Wednesday, January 21, 2015

To Sir, With Love: The Feel-Good Side of the Sixties

During my formative teenage years, I developed a fondness for the British cinema of the mid-to-late 1960s. These films spanned several genres: the serious spy film (The Deadly Affair); social satire (Nothing But the Best); quirky thriller (Bunny Lake Is Missing); and pop culture comedy (Georgy Girl). The only thing they shared was a healthy dose of cynicism and impeccable British casts. So, it seems ironic that one of my favorite films of this period is an upbeat, almost sentimental, tale starring a mainstream American actor: To Sir, With Love.

Sidney Poitier as Mr. Thackeray.
In a role seemingly tailored for him, Sidney Poitier plays Mark Thackeray, a young engineer looking for a job. Unable to find one in his chosen profession, he accepts temporary employment as a teacher in an inner-city London school. It’s a bleak situation—the students are out of control, most of the teachers are burned out, and the school reflects the poverty of the surrounding neighborhood. Thackeray’s initial attempts to reach his students fail miserably. He finally concludes that the teens act childish because they’re treated as children. He starts showing them respect and demands the same of them. He tosses out the curriculum and teaches his students about life. In the end, Thackeray becomes a teacher and his students become adults.

Judy Geeson as Pamela Dare.
Cynics will no doubt criticize To Sir, With Love as simple-minded and obvious. Perhaps, it is, but the story is put across with such conviction and professionalism that it’s impossible to ignore its many charms. In particular, a subplot involving an attractive student (Judy Geeson) who develops a crush on Thackeray is handled impeccably. Its only flaw is that Poitier and Geeson have such a natural chemistry that one almost wishes a romance could work out between them (but then, To Sir, With Love would have been a very different film).

Lulu--she was once married to Bee Gee
Maurice Gibb.
The film’s theme, sung by Lulu (who plays one of the students), became a huge hit. Director James Clavell must have recognized the song’s potential—it’s heard multiple times throughout the picture. In one scene, it’s played over a montage of Thackeray taking his students to a museum. The scene looks very much like one of the world’s first music videos.

Sidney Poitier stands out as one of my favorite actors of the 1960s, with memorable performances in A Patch of Blue, Lilies of the Field, and In the Heat of the Night. Judy Geeson went on to play a major role in the vastly entertaining British miniseries Poldark and Poldark II. When my wife and I were in London in 1987, we saw Lulu in a production of the stage musical Peter Pan. She played Peter and still sounded great.

Sidney Poitier reprised his role as Mark Thackeray in the 1996 made-for-TV movie To Sir With Love II, directed by Peter Bogdanovich. The plot has Mr. Thackeray retiring from teaching in England, only to start anew at a Chicago inner-city school. It's pleasant enough, thanks to Poitier, but my recommendation is to stick with the original.


  1. Who doesn't love "Sir"? This movie inspired my sister-in-law in her teaching career, and I think it is a safe bet that she's not the only one.

  2. Great film in a string of great Sidney Poitier films in the 60s, Duel at Diablo, Bedford Incident, Heat, a class act. I, too, was inspired by this, and Mr. Novac, and Up The Down Staircase in my choice of career. Still, would have liked to have been Mannix.

  3. What I really enjoyed about "To Sir, with Love" is that it shows us how important it is to try to meet the situation that has been presented to you. It shows how vital respect is, both to give and receive. Sidney Poitier is phenomenal in this role and I am delighted to see you showcase this film. I also loved Lulu's poignant song and her beautiful rendition of it. Timeless!

  4. I liked what you said about the museum montage + music as being one of the first music videos. I hadn't thought of it that way, but you're right. It was very well done, as was the entire movie.

  5. I share your love and enthusiasm for TO SIR, WITH LOVE too, Rick! Parts of it (especially the end dance scene while Lulu sings) are corny, but the movie's heart is in the right place, and it's a lot of fun to see the prim, proper and well-tailored Poitier interact with rough West London punks. And Judy Geeson is just so darn cute!

    On a side note, Lulu's theme to THE MAN WITH THE GOLDEN GUN always comes in for a lot of flack from 007 fans, but I've always liked it.