Classic TV Comic Book Tie-ins

Merchandise tie-ins and other licensing deals have been an essential marketing tool for decades. For movies, it dates back at least to Walt Disney, who made a licensing deal with a Switzerland company for Mickey and Minnie Mouse handkerchiefs in the late 1920s. Another example is William Boyd’s Hopalong Cassidy films, which began in the 1930s and led to dozens of tie-in products such as kids’ lunch boxes.

Television made a huge splash in the merchandising game in the 1950s with Superman, The Lone Ranger, and Fess Parker as Davy Crockett on the Disneyland TV series. Not surprisingly, savvy television producers were quick to partner with comic book publishers. Dell Comics and later Gold Key Comics led the way with tie-ins of popular shows. Many of them were based on youth-oriented TV series (e.g., Voyage to the Bottom of the Sea), but there were also comic book tie-ins with adult fare like Dr. Kildare, Mission: Impossible, and Burke’s Law.

In fact, a recent Café post on Burke’s Law inspired my sister to look for some of the classic TV comic books she bought as a youth. I had a blast looking at these covers and wanted to share them with Café readers.

You can enlarge any of the covers by clicking on them. Note the German officer pictured next to Chris George in The Rat Patrol cover is Hans Gudegast. He later changed his name to Eric Braeden and gained fame as Victor Newman on The Young and the Restless.

Get Ready for Halloween with "House of Dark Shadows"

Barnabas Collins (with Carolyn
Collins in background).

The intended audience for House of Dark Shadows was undoubtedly fans of the popular 1966-71 ABC gothic daytime drama. If you watched the TV series dutifully (like me), you will enjoy this faithful big screen adaptation. For other viewers, though, House of Dark Shadows is a respectable 1970s vampire film with modest production values and a low-wattage, though quite capable, cast.

The film opens with unemployed handyman Willie Loomis, a modern-day Renfield, inadvertently unleashing vampire Barnabas Collins (Jonathan Frid). Freed from decades of captivity in his coffin, Barnabas makes a house call on the wealthy Collins family, introducing himself as a cousin from England. The family welcomes the charming Barnabas, who presents matriarch Elizabeth (Joan Bennett) with a thought-to-be-lost, emerald-encrusted heirloom. Yet, while everyone else is enamored with the newly-discovered, gift-giving cousin, Professor Eliot Stokes (Thayer David) becomes immediately suspicious when the vampire avoids some pointed questions.

Kathryn Leigh Scott has written
several Dark Shadows books.

At a costume party, Barnabas meets Maggie Evans (Kathryn Leigh Scott), the apparent reincarnation of his lover Josette. While he woos Maggie, he has to deal with two jealous rivals for his affection: Carolyn Collins--who has become a vampire courtesy of a casual Barnabas biting--and Dr. Julia Hoffman (Grayson Hall), who has fallen in love with the vampire while developing a cure for his affliction. Not unexpectedly, things go badly for Barnabas, especially when Julia substitutes the anti-vampire serum with a drug with some unpleasant side effects.

Fans of the TV series will quickly recognize that the first 75 minutes of House of Dark Shadows condenses the TV show's familiar plot. However, to create an acceptable climax (and perhaps reward fans with some new material), producer-director Dan Curtis opts for a dramatic--and surprisingly bloody--ending. The truncated storyline also means that several popular characters only get a few minutes of screen time. Still, the focus on Barnabas works to the film's advantage, since Frid's nuanced performance is what made the show a hit in the first place.

Grayson Hall received an Oscar nom
for Night of the Iguana.

House of Dark Shadows also rewards fans by incorporating many of the TV series' familiar elements, from Robert Cobert's haunting music to the shadowy photography and atmospheric settings. Personally, I wish the film had been shot in black-and-white like the first year of the TV series (which looks much better than the later color years). However, mainstream black-and-white films were no longer in vogue by 1970, so that wasn't a realistic option.

For non-fans, House of Dark Shadows is a straightforward horror film released in the same year as another contemporary vampire outing, Count Yorga, Vampire. The Dark Shadows script has some bite (sorry!), such as when Carolyn (soon to be a vampire) tells Barnabas: "There's so much about you that I'm dying to know." One must also admire how the film avoids the whole "there are no such thing as vampires" discussion. Once Professor Stokes proclaims a vampire is to blame, everyone seems to accept that theory. (Of course, the townsfolk--except for Stokes--are slow to connect Barnabas's arrival with the sudden appearance of the bloodsucker).

Jonathan Frid in Dick Smith make-up
as the aged Barnabas.

After House of Dark Shadows turned into a solid box office hit, Curtis set out to make a sequel. However, the TV series had ended by then and Jonathan Frid had moved on to other roles. Therefore, Night of Dark Shadows focused on other characters played by David Selby, Kate Jackson, and Lara Parker. It was a modest hit, but no further sequels appeared.

That was not the end of Dark Shadows, of course, which has been released on video, revived multiple times for television, and recently turned into a campy motion picture by Tim Burton. The simple fact is that you can't keep a great vampire like Barnabas Collins down for long.

An Interview with Dark Shadows' Kathryn Leigh Scott--Actress, Author, and Publisher

Best known for her roles on the classic TV series Dark Shadows, Kathryn Leigh Scott continues to find success in both the entertainment and publishing industries. She has remained in demand as an actress since she made her television debut as Maggie Evans in Dark Shadows in 1966. Over the next five decades, she appeared in numerous films and TV series--to include the theatrical film House of Dark Shadows, acting opposite John Wayne in Brannigan, and making memorable guest appearances in TV shows such as Dallas, Star Trek: The Next Generation, and Police Squad. She continues to be in demand today with a recurring role as George Segal's girlfriend on the hit sitcom The Goldbergs. In 1986, in honor of the 20th anniversary of Dark Shadows, she wrote the book Dark Shadows Memories. Its success inspired her to launch Pomegranate Press that same year. Pomegranate Press has published books about Dark Shadows, other TV series (e.g., The Fugitive Recaptured), a biography of Minnesota Democratic Congresswoman Coya Knutson, and Ms. Scott's 2011 novel Dark Passages. 

Café:  In 1965, after graduating from the American Academy of Dramatic Arts (AADA) in New York City, you were acting on stage and working at a Playboy Bunny Club. How did you get the role of Maggie Evans on Dark Shadows 

Kathryn Leigh Scott: Richard Bauman, a theatrical agent who had seen me in an AADA production, sent me to audition for Dark Shadows. I was brought back several times to read for Dan Curtis and the director, Lela Swift...but it was while I was in Hollywood for a screen test that I got word I was wanted for a camera test in New York. I took a red-eye back, found the script on my doorstep and managed to get to the camera test by 9 A.M. I think by then I already had the role because I auditioned with several different actors up for the role of Burke Devlin, including the wonderful Mitch Ryan, who was cast. Afterward, we went to Joe Allen (a NYC restaurant) to celebrate with breakfast! 

Café: You appeared in the very first episode of Dark Shadows, but Barnabas isn't mentioned until the 202nd episode. Was it always Dan Curtis' intention to bring a vampire to Collinsport? 

Jonathan Frid and Kathryn Leigh Scott.

KLS:  We started out as a Gothic romance "bodice ripper" that was contemporary but had the feeling of Jane Eyre and quite a departure from the usual soap opera fare of the time. There were paranormal elements from the beginning because Dan Curtis conceived of the story in a dream he had about the ghost of a young girl inhabiting a country home. Our first "ghosts" were a sea captain and young Sarah, who later was identified as the sister of Barnabas. The story goes that our ratings were down and to avoid cancellation, Dan pulled out the stops by introducing a vampire...the rest is history. I worked the first day Jonathan appeared on set in his Barnabas regalia and I remember that as charming as he was the cast members all thought we were going from Chekov to Boris Karloff. But, believe me, Barnabas was entirely the inspiration of Jonathan Frid...his charisma made Barnabas Collins into an iconic character. 

Café:  During your five years on Dark Shadows, you played four roles: waitress and later governess Maggie Evans; Barnabas's lover Josette DuPres; Rachel Drummond, another governess; and Lady Kitty Hampshire. Which was your favorite role and why? 

KLS:  I'm drawn to Maggie Evans because there was so much of myself in the role. I drew on a Carl Sandburg poem that begins "Maggie beat her hands against the bars of a small Indiana town . .. " that I completely understood. I'd met Carl Sandburg when I was 16 and knew his poetry and that particular poem had such resonance. I had my own dreams and catapulted out of Robbinsdale, Minnesota for New York City. Maggie came from the wrong side of the tracks, raised by a dissolute artist...she grew up without a mother and ached to make something of herself. My favorite scene in Dark Shadows is my very first encounter with Barnabas Collins in the Collinsport Diner. It's such a defining scene: two outsiders drawn to each other, reaching out. If Maggie was looking for her knight in shining armor, she found him in a 200-year-old vampire! I think Dan Curtis saw that scene and created the relationship between Josette and Barnabas. Of course, I loved playing Josette...such a romantic, tragic character. I was newly out of drama school and there I was utilizing all I'd learned doing the classics. 

Café:  You seem to have kept in touch with several other Dark Shadows cast members (e.g., you've published several books written by Lara Parker). What was it like working with the other "residents" of Collinsport on the Dark Shadows set? 

KLS:  I love writing and have thoroughly enjoyed running Pomegranate Press. I've encouraged all my colleagues on Dark Shadows to write books and many have: Lara, David Selby, Chris Pennock, Marie Wallace, Sy Tomashoff, among others, and they've all found their own publishers. Needless to say, we're all still close friends. I see Lara, David, Jerry Lacy and many of the others when we record the Big Finish original dramas on CD and when we attend the annual festivals. We became a close-knit family working in our own little studio on West 54th Street, isolated from the other soaps...honestly, it felt like we were hanging out together in Collinsport! 

Café:  It's a tribute to the immense popularity of Dark Shadows that a big screen version (and a sequel) were made while it was still on the air. How did making the movie differ from doing the TV series? And given the TV series' tight production schedule, how was a movie made concurrently? 

With Frid on the set of House
of Dark Shadows.

KLS:  Filming House of Dark Shadows on location while continuing to tape the series in New York City was a logistical nightmare. Jonathan and I were put on hiatus from the series because we were required on set almost every day, but several of the other actors were doing both. For Joan Bennett, a legendary Hollywood movie star, and Grayson Hall, an Academy Award nominee, filming a feature version of Dark Shadows was an easy transition, but for me and the other younger actors, it was a new process, a different sort of intimacy with the big screen. We were accustomed to doing a “live” show with one take, mistakes and all...learning to do a master shot and closeups with a lot of time in between for setups took some getting used to. You have to remember that when we did the series live, it never occurred to us that anyone would see an episode a second time. All of it was new to me. In fact, I didn't realize until I watched the film many years later that I had a starring role in it! 

Café:  It sounds like writing has always been a part of your life. What inspired you to start a dual professional career as an author with Dark Shadows Memories? 

KLS:  Sixteen is a magical age...it certainly was a huge transitional time for me. At sixteen, I met and interviewed Carl Sandburg and I wrote a newspaper article that won a state journalism award. In that same year, I won a state drama award and it made me realize that acting and writing were twin pursuits that complemented each other in my life. I then applied to a Northwestern University summer program in both journalism and drama and got a scholarship to their drama program, which really opened me up to the possibilities of pursuing both. I later got a drama scholarship to the American Academy in New York, which meant acting was the dominant career path for a while...but throughout my life I've pursued both. I also love business and launched Pomegranate Press, a book publishing company, 29 years ago that specializes in nonfiction entertainment subjects, a perfect blending of both writing and acting. 

Café:  How did you go from author to publisher when you co-founded Pomegranate Press? 

KLS:  I was asked to do a magazine article on Joel Crothers, who had played my boyfriend, Joe Haskell, on Dark Shadows. He was a dear friend and his death in 1985 was a profound shock. I wrote the article, reminiscing about our days on the series, and then just kept on writing until I realized I’d written a behind-the-scenes book about Dark Shadows, the show kids “ran home from school to watch.” Ben Martin, a Time magazine photographer I’d dated while doing the show, had become my husband and we had stacks of photos he’d taken on the set that had never been published...a gold mine! Rather than send my manuscript off to a New York book publisher, I decided to start my own company. My Scrapbook Memories of Dark Shadows sold 35,000 copies in both hardcover and tradepaper, earning enough for me to publish four books the following year, including a coffee table book and a Hollywood guide book. Pomegranate Press was launched. Today, my entire backlist is available as ebooks and everything is available on Amazon. All are also available on my website: www.kathrynleighscott.com. 

Café:  As a publisher, what do you look for when you decide to publish a book? 

KLS:  Books become children that you conceive, nurture and watch grow to adulthood...yes, a long process! To carry the analogy further, you do not want to get into bed with just anyone without considering the consequences! If I like a manuscript but it doesn't suit my catalog, I've often helped an author find another publisher. But if I do take a book on, I want to work with an author who is cooperative and wants to be part of the process from editing through marketing. I certainly wouldn't want an adversarial relationship...no book is worth the trouble and I like working closely and collaboratively with my authors. Frankly, I publish what I want to read. 

Café:  In your book The Bunny Years, you interviewed over 250 women who worked at Playboy Bunny Clubs, to include Lauren Hutton and Deborah Harry. Did the majority of your ex-colleagues feel it was a positive or negative experience? And if you could go back in time, would you work there again? 

KLS:  The joy of writing The Bunny Years was re-connecting with the amazing women I worked with at the New York Playboy Club when I was a student at the American Academy of Dramatic Arts. I was in Bunny Training with Gloria Steinem, who wrote about me in her magazine article, a negative, misrepresentative piece compared to my own experiences and those of the other young women working at the club at the time. My book was a direct response to her article. I wanted to give voice to the many women who worked as Bunnies during the 25-year history of the Clubs. Read the book, which was also the basis for the A&E documentary The Bunny Years, and make up your own mind.  Lauren Hutton and I were hired as Bunnies at the same time...and Susan Sullivan and I became lifelong best friends after working as Bunnies. For me, it was a wholly great experience and I would do it again were I to go back to that wonderful period of time. 

Café:  You've hinted that you're working on a sequel to your 2013 novel Down and Out in Beverly Heels. You continue to appear at conventions and we assume you'll be back on The Goldbergs this season. That's a packed schedule! Are there any events or projects you'd like to highlight for Cafe readers? 

KLS:  I adore working with George Segal, playing his girlfriend Miriam on The Goldbergs and hope I’ll be invited back again and again. I've also completed Take Two, the sequel to Down and Out in Beverly Heels, and Last Dance at the Savoy: A Caregivers Journey, a memoir about my husband’s long bout with PSP, a neurological disease that claimed his life in 2011. I’m also completing another novel, May to September. I hope to keep doing what I’ve always done: writing and acting. I’m thrilled that I will be joining my other Dark Shadows castmates on a January 2015 cruise (January 10-17) in the Caribbean . . . please come along! Call (800) 828-4813 to book the cruise. Lara Parker and I will be visiting Martinique, the birthplaces of Josette and Angelique!

You can learn more about Kathryn Leigh Scott on her website: www.kathrynleighscott.com. You can also follow her on Twitter as @kathleighscott.

The Five Best American TV Daytime Dramas

Enduring popularity and cultural impact were the major criteria used to select our picks for the five best daytime soaps broadcast on U.S. television. Some choices were easy, while others sparked a difference of opinion among the Cafe staff. Our "Five Best" posts are always a challenge, but also fun to write and among the most widely-read posts at the Cafe. And for those of you who scoff at soap operas, remember these two facts: (1) daytime drama has long been a pioneer in tackling once-controversial subjects such as interracial marriage and AIDS; (2) many film and TV stars honed their craft on daytime TV (e.g., Kathleen Turner, Kevin Bacon, Ted Danson, Laurence Fishburne, Demi Moore, etc.). So, without further pontificating, here are the Cafe's Five Best TV Daytime Dramas.

Melody Thomas Scott and
Eric Braeden.

1. The Young and the Restless. Y&R debuted in 1973 as a half-hour series when CBS asked William and Lee Phillips Bell to create a soap opera for a young female audience. The series didn't catch fire until the early 1980s when the Bells revamped it to focus on the Abbotts and Williams families. Eric Braeden also joined the cast as Victor Newman--and a legendary soap character was born. By 1987, Y&R had ascended to the top spot in the soap opera ratings. Incredibly, it has finished as the highest-rated daytime drama every season since then. Along the way, it became an international hit, spawned a successful spin-off (The Bold and the Beautiful), and even showed up occasionally on CBS's prime time schedule. The theme song, written by Barry De Vorzon and Perry Botkin, Jr., originally appeared in the 1971 movie Bless the Beasts and the Children. When ABC used it for a montage for Olympian gymnast Nadia Comaneci, it was released as the instrumental single "Nadia's Theme (The Young and the Restless)" and peaked at #8 on the Billboard chart.

Anthony Geary and Genie Francis.

2. General Hospital. Since its 1963 premiere, GH has had its shares of ups and downs. Yet, no other daytime soap will ever surpass the tremendous pop culture impact of its Luke and Laura storyline. Shockingly, it began when a drunken Luke (Anthony Geary) raped Laura (Genie Francis). However, their story arc took a dramatic turn when the couple subsequently fell in love. By the the time they married in 1981, the huge popularity of the characters made their nuptials a television blockbuster event watched by 30 million viewers. Over the next four decades, Luke and Laura left and returned to Port Charles multiple times--amid kidnappings, murders, and family squabbles. They even had two children, Lucky and Lulu. Yet, while GH never recaptured the magic of their first pairing, it remained a popular daytime drama with younger viewers. Over the years, it furthered the singing careers of stars Rick Springfield and Jack Wagner and spawned the hit songs "All I Need" (Wagner), "Baby, Come to Me" (Patti Austin and James Ingram), and "Think of Laura" (Christopher Cross). GH was also a favorite soap for celebrity guest appearances and featured stints from Elizabeth Taylor, Roseanne Barr, and, recently, James Franco.

Jonathan Frid.

3. Dark Shadows. Dan Curtis created Dark Shadows for ABC in 1966 as a contemporary Gothic soap set in the New England town of Collinsport. The show didn't perform well initially, so in an effort to liven things up, a plotline involving a ghost was added. Viewer interest perked up a little, so Curtis and head writer Art Wallace introduced a vampire in episode 211--and a pop culture icon was born in the form of Barnabus Collins. As the conflicted bloodsucker still pining for his beloved (but long-dead) Josette, Canadian actor Jonathan Frid made Barnabas alternately charming and cruel. Arguably, Frid was daytime drama's first superstar--his popularity even prompted a House of Dark Shadows theatrical film (plus a less-successful sequel, Night of Dark Shadows, without Frid). Although ABC canceled Dark Shadows after just five years, it has been revived numerous times in film, television, and audio recordings. Other actors who have played Barnabas include Ben Cross and Johnny Depp.

Kim Zimmer.

4. The Guiding Light. The genre's longest running TV series actually began as an NBC radio drama in 1937. It moved to television in 1952, where it was a mainstay on the CBS daytime schedule for the next 57 years! Soap opera pioneer Irna Phillips created The Guiding Light, which initially focused on Reverend John Rutledge, who lived in a Chicago suburb, and the Holden family. The show's title was derived from an old lantern that Reverend Rutledge placed on his desk near a window to serve as a "guiding light" for others. Over the years, the Bauer family took center stage on The Guiding Light and the setting ultimately shifted to Springfield, Illinois. The show's length expanded from fifteen minutes to a half-hour and finally one hour in 1977. In 1983, actress Kim Zimmer joined Guiding Light as Reva Shayne--the show's most popular character. As Reva, who was married nine times to seven different men, Zimmer won four Daytime Emmy Awards as Lead Actress.

Susan Lucci.

5. All My Children. One could make a case for including Days of Our Lives, Edge of Night, or a number of other soaps in the No. 5 position on this list. I gave the nod to All My Children based on Susan Lucci's emergence as a star outside the genre. Her made-for-TV movies, Dancing With the Stars appearance, and 18 Emmy nominations before finally winning made her a household name. It wasn't surprising when TV Guide ranked her #36 on its 1996 list of the 50 Greatest TV Stars of All Time. Yet, while Susan Lucci became AMC's star, the series also benefited from a strong cast consisting of veteran performers from film (Ruth Warrick from Citizen Kane) and prime time TV (David Canary from Bonanza). It had its share of celebrity fans as well, with the most prominent being Carol Burnett, who has played characters on the show on at least three occasions.

15 Greatest TV Characters of the 1960s: Barnabas Collins

Name: Barnabas Collins

Portrayed by: Jonathan Frid

TV series: Dark Shadows (1967-71; Barnabas didn't appear in the 1966 episodes)

Occupation: Independently wealthy vampire, though he claimed to be a businessman.

Lifestyle: Slept in a coffin by day, sucked blood by night--when not pursuing Maggie Evans and, later, Victoria Winters. Lived in the Old House on the Collinwood estate in Collinsport, Maine. His reluctant manservant was Willie Loomis.

How He Became a Vampire: Unsure that his beloved Josette returned his affections, Barnabas had a one-night tryst with her maid Angelique. He later spurned Angelique, who used witchcraft to bring unhappiness to Barnabas and Josette. When he found out what Angelique did, Barnabas shot her--but not before she cursed him to an existence as one of the undead.

Family and Friends: He was born in 1760 to Joshua and Naomi Collins. Had a younger sister, Sarah, who died of pneumonia; her ghost later roamed Collinwood. Was close to his Uncle Jeremiah and Aunt Abigail. Had many cousins! In the contemporary storyline, he developed a close relationship with Dr. Julia Hoffman (though he didn't reciprocate her romantic feelings).

Trademarks: A cane with a silver wolf's head; a black onyx signet ring; fangs.

Useful Skills:  The usual vampire things.

Classic quote: "I didn't say she was dead. I said I killed her."

Underrated Performer of the Week: Jonathan Frid

He was once so popular that he received massive amounts of mail from his female fans imploring that he nibble on their necks. No, I'm not talking about Robert Patinson from the Twilight movies nor the two vampire hunks from True Blood. No, not even Frank Langella, who played a sexy Dracula on Broadway and in film. All those performers owe no small debt to the original vampire-turned-pop culture phenomenon: Dark Shadows's Barnabus Collins, as played by Canadian actor Jonathan Frid.

Born in Ontario in 1924, John Herbert Frid began acting in prep school as a teenager. He studied drama at McMaster University in Ontario, though his college days were interrupted by a stint in the Royal Canadian Navy during World War II. After the war, he graduated from McMaster and attended the Royal Academy of Dramatics Arts in London.

Returning to Canada in 1949, he worked in repertory companies and on television. Five years later, he enolled in the Yale School of Drama, eventually earning a Master's degree in directing in 1957. His first love was acting, though, and he played a wide range of roles for the next ten years--from Shakespearean characters to Starbuck in The Rainmaker. He gradually became interested in teaching drama and was looking for a position at a college when he was offered a brief stint as a vampire in a daytime soap called Dark Shadows.

Dan Curtis created Dark Shadows for ABC in 1966 as a contemporary Gothic soap set in the New England town of Collinsport. The show didn't perform well initially, so in an effort to liven things up, a plotline involving a ghost was added. Viewer interest perked up a little, so Curtis and head writer Art Wallace introduced a vampire in episode 211--and a pop culture icon was born.

A conflicted vampire still pining for his beloved (but long-dead) Josette, Barnabas was alternately charming and cruel--a perfect, well-rounded role for the Shakespearean-trained Frid to sink his teeth into (sorry...I just had to write that). Frid and Dark Shadows became so popular that Curtis adapted the series in 1970 as the theatrical film House of Dark Shadows (which summarized some of the show's plots and added an "ending"). Its financial success resulted in a sequel called Night of Dark Shadows, which didn't feature Barnabas...a bad decision in terms of box office.

After its burst of mainstream popularity, Dark Shadows faded slowly as must-see daytime television. The series ended in 1971. Frid, though, continued to stay busy. He starred in the made-for-TV movie The Devil's Daughter (with Joseph Cotten and Shelley Winters), headlined Oliver Stone's 1974 horror film Seizure, and returned to theatre.

Frid began doing readings at Dark Shadows conventions in the 1980s. He enjoyed that so much that he eventually developed the Readers Theatre and a one-man show. He also continued to perform on the stage in productions such as Arsenic and Old Lace and Mass Appeal.

Jonathan Frid never married. He is now 85 and semi-retired. But his legacy lives on--Johnny Depp may play Barnabus in a new version of Dark Shadows being developed by Tim Burton.