Wednesday, July 28, 2010

Bond Is Forever: “Goldfinger”

At a beautiful resort in Miami, British secret agent James Bond (Sean Connery) is relayed a message from MI6 head, M (Bernard Lee). Bond’s friend and occasional confidante, CIA agent Felix Leiter (Cec Linder), informs 007 that he is to watch a man named Auric Goldfinger (Gert Fröbe), who the spy catches cheating at a game of gin rummy. However, Bond’s true assignment is to learn how Goldinger, who by all intents and purposes is a legitimate jeweler, is moving his shipments of gold bullion. As 007 is told, since gold can be melted down, tracing any of the precious metal that has been stolen is nearly impossible. The superspy trails Goldfinger, always accompanied by his mute henchman, Oddjob (Harold Sakata), from London to Switzerland, eventually uncovering Goldfinger’s plan known as Operation Grand Slam. Bond, with the help of a fully loaded Aston Martin DB5 and shaken, not stirred, martinis, must halt an attack on Fort Knox.

Goldfinger has become the “go-to” Bond film since its release in September 1964. It popularized a number of 007 elements, most notably, perhaps, the title song performed by a famous singer, in this case Shirley Bassey. Bassey would also be the only musician to perform a Bond title song more than once, having the honor again in Diamonds Are Forever (1971) and even a third time, as a last-minute replacement for Johnny Mathis in Moonraker (1979). A title song performed by a well known singer would become a staple in the Bond series, with 1969’s On Her Majesty’s Secret Service being the sole exception.

This is the first film of the series that 007 orders a martini “shaken, not stirred” (although in 1962’s Dr. No, the titular baddie serves the secret agent a martini, knowing how he likes it mixed). This is actually taken from Ian Fleming’s novels and would become such a celebrated trait of the films that it was sometimes parodied, such as You Only Live Twice (1967), when he accepts a martini inaccurately stirred, and Casino Royale (2006), when an irate, preoccupied Bond refuses to specify a mix. According to actor Desmond Llewelyn, who plays Q, director Guy Hamilton instructed Llewelyn to play his character as if he disliked 007, since he has no respect for his gadgets. This method led to numerous sarcastic remarks from a perpetually exasperated Q, as well as one of his best known lines spoken in Goldfinger: “I never joke about my work, 007.” Although Bond was given a gadget-laden briefcase in the previous year’s From Russia with Love, Goldfinger popularized Bond’s visit to the Q-Branch, as Q explains to him his latest gadgets (as well as the audience treated to various additional gadgets in the testing phase).

Editor Peter Hunt, who worked on Goldfinger, had reconstructed From Russia with Love into a nicely paced action feature. His most noteworthy contribution was creating a pre-credit sequence. With Goldfinger, Hamilton and screenwriters Richard Maibaum and Paul Dehn turned the pre-credit scene into a movie all its own, with Bond in the midst of an assignment that has nothing to do with the forthcoming mission. Most of the subsequent movies adopted this format.

Goldfinger is likely the most popular of the Bond films. In addition to the distinctively mixed drinks and Q berating Bond, there are a number of things viewers tend to remember about this film: the golden fate of Jill Masterson, the introduction of the Aston Martin, the movie’s theme song (I personally cannot speak the title, choosing instead to sing it). But one of the most memorable components of Goldfinger is Goldfinger himself. Bond’s chief antagonist is a charming, brilliant man, and he’s an impressive and fascinating figure to watch onscreen. One reason for this is an outstanding performance from Fröbe, a German actor who could not speak English and was consequently dubbed for the film. He plays Goldfinger with a style that can easily be equated to 007. But more than anything, the manner in which the villain transports gold and his plan that he ultimately reveals to Bond are ingenious, and even if he is a self-centered, egotistical, malicious person, it is difficult not to respect him for his methods.

Honor Blackman as the provocatively-named Pussy Galore gi
ves a strong showing in Goldfinger. Before being cast in the film, Blackman had just ended her contract on the successful British series, The Avengers. Her co-star, Patrick Macnee, would star in another Bond film, A View to a Kill (1985), and her replacement, Diana Rigg, would catch Bond’s wandering eyes in On Her Majesty’s Secret Service. To round out the Bond-Avengers connections, Joanna Lumley, who would be featured in The New Avengers with Macnee, had a small role in On Her Majesty’s Secret Service. Prior to Goldfinger, both Blackman and Shirley Eaton, who played Jill Masterson, had made appearances in another popular British TV show, The Saint, starring future 007, Roger Moore. Following the film’s 1964 release, Lois Maxwell, who played Moneypenny in numerous Bond films, and one-time Felix Leiter, Cec Linder, both starred in episodes of The Saint.

Toshiyuki “Harold” Sakata, of Japanese descent and born in Hawaii, was a professional wrestler, wrestling under the name Tosh Togo. Although he has no lines, his portrayal of Oddjob would make the character one of the best of the 007 series. The weaponized bowler hat was Fleming’s creation, but it is Sakata who flashes a wicked grin when Bond’s attempts to subdue him prove futile. Reportedly, Milton Reid, who’d previously had a small role as a guard in
Dr. No, was up for the part of Oddjob and challenged Sakata to a wrestling match (to determine who would play the henchman) that never materialized. Reid would have a significant villainous role in The Spy Who Loved Me (1977). Linder is a standout among the many actors who would play Felix Leiter, pleasant and a worthy counterpart to Bond.

Goldfinger was a huge international success, breaking box office records and earning back its three-million dollar budget in just two weeks. Just a little more than a month before the premiere of Goldfinger, Bond creator/novelist Ian Fleming died of a heart attack.

is one of my favorite Bond films and is typically the one that I will recommend to potential 007 fans. Connery is terrific, of course, and there are many significant aspects of the film: a great villain, plenty of action, and excellent music.

Bond Is Forever
will return next month with The Living Daylights (1987).


  1. Margaret Nolan as "Dink"

  2. Love these Bond reviews, Sark. Goldfinger and You Only Live Twice are my favorite Bond films. You gave some very interesting background information as well as a good overview of Goldfinger. Like you, I am never able to just say Goldfinger. It always comes out like Shirley Bassey.

  3. Sark, this is my husband's and my favorite of the Bond films. Your review pointed out all of the things that make this the "Bond classic" for me. Auric Goldfinger is my favorite Bond villain. True, he doesn't have a cool spoiled white cat on his lap, but no cat would like Mr. Goldfinger. He is just too cruel. I always thought the way Jill Masterson died was a unique but horrible way to kill someone. Also the dialogue is great like when Honor Blackman tells Bond, "My name is Pussy Galore." Bond replies, "I must be dreaming." And the photo you included with the laser beam aimed for Bond's "most valued parts" is my favorite line in all the Bonds films. Bond says to Goldfinger, "Do you expect me to talk?" And Goldfinger replies, "No, Mr. Bond, I expect you to die." Rule number one when a villain is talking to 007...never be arrogant and tell him all of your plans. Bond will somehow escape and your plans are foiled! Great review and I enjoyed it very much. Oh, you know that the song is on my iPod. The song is a classic and yep, I am humming it out loud right now!!

  4. Sark, this is undoubtedly my favorite Bond film for all the reasons you stated so eloquently. The pre-title sequence is the best in the series and ends with a classic Connery one-liner. The villain and henchman are also the finest and Aki mentioned my favorite quote from the movie ("I don't want you to talk, Mr. Bond..."). GOLDFINGER also stands out for me because of the plot--a weak spot in some of the best Bond outings. Here, though, Goldinger's plan to increase the value of his gold bullion and take over the global market is quite ingenius. I also like that Bond makes his pursuit of Goldfinger something of a personal vendetta after Jill is murdered in such a cruel manner. Thanks for a terrific write-up of a terrific 007 film.

  5. Sark, Thank you for another wonderful "Bond" movie review. Another one of my favorite scenes from the film,"GOLDFINGER", is the car compactor scene and the Swiss mountain car chase.

  6. Okay, Sark, are you sitting down? I have seen this Bond film!!! I enjoyed it mostly because I love Sean Connery, but it was nice to see an earlier Bond film and compare it to some of the more recent ones I have seen. Also, I suppose I should be ashamed to say this, but I just crack up whenever I hear Pussy Galore. Austin Powers thanks you, Mr. Fleming.

  7. Forgive the lateness of my reply but it is my first time on line since my family moved. This was a spectacular review of one of the best of the Bond films. I love that Auric contains the symbol Au for gold. Small touches like that always make me smile. From the daring scene of discovering Jill painted in gold paint to the clever plot set at Fort Knox this movie is a golden example of Bond at its best. You did a fabulous job in your write-up, Sark!