An Interview with Lana Wood

Lana in Diamonds Are Forever.

I recently had the pleasure of meeting actress Lana Wood at the Williamsburg Film Festival. Although best known for playing Plenty O'Toole in Diamonds Are Forever, Ms. Wood has had a long movie and television career, both in front of and behind the camera. Her first credited role was as a young girl in John Ford's The Searchers. As an adult, she became a regular on the popular TV series Peyton Place and guest-starred in shows like The Wild, Wild West and Mission: Impossible. She later worked as a production executive and co-produced a miniseries about her sister, The Mystery of Natalie Wood. She also wrote the biography Natalie: A Memoir About Natalie Wood By Her Sister. In between signing autographs and chatting with fans at the film festival, Lana Wood graciously talked with me about her career.

Café:  In a 2007 interview, you discussed playing the character Debbie as a young girl in The Searchers. You noted Jeffrey Hunter's "incredible kindness." Did you have any interaction with John Wayne?

Lana in The Searchers.

Lana Wood:  John Wayne used to come to me every morning, stand next to me, and pull out a tin of Allenberry black current pastilles, which he doted upon. He'd open them up and I'd take one and he's say: "Take another one." It was an ongoing little jokey thing between us. He was a very sweet and kind man. He cared a great deal about everything.

Café:  How did John Ford treat you as a child actress?

LW:  I don't think John Ford liked me. He never really spoke to me. I think the only thing he ever said to me was in the scene where Chris (the dog) and I run up to the headstone. He said: "Can you bend at the waist?" I couldn't bend at the waist, though I tried very hard to do it.

Café:  Peyton Place was already an established hit when you joined the cast in 1966. What are some of your memories of working with Ryan O'Neal, Mia Farrow, and the other cast members?

A publicity shot from Peyton Place.

LW:  In Peyton Place, we were all very young--and very spirited. I think that's a good way of putting it. There was a great deal of flirtation at all times. Ryan was an adorable, sweet guy, but not the best to work with. Mia was very sweet. All she'd eat for lunch was cottage cheese and spinach. Barbara Parkins absolutely loathed me. She would not speak to me, ever. What I would do was I'd go into the makeup room in the morning and talk to her all the more because I knew she wouldn't answer me. I was kind of poking the bear a bit.

Café:  You made quite an impression as Plenty O'Toole in Diamonds Are Forever and she remains one of the best-remembered "Bond Girls." Why do you think Plenty has remained so popular over the years?

LW:  Hopefully because I wanted her to be very sweet. I didn't want to appear like a hooker. Shill is not really the top category when you list careers you would like to have had. And I was very worried about that. So, I made her very ingenuous and just very nice. That's what came across and I think that's what people identified with.

Café:  I've seen the two deleted scenes with Plenty: the dinner scene with Bond and when she discovers James and Tiffany Case together. Do you know why they were cut from the final film?

Lana and friend Sherry in Williamsburg.

LW:  They didn't help move along the plot. The studio wanted the film at a certain length back then so it could squeeze in another showing. So, unfortunately, it was Plenty who went.

Café:  You were friends with Sean Connery before Diamonds Are Forever. How did the two of you meet?

LW:  My boyfriend at the time was dear friends with Sean. We were invited to dinner at his house. So, I went to his house, we had dinner, and I got to know him.

Café:  What do you think of Daniel Craig as James Bond?

LW:  I adore him. I think, at last, other than Sean, he is James Bond.

Café:  What led you to take a break from acting from the mid-1980s until a few years ago?

LW:  Several things. My mother was diagnosed with Alzheimer's. I had gone behind the camera at that point as well, so I was producing. I was working at Universal Studios as director of development for television films. I moved my Mom in with me. Lots of things. It was just unfortunate.

Café:  What were some of the made-for-TV films that you were involved with from a production standpoint?

LW:  Mickey Spillane's Mike Hammer mystery Murder Me, Murder You. Lynda Carter in Born to Be Sold, which was, at that time, the highest-rated television film. Hotline (also with Lynda Carter) and two Lynda Carter specials. I rewrote six episodes of Bring 'Em Back Alive, a TV series with Bruce Boxleitner. And I produced The Mystery of Natalie Wood, which was an ABC miniseries.

Café:  Of all your films, which one was your personal favorite and why?

LW:  I like different ones for different reasons. I'm so thrilled to have been part of The Searchers. That's something that will go on forever. It meant the world to me to be in a film like that, which is so iconic--with John Wayne, Ken Curtis, Jeffrey Hunter, and Harry Carey. It's a beautiful film that holds up to this day. I'm very proud of it.

Café:  You show a number of adorable dogs and cats on your FB page. Are they all yours?

LW:  (laughs) Oh, yes! I haven't even put the half of them up. I can't get them to sit still.

Café:  Do you have any upcoming films or appearances that you'd like to share with our readers?

LW:  I have two films coming out. One is called Killing Poe, which is a black comedy. Then, I have a thriller coming out called Bestseller.


You can "like" Lana Wood on Facebook and follow her on Twitter.

Bond Is Forever... As Are “Diamonds”

MI6 agent James Bond (Sean Connery) tracks the diabolical Blofeld (Charles Gray) to Cairo, where the villain is producing duplicates of himself. A physical confrontation ends with Blofeld sliding into a pool of boiling mud. MI6 later assigns 007 to investigate the smuggling of African diamonds, which continues in spite of tight security measures. Bond poses as a smuggler, one of numerous people who pass misappropriated diamonds down an assembly line of smugglers, most of whom are killed upon completion of his/her task by Mr. Wint (Bruce Glover) and Mr. Kidd (Putter Smith). Bond finds an ally in Tiffany Case (Jill St. John), and the two follow the diamonds to Las Vegas and a man named Willard Whyte, a reclusive casino owner. Sneaking into Whyte’s high rise casino, The Whyte House, Bond exposes the true culprit as Blofeld -- posing as Whyte by electronically replicating his voice -- standing in an office with one of his doubles. Blofeld plans to use the pilfered diamonds in a weaponized form and hold the world hostage.


After Connery departed from the series following You Only Live Twice (1967) and George Lazenby made his sole effort as 007 in On Her Majesty’s Secret Service (1969), it seems that EON Productions wanted a return to form for Connery’s homecoming in 1971’s Diamonds Are Forever. Director Guy Hamilton had previously helmed the hugely successful Goldfinger (1964) with Connery, the film’s title song sung by Shirley Bassey, who also lent her voice for Diamonds Are Forever. Hamilton would additionally direct the subsequent two 007 movies, Live and Let Die (1973) and The Man with the Golden Gun (1974), and Bassey would sing a third theme with Moonraker in 1979. Even Charles Gray as Blofeld makes a return from his appearance in You Only Live Twice -- though, despite the 1967 movie featuring Blofeld, said villain is portrayed by Donald Pleasence while Gray plays an MI6 agent working in Japan.

Diamonds Are Forever was the final film in the cinematic Blofeld Trilogy and the final film for Sean Connery, who would reprise the role in an “unofficial” entry, Never Say Never Again (1983). Blofeld is a minor character in the pre-credits sequence of For Your Eyes Only (1981), but his face is never shown. Never Say Never Again is a second adaptation of Thunderball and was made after a lengthy legal squabble (see Thunderball for more on its bumpy road to the big screen).

Though not as remarkable as previous Connery/Bond films, Diamonds Are Forever is a worthy movie with strong qualities. Mr. Wint and Mr. Kidd are notable foes, very respectful and formal as they assassinate smugglers who are no longer necessary, and the men are made all the more intriguing by the implication that they’re lovers (an idea taken from Ian Fleming’s source text). Sprightly and physically adept Bambi (Lola Larson) and Thumper (Trina Parks) are irrefutably farcical, but they’re likewise memorable, if for no other reason than their monikers. And though some action scenes fall flat, such as 007 in a moon buggy pursued by men on minuscule ATVs and the concluding sequence atop an oil rig, they are overshadowed by superior moments, including Bond’s scuffle with the man he’s impersonating while crammed inside an elevator and a chase on the luminous streets of Vegas in Tiffany’s handsome Mustang Mach 1.

So while the villains are noteworthy, it’s disappointing that the Bond advocates are far less diverting. Tiffany Case is a mediocre Bond character. An introduction to Tiffany as a smuggler initially piques interest, but she loses credibility when learning that she was tricked into helping and is completely unaware as to what will happen to her when her employers feel she’s served her purpose. She even proves detrimental to the mission near the end of the film. Similarly, the genuine Willard Whyte (Jimmy Dean) is a superfluous addition to the story, Norman Burton is an unexceptional Felix Leiter, and Lana Wood as Plenty O’Toole has very little to do, other than latch onto Bond and remove her dress when they make it to his hotel room. The “good guys” are highlighted by appearances from Q (Desmond Llewelyn), who breaks the bank at the slot machines simply to test a new device, and Miss Moneypenny (Lois Maxwell), looking rather fetching in full uniform at the customs office.

In 2009-10, following MGM’s financial turmoil and the threat of bankruptcy, the James Bond series was in danger of expiring. But MGM recovered, and production for a new Bond film recommenced. Daniel Craig will return for a tentative release date of 2012. It will be the 23rd movie of the EON Productions series.

Diamonds Are Forever has its faults, but I cannot rightly disapprove of a movie that maintains tradition and keeps its feet in familiar terrain. Here’s a Bond who first appears with his celebrated introduction to a woman but who actually speaks it to the camera and the audience; a Bond whose assignment takes him to Las Vegas for a reasonably good excuse to gamble and wear a tuxedo; a Bond who, when asked if the man he’s just fought is dead, answers slyly, “I sincerely hope so.” The film does occasionally slip into camp, but it’s undeniably grounded in the world of James Bond, a world which I’ll happily visit time and time again.

This is the final Bond Is Forever entry, as I have now covered every 007 film with the exception of the latest in the series, Quantum of Solace (2008). But since James Bond will be returning to theatres, I’ll end this with an optimistic disclaimer: Bond Is Forever will return.