By Northwest, and The Bishop's Wife.


2.  Deborah Kerr - This gracious, understated actress lights up the silver screen with her compelling presence. She can play a lonely woman whose passion erupts on a sandy beach (From Here to Eternity) or an elegant governess in which a dance is the only way to convey her feelings (The King and I). She can even convincingly play three women in the same film (the under-appreciated Life and Times of Colonel Blimp). My favorite Deborah Kerr films must include Black Narcissus and The Chalk Garden.

3.  David Niven - This classy performer has a unique gift: He makes any movie better when he's in it. Although he became a Hollywood star, it's surprising how many supporting roles he had throughout his career. He flew alongside Errol Flynn in The Dawn Patrol, eluded Inspector Clouseau in The Pink Panther, and was one of the hotel residents in Separate Tables. He was also an entertaining writer, as evidenced by his delightful books Bring On the Empty Horses and The Moon's a Balloon. Some of my favorite films with this multifaceted actor: A Matter of Life and Death (aka Stairway to Heaven), The Birds and the Bees, and The Guns of Navarone.

4.  Danny Kaye - I always thought this gifted actor/dancer/singer should have been a bigger star. He was an absolute master of comic timing, as evidenced by the hilarious "Chalice in the Palace" and "Get it? Got it. Good!" routines in The Court Jester. He was also incredibly graceful on the dance floor, as he wonderfully displayed with Vera-Ellen in the lovely White Christmas number "The Best Things Happen While You're Dancing." These two also happen to be my favorite Danny Kaye movies.

5.  Katharine Hepburn - I am sure this strong-willed, intelligent actress will show up on many lists in this blogathon--and rightfully so. Like Cary Grant, she was equally at home in comedy and drama. She also managed to remain a star for an incredible five decades (six if you count a trio of made-for-TV movies and a small role in Love Affair). My favorite Katharine Hepburn films include Holiday, Desk Set, and Guess Who's Coming to Dinner.

Honorable Mentions:  Charles Laughton, Alec Guinness, Alastair Sim, Vincent Price, and Gene Tierney.

Wednesday, October 22, 2014

Help Celebrate the First National Classic Movie Day on May 16, 2015!

Did you know that there is no nationwide day dedicated to celebrating classic movies? My goal is to change that in 2015 by introducing the first National Classic Movie Day on May 16th.

I recently realized that classic movies have been totally ignored when it comes to large-scale, single day tributes. After all, hot dogs, aardvarks, and even ugly Christmas sweaters have "national days" on July 23rd, March 19th, and December 12th. The closest anyone has gotten to celebrating movies is with National Drive-in Day (June 6th) and National I Love Lucy Day on October 15th.

I aim to change that--with your help--by starting a grassroots social media campaign. I selected May 16th because it was the date of the first Academy Awards ceremony. When trying to define a "birth date" for classic cinema, that seemed as good as any.

As for a slogan, I came up for with the following: "Celebrate Classic Films from the Silents to the Seventies." That offers a definition of "classic film" which ranges from Douglas Fairbanks and Mary Pickford to The Godfather and Stars Wars (which turns 38 next year).

How will National Classic Movie Day be celebrated? That's entirely up to you! You could host a blogathon, show a classic film at your local library, watch a DVD with friends, tweet about it, conduct a poll on classic favorites, etc.

If you want to promote National Classic Movie Day, you can use the poster above or create your own. You can "like" the National Classic Movie Day on its Facebook page and describe how you plan to celebrate it. You can also follow it on Twitter as @ClassicMovieDay. For tweeting purposes, please use #NationalClassicMovieDay.

With your help, this could become an annual event that reminds everyone about the wonders of classic cinema.