Peyton Place: "Everything in this town happens behind brown wrappers"

In a 1956 interview with journalist Hal Boyle, Peyton Place author Grace Metalious said: "To a tourist, these towns look as peaceful as a picture postcard. But if you go underneath that picture, it's like turning over a rock with your foot--all kinds of strange things crawl out. Everybody that lives in town knows what's going on--there are no secrets--but they don't want outsiders to know."

A fictional exposé about a New England town called Peyton Place, her debut novel enthralled readers with its dark small town secrets. It stayed on the New York Times bestseller list for over a year and attracted the attention of Hollywood. Producer Jerry Wald convinced 20th Century-Fox to pay $100,000 for the film rights to Peyton Place. Wald was known for making films with strong female characters, such as Mildred Pierce, Flamingo Road, Johnny Belinda, and Caged. From the outset, he wanted 37-year-old Lana Turner for the lead role of Constance Mackenzie, a single mother who keeps her distance from men. The studio, however, envisioned Jane Wyman or Olivia de Havilland as Constance. In the end, Wald got his way.

Lee Phillips as Mike Rossi and Lana.

The film adaptation, as did the novel, also centers on Constance's bright teenage daughter Allison (Diane Varsi) and her friend, Selena (Hope Lange), who lives in one of the shanties outside of town. Allison develops a fondness for Norman (Russ Tamblyn), a shy young man who lives with his possessive mother. Selena has to cope with her drunken, leering stepfather (Arthur Kennedy), who beats her mother and drives away her older brother. Other characters include: Michael Rossi, the high school's handsome new principal; Allison's wealthy classmate Rodney Harrington and his provocative girlfriend Betty; and the town's physician--and conscience--Dr. Swain.

Reliable Lloyd Nolan as Dr. Swain.

It's easy to label Peyton Place as a big screen soap due to its interwoven dramatic elements. Perhaps, it is, but who says that's a criticism anyway? Even in her novel, Metalious amped up the turmoil by incorporating incidents from three real-life New Hampshire towns. Critics were kind to Peyton Place, with many considering it an improvement on the novel (though I wonder how many of them actually read the book).

The film received nine Academy Award nominations, including: Best Picture, Best Director (Mark Robson); Best Screenplay; Best Cinematography; Best Actress (Lana Turner); and four supporting performances (Diane Varsi, Hope Lange, Russ Tamblyn, and Arthur Kennedy). Amazingly, Franz Waxman's lovely, bittersweet score was totally ignored. He likely fared better from a commercial standpoint, especially after his title theme was heard two to three times weekly when the Peyton Place TV series aired from 1964 to 1969.

Hope Lange as Selena.

The standouts in the Peyton Place cast are young stars Diane Varsi and Hope Lange. Varsi's poignant narration provides the nostalgic transitions as the plot progresses from 1941 into the World War II years. She also effectively captures Allison's passion for life and later her disillusionment when she learns the truth about her deceased father. Lange has a smaller role, but evolves nicely from an innocent young woman to one harboring dark secrets that weigh heavily.

Diane Varsi as Allison.

Lange went on to a long career in film (The Young Lions) and television (The Ghost and Mrs. Muir). Diane Varsi was not as fortunate. She had hitchhiked to San Franciso in the late 1950s after seeing Rebel Without a Cause. Her first film role was Peyton Place, with 20th Century-Fox signing her to a contract. After high profile parts in Ten North Frederick (as Gary Cooper's daughter), From Hell to Texas, and Compulsion, she had a nervous breakdown. She retired from acting and moved back to Vermont. Her contract with Fox ended in 1964 and she later began acting occasionally in films like Wild in the Streets (1968) and Bloody Mama (1970) with Shelley Winters. She died from respiratory failure in 1992 at age 54; she had suffered from Lyme Disease for several years.

Allison shows her "secret place" to Norman.

Of course, the unsung star in Peyton Place is the town itself. Scenic and quaint from the outside, its secrets have attracted the interests of millions of readers and viewers. Carol Lynley played Allison in the 1961 sequel Return to Peyton Place, also based on a Grace Metalious novel. A popular prime-time TVs series followed in 1964 (click here to read our review of it). There was also a short-lived 1972-74 daytime drama and two made-for-TV movies: Murder in Peyton Place (1977) and Peyton Place: The Next Generation (1985).

Why all the interest in this small New England town? Perhaps, Constance sums it up best when talking to Mike Rossi in the first film: "In Peyton Place, two people talking is a conspiracy. A meeting is an assignation. And getting to know one another is a scandal."

An Interview with Lana Wood

Lana in Diamonds Are Forever.

I recently had the pleasure of meeting actress Lana Wood at the Williamsburg Film Festival. Although best known for playing Plenty O'Toole in Diamonds Are Forever, Ms. Wood has had a long movie and television career, both in front of and behind the camera. Her first credited role was as a young girl in John Ford's The Searchers. As an adult, she became a regular on the popular TV series Peyton Place and guest-starred in shows like The Wild, Wild West and Mission: Impossible. She later worked as a production executive and co-produced a miniseries about her sister, The Mystery of Natalie Wood. She also wrote the biography Natalie: A Memoir About Natalie Wood By Her Sister. In between signing autographs and chatting with fans at the film festival, Lana Wood graciously talked with me about her career.

Café:  In a 2007 interview, you discussed playing the character Debbie as a young girl in The Searchers. You noted Jeffrey Hunter's "incredible kindness." Did you have any interaction with John Wayne?

Lana in The Searchers.

Lana Wood:  John Wayne used to come to me every morning, stand next to me, and pull out a tin of Allenberry black current pastilles, which he doted upon. He'd open them up and I'd take one and he's say: "Take another one." It was an ongoing little jokey thing between us. He was a very sweet and kind man. He cared a great deal about everything.

Café:  How did John Ford treat you as a child actress?

LW:  I don't think John Ford liked me. He never really spoke to me. I think the only thing he ever said to me was in the scene where Chris (the dog) and I run up to the headstone. He said: "Can you bend at the waist?" I couldn't bend at the waist, though I tried very hard to do it.

Café:  Peyton Place was already an established hit when you joined the cast in 1966. What are some of your memories of working with Ryan O'Neal, Mia Farrow, and the other cast members?

A publicity shot from Peyton Place.

LW:  In Peyton Place, we were all very young--and very spirited. I think that's a good way of putting it. There was a great deal of flirtation at all times. Ryan was an adorable, sweet guy, but not the best to work with. Mia was very sweet. All she'd eat for lunch was cottage cheese and spinach. Barbara Parkins absolutely loathed me. She would not speak to me, ever. What I would do was I'd go into the makeup room in the morning and talk to her all the more because I knew she wouldn't answer me. I was kind of poking the bear a bit.

Café:  You made quite an impression as Plenty O'Toole in Diamonds Are Forever and she remains one of the best-remembered "Bond Girls." Why do you think Plenty has remained so popular over the years?

LW:  Hopefully because I wanted her to be very sweet. I didn't want to appear like a hooker. Shill is not really the top category when you list careers you would like to have had. And I was very worried about that. So, I made her very ingenuous and just very nice. That's what came across and I think that's what people identified with.

Café:  I've seen the two deleted scenes with Plenty: the dinner scene with Bond and when she discovers James and Tiffany Case together. Do you know why they were cut from the final film?

Lana and friend Sherry in Williamsburg.

LW:  They didn't help move along the plot. The studio wanted the film at a certain length back then so it could squeeze in another showing. So, unfortunately, it was Plenty who went.

Café:  You were friends with Sean Connery before Diamonds Are Forever. How did the two of you meet?

LW:  My boyfriend at the time was dear friends with Sean. We were invited to dinner at his house. So, I went to his house, we had dinner, and I got to know him.

Café:  What do you think of Daniel Craig as James Bond?

LW:  I adore him. I think, at last, other than Sean, he is James Bond.

Café:  What led you to take a break from acting from the mid-1980s until a few years ago?

LW:  Several things. My mother was diagnosed with Alzheimer's. I had gone behind the camera at that point as well, so I was producing. I was working at Universal Studios as director of development for television films. I moved my Mom in with me. Lots of things. It was just unfortunate.

Café:  What were some of the made-for-TV films that you were involved with from a production standpoint?

LW:  Mickey Spillane's Mike Hammer mystery Murder Me, Murder You. Lynda Carter in Born to Be Sold, which was, at that time, the highest-rated television film. Hotline (also with Lynda Carter) and two Lynda Carter specials. I rewrote six episodes of Bring 'Em Back Alive, a TV series with Bruce Boxleitner. And I produced The Mystery of Natalie Wood, which was an ABC miniseries.

Café:  Of all your films, which one was your personal favorite and why?

LW:  I like different ones for different reasons. I'm so thrilled to have been part of The Searchers. That's something that will go on forever. It meant the world to me to be in a film like that, which is so iconic--with John Wayne, Ken Curtis, Jeffrey Hunter, and Harry Carey. It's a beautiful film that holds up to this day. I'm very proud of it.

Café:  You show a number of adorable dogs and cats on your FB page. Are they all yours?

LW:  (laughs) Oh, yes! I haven't even put the half of them up. I can't get them to sit still.

Café:  Do you have any upcoming films or appearances that you'd like to share with our readers?

LW:  I have two films coming out. One is called Killing Poe, which is a black comedy. Then, I have a thriller coming out called Bestseller.


You can "like" Lana Wood on Facebook and follow her on Twitter.

Love Stories: Small-Town Secrets Abound in Peyton Place

The saga of the Harrington, MacKenzie, and Anderson families began airing twice weekly on ABC in 1964 and prime-time was never the same. Peyton Place was an instant hit—one of the first “water cooler” shows—with both weekly installments finishing in the Top 10 most-watched TV series for 1964-65. ABC expanded the show to three airings per week in 1965. That decision, along with the departure of key cast members, resulted in a steady ratings decline. Still, Peyton Place lasted for five seasons, introducing controversial subjects to network television, and paving the way for later prime time soaps such as Dallas, Dynasty, and Knots Landing.

The series was loosely based on Grace Metalious’s controversial 1956 bestseller about a small New England town filled with secrets. The author, then 32, took criticism for her frank approach to typically taboo subjects. There were also New Hampshire residents who claimed Metalious’s characters were thinly-disguised versions of real people. In any event, the book was a huge hit and producer Jerry Wald brought it to the big screen in 1957. Lana Turner starred as Constance MacKenzie and Diane Varsi played her illegitimate daughter Allison. Carol Lynley took over as Allison in 1961’s Return to Peyton Place, which was also based on a Metalious novel.

In adapting Peyton Place for television, producer Paul Monash made several key changes. He updated the setting from the 1940s to the 1960s. Rodney Harrington’s classmate Norman became his brother. School principal Michael Rossi became a physician. And Allison’s real father, who was dead in the novel, was in prison for the murder of his wife.

The first season of Peyton Place holds up remarkably well today, thanks in large part to an exceptional ensemble cast and strong scripts built around believable characters. The plots are woven around two romances: Michael Rossi’s pursuit of single-mother Constance MacKenzie and the unexpected love that blossoms between bookish Allison MacKenize and the popular, wealthy Rodney Harrington. The latter relationship means bad news for Betty Anderson, Rodney’s former girlfriend who learns that she’s pregnant with Rod’s baby. Even worse, Betty’s father, George, is an alcoholic manic-depressive and her long-suffering mother briefly considers an affair with Rod’s father, Leslie, who runs Peyton Mills.

If it sounds like a soap opera, it is…but it’s also surprisingly gripping drama. In one of the best subplots, Kent Smith plays an aging physician trying to force the newly-arrived Rossi out of town. When he realizes he made a wrong diagnosis on a patient—and that Rossi was right—he apologizes to the younger man…even at the risk of ending his own career. It’s a beautifully written scene, handed with emotional subtlety.

The big cast includes a former Oscar winner (Dorothy Malone as Constance), veteran TV performers (Ed Nelson as Rossi) and several young stars-in-the making. Mia Farrow hits all the right notes as the sensitive Allison, who is wise beyond her years. Ryan O’Neal is charming, but restrained, as Rodney. And Barbara Parkins, whose film career didn’t match her co-stars, makes Betty a sympathetic bad girl (well, she does trick Rod into marriage).

The New England setting, with its lighthouses and snow-covered buildings, gives the series a picture postcard look. It’s a shame that Grace Metalious, who hated the movie version, never got to see the TV series. She died at the age of 39, just months before the first airing.