Five Awesome TV Series Themes (You May Have Never Heard)

The classic television landscape is filled with great themes from TV shows such as Mission: Impossible, The Avengers, Route 66, and Hawaii Five-O. However, there are a plethora of awesome themes from lesser-known TV series as well. We wanted to highlight five of them today. Best of all, you can click on the videos and listen to these opening themes on the Cafe's YouTube channel without even leaving this page.

1. Coronet Blue - Larry Cohen's short-lived 1967 series was about an amnesiac (Frank Converse) whose only clue to his identity were the words "coronet blue." He spent 13 episodes trying to discover what those words meant. The catchy title song, which reminds me of "Secret Agent Man," was penned by Earl Shuman and two-time Oscar nominee Laurence Rosenthal. Lenny Welch, who provides the vocals, scored a top 5 hit in 1963 with a cover of "Since I Fell for You."



2. The Protectors - Robert Vaughn and Nyree Dawn Porter (The Forsyte Saga) starred in this 1972-73 British series about a trio of international troubleshooters. The title song "Avenues and Alleyways" was a UK hit for Lou Christie, who sings over the closing credits. I prefer the opening instrumental version.



3. UFO - Composer Barry Gray wrote some great themes for Gerry Anderson's marionette TV series (e.g., Thunderbirds, Stingray). So, it was only natural that Anderson would turn to Gray for his first live-action show in 1970. I love how the snazzy music is perfectly synchronized with the rapid editing.



4. The Loner - Jerry Goldsmith had already received one of his 18 Oscar nominations when he composed the theme to Rod Serling's 1965-66 TV Western. The show starred Lloyd Bridges as a former Union officer roaming the West and dealing with issues such as racial prejudice, redemption, and resignation.



5. Man In a Suitcase - This jazzy theme is probably the least-known on this list, but it was composed by Ron Grainer. He was responsible for memorable title tunes for TV series such as The Prisoner and Doctor Who as well the scores for movies like To Sir, With Love (though he didn't write the title song). Incidentally, the Man In a Suitcase theme was later used for the 1996-2000 British entertainment show TFI Friday.

Man in a Suitcase: The Best Spy TV Series You May Have Never Heard Of

By 1968, the British spy craze in film and television was on a downward trajectory. Sean Connery had departed (temporarily) from the Bond films. Patrick McGoohan's long-running Danger Man (aka Secret Agent) TV series had ended. The Avengers had moved on without Diana Rigg. Still, ITC Entertainment, best known for producing Danger Man and The Saint, believed there was life remaining in the genre--especially if it came with a built-in appeal for American audiences. The result was Man in a Suitcase, a sharply-played, well-written series starring American actor Richard Bradford as a disgraced former espionage agent known only as McGill.

Branded a traitor by U.S. intelligence, McGill makes a living doing free-lance work in Europe and Africa--dealing with blackmailers, protecting stool pigeons, finding kidnapped victims, recovering lost art treasures, etc. He charges $300 to $500 a week, depending on the job, plus expenses. When a potential client gripes about the high fee for a "disgraced American agent with a gun for hire," McGill quips: "I'm expensive...I call it my self-respect bonus."

McGill's backstory is revealed in the series' sixth episode (originally intended as the first and best viewed that way). It explains that his government superiors framed him as a traitor to protect a mole behind the Iron Curtain. Proving his innocence is not an option--McGill recognizes that his false disgrace is a price that must be paid. These kinds of difficult decisions and realistic conclusions elevate Man in a Suitcase above its more conventional rivals. It's not unusual for clients being guarded by McGill to be murdered anyway. And in one episode, after McGill fails to secure blackmail evidence, the victim sacrifices his ethics to protect his reputation.

Much of the show's success, though, can be attributed to Bradford, a relative unknown when ITC signed him for Man in a Suitcase. A graduate of the Actors Studio, Bradford's previous biggest part was as a cheating husband and bigot in a small Southern town in Arthur Penn's The Chase (1966). The role provided Bradford the opportunity to play opposite one of his acting idols, Marlon Brando (in one scene, Bradford brutally beats up Brando).

McGill's Hillman Imp.

Bradford brings a quiet intensity to McGill, a complex character who is outwardly calm but prone to quick bursts of anger and whose cynical perspective is balanced by his innate desire to do the right thing. With his gray hair and a cigarette often dangling from his mouth, McGill even looks different from his contemporary TV rivals like John Steed and Simon Templar. In lieu of a distinctive car, he drives a Hillman Imp sedan. He carries a gun only if the situation requires; his only apparent possession is a beat-up brown leather suitcase. But the most remarkable aspect of the character is his consistency across the 30 episodes. After watching McGill for half a season, one can almost predict how he's going to act in specific situations.

In an interview in Acorn's second DVD boxed set, Bradford criticizes the quality of some of the scripts. There are a handful of weak episodes, such as the first one, which features a brainwashing plot that goes on too long. However, for the most part, the plots are inventive and the writing is very strong, as shown in this dialogue in which a politician's wife (Barbara Shelley) reveals to McGill that she has long been aware of her husband's illegitmate son:

Guest star Barbara Shelley in the
episode "All That Glitters."

"I know about Steve. I haven't been officially informed...but I knew when he was born, when his mother died. I knew when he was ill. I know from the expression on my husband's face whether his monthly visit with the boy has been satisfactory or not. Oh, yes, I know all about Steve."

The production values in Man in a Suitcase are higher than most ITC productions of the late 1960s. Exterior locations and stock footage are well integrated with the studio-shot scenes. Ron Grainer composed the incredibly catchy, jazz-infused title theme (hummed in my household for weeks). The Acorn DVDs look sharp and, surprisingly, the color shows little fading.

Checking for broken teeth after a fight.

Unfortunately, Man in a Suitcase lasted just one season. Still, one has to be thankful for the opportunity to watch such excellent episodes as:  "The Girl Who Never Was" (McGill tracks down a painting stolen during World War II); "Dead Man's Shoes" (a town protects a wounded spy returning to his home); "Burden of Proof" (a man of integrity mysteriously embezzles a fortune and hires McGill for protection);  and "The Whisper" (McGill learns a priest in a small African village was a ruthless mercenary). Stylish and well-acted, Man in a Suitcase is a must-see for conoisseurs of vintage television drama.

Acorn Media provided a review copy of Man in a Suitcase Set 2.

15 Greatest TV Characters of the 1960s: McGill

Name: McGill (no first name; "Mac" to acquaintances)

Portrayed by: Richard Bradford

TV series: Man in a Suitcase (1967-68)

Occupation: Freelance troubleshooter; former U.S. intelligence agent framed as a traitor to protect a mole.

Lifestyle: Travels throughout Europe and Africa; lives out of a suitcase!

Family and Friends: A few former girlfriends, but pretty much a loner.

Trademarks: Premature gray hair; smokes too much; gets beaten up a lot.

Classic quote: (When a woman asks if he's an American)  "No, ma'am. I'm a Texan."

Classic episodes: "Man from the Dead" (provides backstory on why he was framed); "Find the Lady" (a valuable painting stolen during World War II suddenly reappears).